listen, what does it mean when diana klitschko says that novakivskyi is the most expensive ukrainians she mean, ah... well, actually, this is exactly what she means, that in his time, what he exhibited as the price of paintings, it was really very high, it was very high, i want an important topic that we have not yet discussed touched, but what i am terribly interested in is your relationship with your great-grandfather, so for you , this initiative of yours , novakivskyi space, is not just your initiative, and in general, your interest and your work? work, it’s not simple, it’s your family history, when, when did you start a relationship with novakivskyi, how did you find out about it, and in general, do you have any personal, or do you have any family, stories about him, or everything you know is mostly from biographies, actually written ones, or do you have any family stories about him? well, first of all, it must be said that there is a lot the information was hidden and shrouded in mystery, because sheptytskyi, as i said, was not a patron, he was very friendly with novakivskyi t

i was lucky, because the godmother of the novakivskyi space project was the famous art critic diana klitschko, and she just paid attention to what she was saying: look, everyone is alive objects, that is, all of them, both people and plants, and in novakivskyi they have them pulsating circuit, that means it 's a multi-layered one, so you know, we, and we, when we started discussing with her what that could mean, and we explored. that maybe it is precisely about this pressure of time, and with the beginning of a full-scale war, i realized that it fits very well into this concept, because when we are under strong psychological or physical pressure, then in essence our body is compressed and when compressed begins to vibrate, and this vibration of the body compressed under the press of time, challenge and crisis, and she actually yes... and depicted, and this is his discovery, his style, which is unexplored, not named yet, but it is clearly his, his paintings can be recognized, that is why very quickly, that this is exactly his style, and his his paintings, because of this special contour, and y

was lucky, because the godmother of the novakivskyi space project became the famous art critic diana klitschkod she just paid attention to what she was saying: look, all living objects, that is , all of them both... people and plants, and in novakivskyi, they have a pulsating contour, which means that it is multi-layered so, you know, and when we started discussing with her what that might mean, we explored that maybe it's just about this pressure of time, and with the onset of full-scale war, i realized that it fits very well into this concept, because when we are under strong psychological or physical pressure, then essentially our... the body is compressed and when compressed begins to vibrate, and this vibration of the body compressed under the pressure of time, challenge and crisis, and it... actually he depicted it like this, and this is his discovery, his style, which is unexplored , not named yet, but it is clearly, well, his, his paintings can be recognized very quickly precisely because it is his style, and his his paintings, because of this special contour, and you are very right to

i was lucky, because the godmother of the novakivskyi space project was the famous art critic diana klitschkohe just paid attention to what she was saying: look, everyone. all living objects, that is, everyone, both people and plants, and in novakivskyi, they have a pulsating contour, which means that it is a multi-layered one, you know, and when we started discussing with her what it could be about mean, but we investigated that this is possible and it's about this pressure of time, and with the onset of full-scale war, i realized that it fits very well into this concept, because when we are under great pressure.' logical or physical, in essence our body is compressed and when compressed it begins to vibrate, and this vibration of the body compressed under the pressure of time, challenge and crisis, and it is actually he depicted it in such a way, and this is his discovery, his style, which is not researched, not named yet, but it is clearly, well, his, his paintings can be recognized precisely because very quickly that it exactly his style, and his. his paintings through this special contou

that there was not only a child, it's a certain cycle that we actually, when they talked with diana klitschko the final work of having mercy, uh, in my mind it's a very connected cycle that is essentially about coming of age and what you have to do, what choices you have to make in that coming of age, and to weigh freedom and serenity responsibility and transformation, and that is, it is interesting that her last work is to have mercy, not love, but... serder is when i accept without question, and this is the level of a master, and this work really, it began with spending of my great-grandmother, who really when she was orphaned, my great-grandfather took her into custody and then married her, and it was an incredible couple of people in love who had the opportunity to live in love unlike so many others who did it out of obligation and got married at the same time this... the cycle it has many images and in particular it is very clear yellow-blue elements of a woman who at a certain moment, well, there are even those that slightly resemble the symbol of the french revolution, and if this is a

thing i want to say is that there was not only a child, it is a certain cycle that actually, when diana klitschkoends with the last work of mother mercy, uh, in my head it is a very connected cycle, which is essentially about growing up and what needs to be done, what choices need to be made in this growing up, and in order to balance freedom and carefreeness with e. responsibility and transformation, and that is, it is interesting that the last work itself, it is to have mercy , but not love, and small-heartedness is when i accept without question, and this is the level of a master, and this work really, it began with the spending of my great-grandmother, who really, when she was an orphan, my great-grandfather, took her into custody and then married her, and it was an incredible couple in love. people who had the opportunity to live in love, in contrast to many others who did it out of obligation, yes, got married. at the same time, this cycle, it has many images, and in particular, it is very clear with yellow and blue elements of a woman who at a certain moment, well, that is, there are even