tsyskari still does not call denis rodkin his best student, but denis has realized for himself that incarrot. nikolai maksimovich needs to get used to his character, and he is, in principle, a person who is rarely praised, so well , there is absolutely no resentment towards him, on the contrary, you somehow get ready and so, that means, that means he he said that it was bad there, but i ’ll take you to this performance, i’ll fix this moment, on the contrary, it somehow spurs you on. half an hour before the performance, behind a closed curtain , a phantasmogorium in the spirit of bulgakov, by the will of set designer mark yapel, the stage space turned into an empty bowl of a soviet swimming pool. at its bottom, the master performed by igor tsverko repeats the choreography together with pontius pilate, a hippopotamus cat imposingly strolls along the tiled sides, woland, of course, rules the rampart. in fact, the big theater certainly has its own magic, and this is in first of all, thanks to the outstanding artists of both ballet and opera, when i got to the bolshoi theater, i had the fee

for a shoot with photographer igor for ponkov, denis rodkin is in splendid isolation, with no personalem is the premier of the bolshoi theater and the winner of the russian presidential award. the time when ballet stars were known by sight and carried in their arms has shamelessly passed. therefore , we really want denis’s face to be remembered by the audience of our program, just as the audience of the theatrical hit remembered his arms, legs and body bolshoi theater, masters of margart.