debbie james has _ been a struggle for me. debbie james has lived _ been a struggle for me. - been a struggle for me. debbie james has lived in poverty for l james has lived in poverty for most of her adult life. she says she's often been treated as subhuman, ignored and stigmatised. we as subhuman, ignored and stigmatised.— as subhuman, ignored and stiumatised. ., ., ., , stigmatised. we are all worthy of di . ni stigmatised. we are all worthy of dignity and _ stigmatised. we are all worthy of dignity and respect. - of dignity and respect. everybody�*s got their own story, and everybody�*s got a right to have their story heard. . heard. the wealth divide in the bournemouth, _ heard. the wealth divide in the bournemouth, christchurch - heard. the wealth divide in the| bournemouth, christchurch and poole macro area is stark. multi million pound houses in sandbanks only a few miles away from some of the most deprived parts the country. those behind this project are encouraged by the momentum that's begun. we won't eradicate _ the momentum that's begun. we won't eradicate pover

he's been described as the best young client since the broad james room that he's debbie for the cleveland tablet. that was right back in 2003, read the scoring 9 points in a 76. 60 i waited for the fence. that's always what for now, for like 2 bags for a whole. and that's it for me. my. the insights of this needs as to how we're, i'm, and we'll be back in just a moment with the the, the dreaming of somebody more amazingly similar. how about some disney magic ones? you can go one big one, single 12. you will find x. incredible phase, then you can just take these 3 using this summer feed more and more visit a couple of dot com, the 19 sixty's the decade of change across the middle east in north africa in the 2nd of a 3 part series, l g 0. well, explores the explosion of oxen, culture, intellectually as we're building new dreams. an idea is because the revolutions of the 1961, the political parts of the mind for music to tv, the poetry of protest and revolution, they make the 60s in the arab culture. oh no jews here. how do states control information controlling the narrative dominating the