rebecca more row, ber neta adolf, david fleming, christy aceem, chris daly, brenda baros. and seanie zin. >> good afternoon, supervisors. my name is jesse mitchell. i'm an acce member, action committee for community empowerment and a resident of district 11. i've lived in san francisco for many years and am frustrated by recent cuts to violates services and increased fees on residents. when i learned that the banks have been cheating us out of our tax dollars i felt we needed to prosecute them and demand they return the money. as a small business owner in it san francisco, i understand the importance of honest financial practices. once again, major international financial institutions have shown that they can't be trusted. we must hold them accountable for every penny they cheated from us, to speak from the heart here. my first encounter with financial bullying was in junior high school. and it was about my lunch money. and i didn't really know what to do about it then. but i'm getting a similar feeling here that no one -- people are seeking a way to find out what to do ab

fleming. hitchcock. welles. british films. david lean. godard and the new wave. godard. truffaut and godard.d and truffaut and louis malle. philippe de broca. michael curtiz. francesco rossi. the first bertolucci films. antonioni. visconti. pennebaker, leacock. shirley clark. the maysles. john cassavetes. (ricocheting bullets) (jazz music playing) (peter biskind) all these kids were steeped in old hollywood movies, the movies of john ford and howard hawks and particularly in hitchcock. films were filled with homages to one director or another, and often entire films, particularly brian de palma's became reworkings of hitchcock's films. surprise. hey, now you know you're not supposed to cut the cake until you make a wish and blow out the candles. well, i was very interested in that period of my career of learning how to express as clear in images as possible. and many directors of course are drawn to hitchcock. so i patterned something on very much like "psycho" and then created ways of characters observing others and following each other and learning specific hitchcock vocabulary. (loud, dis

fleming. hitchcock. welles. british films. david lean. godard and the new wave. godard. truffaut and godard.d and truffaut and louis malle. philippe de broca. michael curtiz. francesco rossi. the first bertolucci films. antonioni. visconti. pennebaker, leacock. shirley clark. the maysles. john cassavetes. (ricocheting bullets) (jazz music playing) (peter biskind) all these kids were steeped in old hollywood movies, the movies of john ford and howard hawks and particularly in hitchcock. films were filled with homages to one director or another, and often entire films, particularly brian de palma's became reworkings of hitchcock's films. surprise. hey, now you know you're not supposed to cut the cake until you make a wish and blow out the candles. well, i was very interested in that period of my career of learning how to express as clear in images as possible. and many directors of course are drawn to hitchcock. so i patterned something on very much like "psycho" and then created ways of characters observing others and following each other and learning specific hitchcock vocabulary. (loud, dis

we have the co-founders, david roddenberry and jim fleming join us now. thank you for joining us.ext to us a participant in a program. let's start in new york. tell us how this works. >> well a healthy wage makes weight loss more effective by making it fun so it gives you a chance to win up to $10,000 by participating in our challenges and all you have to do is lose weight. >> easy enough, right? for some to say. >> brian, you are in a program and you said it's like a 10% program. explain what this is. >> up front i paid $150, weigh in and what i'm going to do 10%, within six months if i lose 10% i double my money and give me $300 for losing that weight. >> do you feel that's sort of the heat of the competition from your co-workers, is that a driver for to you lose weight? >> it is. the money, too, just think being it. the last thing i want to do is lose $150 so if i can win $300 it's great but to not lose $150 that's even better. >> is it the competition you found or the money that really is the prime motivator here for the weight loss? >> they're two completely separate tools an