it's phenomenal it's way better than i was when i was younger meat lover dennis perowne since becoming blind later in life he gave up visiting museums until today a new scientist famously proposed that there were nine ways that our brains help us to appreciate visual art but how do you appreciate a painting that you can't see the answer might be here at the san diego museum of art they're taking an innovative approach to making art accessible to the visually impaired dennis is here to experience a masterpiece specially designed for the visually impaired. museum associate curator michael brown describes the original we're standing in front of one sanchez cotyledons masterpiece the still life with quince cabbage cucumber and melon it was painted in sixty two in the late zero in spain and it is a groundbreaking example of still life painting at the very earliest decorated of the of the seventeenth so what makes it so special this painting was a really pioneering depiction of a three dimensional illusions so he's using in two dimensions he is creating an imaginary tactile experience do you

right and when you look at the real thing you're going to want to touch it which is exactly what dennis perowne did for the first time today. this. patient. find this time. notice that the slope of the lower right side. pages wanted to show that. perfect. i don't think you feel bad for fracture central but now you rest on the winter's. you to paint the rough exterior skin of the bow and wraps around. some of the roof several slices and one of the slices can be found sitting on the windowsill read it to the right very. front page has been sliced from the ground slapped noticed the rough texture of the rock salt right away drifting to the out so. well i went past it just the repetition helped drink something strikes issue yes it does but they still this was. the severest variants are you know there's a rough thing here and i don't know what that's represented in your transform i think i think what you're touching is the it's rust in this model but in real life it would be very soft and that sort of pulpy cannot mean anything with e.c. ok that's what i'm hearing and that's where i'm hearing that d

it's phenomenal it's way better than i was when i was younger meat lover dennis perowne since becoming blind later in life he gave up visiting museums until today a new scientist famously proposed that there were nine ways that our brains help us to appreciate visual art but how do you appreciate a painting that you can't see the answer might be here at the san diego museum of art they're taking an innovative approach to making art accessible to the visually impaired dennis is here to experience a masterpiece specially designed for the visually impaired. museum associate curator michael brown describes the original we're standing in front of one sanchez cotyledons masterpiece the still life with quince cabbage cucumber and melon it was painted in sixteen o two in the late zero in spain and it is a groundbreaking example of still life painting of the very earliest decade of the of the seventeenth so what makes it so special this painting was a really pioneering depiction of a three dimensional illusions so he's using in two dimensions he is creating an imaginary tactile experience do yo

right and when you look at the real thing you're going to want to touch it which is exactly what dennis perowne did for the first time today. this. patient. find this tough. notice of the slope in the lower right side. pages wanted to. perfect. i don't think you feel better perfection central valley rests on the winter's. new digital painting the rough exterior skin of the melon wraps around. some of the roof several slices. and one of the slices can be found sitting on the reduced to the right very. front page has been sliced from the ground slapped noticed a rough texture of the rock salt writes. drifting to the left so. i went past this the repetition helped drip so at least crisis and yes it does but they still this was. you know it's a beautiful experience or you know there's a rough thing here and i don't know what that's representing or transform i think i think what you're touching is the its thrust in this model but in real life it would be very soft that sort of pulpy cannot mean anything with e.c. ok that's what i'm hearing and that's where i'm hearing that difficulty the second time