a runaway servant, played by dave franco takes refuge in their convent.viewed as a deliciously deadpanned sexual farce. here is a look. ♪ dad.llo, >> hi, sweetheart. >> maybe marriage is not your calling. >> mr. alessandro, daydreaming about somebody that will take her away. >> did he just smile at you? >> why is he smiling? who is that? >> i don't know. >> mr. fernando? >> mr. alessandro. ♪ >> blinged bling. .> they call me a jew >> lust fullness, homosexuality. did you really are eyes -- roll your eyes? man'slept with another wife. >> one of you thinks he is quite the jester. >> these girls could be talk, i am not going to lie. they can be very tough. >> i have a turnip? >> may physically attacked people. bling bling. ♪ >> are you sure you have never been touched by a man? >> never. >> is the greatest pleasure on earth. ♪ >> what is wrong with her? >> they are on drugs. ♪ >> the longest list i have ever had. the use of language, eating blood? do you think i have ever written down eating blood before? where am i? ♪ [screams] >> i am pleased to have the w

[laughter] inson: that is dave franco "the little hours." me with aubrey plaza and jeff bana. this has been described as improvisation. but you as a director clearly shaped the found and the direction and the narrative. so how does that work? you with a director as a strong point of view out mighty improv? jeff: i think improvisation is a big, generic term. it is a spectrum. there are movies where people don't know the scene until they get into it. i think my approach is a little more matter. it did break out people are saying. it was not like a one sentence like pursing. it was spelled out when the person was saying. but i did not want to have the actual lines written. i wanted them to be in their own words. why? it feels contrived when actors are forced to say certain lines that were not enough to them. i personally, my first movie, i tried hard to not make the dialogue to make you feel like how people talk. realized a faster way of doing that is to have the actors inspired to save airlines, and have a little bit of you know, the unknown a

alison: that was dave franco in the little hours. he is joining me with aubrey plaza.ople understand that this was an outline of the story you made and it has been described as improvisation. you as a director clearly shaped the direction and the narrative. how does that work if you as a director have an outline of an improv? >> i think it is a vague, generic term. those ones were people don't know the scene until the end of it, i think my approach is a little more mannered. it did break down what people are saying. it wasn't like one sentence pursing, it spelled out what he's person was saying. i didn't want the actual lines written for them. there is something that feels contrived when actors are forced to say certain lines. i personally try really hard to make the dialogue written in such a way that people are trailing off and there is overlapping dialogue. i realized a faster way of doing that is having the actors inspired to say their lines. having a little bit of the unknown added to it and so when they say there lines and responses, they are not anticipating and

host: that is dave franco in the little hours, he is joining me with aubrey plaza and jeff bana.outline of the then you, as a director clearly shaped the film and the direction and the narrative. how does that work -- you as a director with a strong point of view, an outline, and improv? jeff: i think improvisation is a vague generic term. it is a spectrum. there are movies where people don't know the scene until they get into it. i think my approach is a little more mannered. it did break down what people are saying. it was not like a one sentence line per scene, it was spelled out what this person was saying. i didn't want the actual lines written for them. i wanted in their own words -- it in their own words. host: why? jeff: there is something contrived i feel where an actor is forced to say certain lines that might not be natural. in my first movie i tried to make the dialogue written such a way that it feels the way people talk so people are trailing off and there is overlapping dialogue. i realized a faster way of doing that is to actually have the actors inspired to figur