yes, well, i say, let’s have another story, especially yura muravitsky, a master in all of these delart's, what, here we are, getting started with this work, there is an opinion, by the way, that the actor has now gone something too square, well, he’s all, he’s all made of cliches, he’s not engaged in self-improvement and so on, do you agree with this opinion or not, look, i’m... as if from that school, leaving, yes, unfortunately, leaving, you can do this call it old-fashioned, you can say that there, well, this is customary in our theater, this is the old school, that’s why they’re not late, man, they know the instructions of the first rehearsal, for example, yura vasiliev, yuri borisovich, well, he’s a fantastic person, how many times have i begged him, don’t glue your beard to the reading, play tsar vasilyovich, but don’t glue the bark, why, no , no, i’m there, and we all understand that this is a school , this is a faith, it’s different, it’s simple, the question here is a little different, when inviting artists to work here, i always ask the question, what’s with the movement, what’