charlie: do you like deckard? harrison: that is something that is between deckard and deckard.ean, it is about me. i have to pull something out for myself, storytelling-wise. but what serves the telling of the story? i have never in my life uttered the phrase, "my character wouldn't do that." the character is there to help the story. that alliance between story and character that gives alliance to both of us. charlie: you would not tell a director that? harrison: no, i would tell him it is a crummy line, it might be better another way. what else could we tried? , but i fall back on it have not worked with people that required me to do that. charlie: did you hate to see han solo die? harrison: no. i had been arguing for his demise for a long time. it was the last thing for him to do, was to die, give the music a little bottom. he has no mama, no papa. he is not a convert. but there is progress in his belief in obtaining a bit of belief in the motivating force behind the other characters, but i thought the last utility would be to sacrifice himself for the good of the story, of t

inevitably, his assignment leads him on to the trail of harrison ford's deckard. here's a clip.hat are you doing here? i heard the piano. don't lie. it's rude. you're a cop. i'm not here to take you in. oh, yeah? then what? ijust have some questions. a lot of praise for harrison ford's performance. i think harrison ford is great, but the key performance is denis villeneuve, the director, who has done a brilliantjob of following on the themes of the original blade runner. ridley scott's blade runner had visual awe, and thanks to some fantastic cinematography from roger deakins, this takes your breath away visually. it's spectacular, depicting a world that appears to go on for ever, completely immersive, you can totally believe in it. it also has a groaning, roaring soundtrack that dances around memories of the original vangelis score. most importantly, it has the confidence to take its time telling the story. the original story, although it was science fiction, it was about what it meant to be human and what memories do in the formation of our personality. how do we define our id

and inevitably, his assignment leads him on the trial of harrison ford's deckard. here's a clip. i heard the piano. don't lie. it's rude. your cop. i'm not here to take you in. oef? then what? ijust have some questions. a lot of praise for harrison ford's performance. i think he's great, but the key performance is the director, danny villeneuve, who has done a brilliantjob of danny villeneuve, who has done a brilliant job of following danny villeneuve, who has done a brilliantjob of following on the themes of the original blade runner. ridley scott's original was fantastic visually, and this takes your breath away. the world appears to go on forever, it is completely immersive, you can believe in it. it also has this roaring soundtrack that around memories of

an old of the money and of the holy shifting gears on deckard to land conflict the prime minister's who to man to cross it again which is the mond announcement on tuesday when he asked the regional parliament to truth ben got to learn independence for the coming weeks to allow a negotiation instead of a hoyt has given him just a week to back off or face the suspension of the guy at the landfill government that is that clear message from the spanish government that it won't accept any negotiation and it puts the mont gave up on independence and abide by the spanish constitution thought yeah definitely. that and this collision escalation oliver what does it feel like there in barcelona i mean where does this leave the cattle on leadership or particularly the cattle on president. well economists put them on the catalan president finds himself in an increasingly complicated situation here tonight he might be realizing that he's walking down this road with a debt and slowly coming to terms that he doesn't know how to return really because he's receiving pressure from two sides here really. n

inevitably, his assignment leads him on to the trail of harrison ford's deckard. here's a clip. rude. you're a cop. i'm not here to take you in. oh, yeah? then what? ijust have some questions. a lot of praise for harrison ford's performance. i think harrison ford is great, but the key performance is denis villeneuve, the director, who has done a brilliantjob of following on the themes of the original blade runner. ridley scott's blade runner had visual awe, and thanks to some fantastic cinematography from roger deakins, this takes your breath away visually. it's spectacular, depicting a world that appears to go on for ever, completely immersive, you can totally believe in it. it also has a groaning, roaring soundtrack that dances around memories of the original vangelis score. most importantly, it has the confidence to take its time telling the story. the original story, although it was science fiction, it was about what it meant to be human and what memories do in the formation of our personality. how do we define our identity? big science—fiction ideas. blade runner 2049 says

blade runner — the final cut version, not the original version with the ridiculous voice over, "i am deckardes of the original writer, who is a co—writer of this. i think the director did a brilliant job with realising a world in the same way ridley scott realised it in blade runner. i know some people have found it alienating and some have found it a movie whose gender politics they have a problem with — i didn't. i thought it was very very true to the original, and believe me, i was very trepidatious. i have seen it twice now, so in total that is the best part of six hours, and i could happily go back and see it again tomorrow. 0k. you definitely weren't bored as opposed to where we started. quick thought about dvd? man called over, which is this beautiful film, couple of oscar nominations, story of a guy who is a curmudgeon, a widower, and we see through his relationship with his neighbour how his life has turned him into the person he is. it's that phrase when people talk about bitter—sweet comedy, this is a genuinely bitter—sweet comedy. there are things that will make you laugh, things

how did it feel for harrison ford to revisit his iconic role of rick deckard?the character is one thing but being part of a story that is complex and is interesting, to me, as this was, was the real draw. not just playing the character again, but exploring new aspects of the character." "your story isn't over yet. there's still a page left."in hollywood, i'm rick damigella. ( mark ) coming up in the next hour... we continue to follow th elatest out of las vegas after the mass shooting at a country music concert. at the top of the hour we will hear from a bay area man who says he was saved by a woman he had just met. and the big fleet week air show is this weekend. we are live in san francisco with a look at what you can expect from the blue angels. our story begins more than 60 years ago inside an abandoned chicken coop. where our founder discovered a retired teacher living. no home. no healthcare. so she said "no" to this injustice, and "yes" to transforming lives. it's this drive, this compassion, that inspired aarp. today, we empower people to choose how the