dick clark was nice.ts appreciated. >> going to get stirred up over there that. >> in just a few years, american bandstand attracted 20 million viewers. >> it was only a matter of time before rivals followed in their tracks. >> what i thought american bandstand was was white kids doing what black people were doing all along, dance. ♪ >> soul train, to me, was, like, seeing the gods on tv every saturday morning. it was unique because it showcased some of the baddest soulful, afro wearing black people in music. >> "soul train" was great because you saw artists in real life for the first time, see the artists get down, see the fashion they wore, the crazy outfits, you know, all that kind of stuff was like magic. >> i saw the show, and my heart skipped a beat. i mean, it really did. i was, like, oh, my god. >> when it hit the air in 1971, "soul train" was revolutionary, a nationally syndicated tv show putting black musicians, tv, and dancers in mainstream america tv's face. the master behind? don cornelius, w

dick clark was very nice.efreshing, clean-cut look that i think the parents appreciated. >> the establishment will get a little stirred up over that. >> in just a few years, "american bandstand" was attr t attracting 20 million viewers. >> what i thought it was like was all these white kids trying to do what black people were doing all along, dance. >> "soul train" to me was like seeing the gods on tv every saturday morning. it was unique because it showcased some of the baddest soulful afro wearing black people in music. >> "soul train" was great because you could see artists in real life for the first time. you could see the artist get down, see the fashion they were wearing, seeing the crazy outfits. all that kind of stuff was magic. >> i saw the show and my heart skipped a beat. i mean, it really did. i was like, oh, my god. >> when it hit the air in 1971, "soul train" was revolutionary. a nationally syndicated tv show that put black musicians, entertainers into mainstream america face. the mastermind behi

and at the end of december as well, he made an appearance on dick clark's american bandstand.rthur murray dance party program and toured , extensively throughout the country. he was able to meet a wide variety of musicians who played many different genres of music. and he became friends with a lot of these musicians, with don and phil everly, with the big bopper, with richard jennings. waylon jennings. forming those friendships, not only did they tour the country and perform on stage, they also talked about when we have some downtime, let's record some more music and work on things together. and that got him to thinking about opening up his own recording studio, which he had plans to do here in lubbock, texas in he purchased a tract of 1958. land a little west of the center here, and he hired an architect to draw up plans for a home that was largely to be his parents' home, but there was also room for he and his wife. one wing of the house was devoted to a music studio. he had business cards printed up, he had contacts throughout the industry. after he married in 1958, he and

i was very much aware of dick clark down here in philadelphia with "the american band stand." but my comment here is we're dealing with rock 'n' roll right now, certainly jazz, but how did the term rock 'n' roll really evolve? i saw it way back in the mid-'50s with moon dog and then alan freed and we used to go dancing at night and listening to his different take on what the music was. where did rock 'n' roll come out from? >> just in case people didn't hear, the question is about the actual origins of the term and the concept of rock 'n' roll itself. >> well, the actual term rock 'n' roll is -- came out of a black rhythm and blues music and it was very sexual in nature and it was about a sexual encounter. the word rock 'n' roll -- alan freed is credited with calling it rock 'n' roll in 1954, but it had been around a few -- for quite some time. and if you listen to -- go back and listen to some of the songs in the late '40s and early '50s of rhythm and blues you'll hear a lot of, we're going to rock you, we're going to roll, and that's it. very sexual in nature. you mentioned

did next to the settlement if it breaks up people fear the waves could wipe out their community dick clark reports now from the remote innuit village. helicopters in these parts of the lifeline for small inuit communities they provide all services especially in times of crisis. below thousands of icebergs the result of the outflow of nearby glass is draining the greenland ice sheet. then the iceberg in question it is huge one hundred meters by three hundred why behind it you can make out the settlement of in austria sprawled off a hillside. on the ground a community of around one hundred seventy people there are families there are children there bread is on the water as they fish and hunt and they used to icebergs drifting by but never this close and never this big. buck by me double normally icebergs are not vast high they're low wide but this one is very high which made it frightening this video shows chunks of ice cascading into the water causing life threatening waves to crash into the shoreline several homes had to be evacuated there was concern for the villages project or a tree and

harvey: you were called the canadian dick clark. 'cause you hosted some kind of a teen dance show.ex: no, wasn't a dance show. it was a teen music show... - harvey: teen music show. - alex: ...live, called "music hop." and we had some of canada's best known performers. - gordon lightfoot was one of our early guests. - oh, wow! ♪ let me tell you about saturday night ♪ ♪ saturday night ♪ we all came together on a saturday night ♪ so, how'd you get into quiz shows? well, there was a high school quiz called "reach for the top." team leading by ten points at the moment, name the canadian province where we would find partridge berries. - peter matthews. - alberta. alberta is incorrect. i got to be the butt of a lot of jokes from people like "sctv." eugene levy portrayed me, and he was the host alex trebel. all right, that's it! show's over. get out! everybody out, no winners. - ( people booing ) - no winners! certainly no scholarships! - that's it, no points. - what? turn the security on 'em. i want you out! harvey: so, cbc loved you. you did a bunch of shows for them. why did you move

like the old -- the dick clark ones or -- >> questlove: yeah, i've collected all the episodes.ects neck pillows, too. [ light laughter ] you know you go to the airport and you buy a neck pillow. he had over 300 neck pillows? >> questlove: yeah. [ laughter ] >> jimmy: what? is that for real? >> questlove: it used to be. [ laughter ] >> jimmy: oh, my gosh. that's so -- but i did not know that. >> oh, yeah. >> jimmy: but on a music -- on a music game, i would never, ever play against questlove. he knows every single song ever in the whole wide world. >> he's very smart. we had to tone him down. >> jimmy: yeah, exactly. >> because he was using words that we're like, "quest, nobody's -- soliloquy, they're not going to get whatever that" -- [ laughter ] you know, you got to be like, you know, "it's like some bubbly soda." you know, "it's like sparkling water." "yes, there you go." >> jimmy: yeah, there you go. got to be more like that. >> he was too smart for the game. >> jimmy: yeah. >> we had to tone him down. but you did great, man. and i'm glad you came on and played. >> questlov

been people from the ages of 13-19, but in the 1950s through mass media, television, thanks to dick clark, we created the identity of teenagers, as those teenagers started growing up and rebelling against the idea of that stereotypical idea of teenagers, and seeing on televisions into the 1960s the stereotypical cartoonish character of what youth people were, they started erupting and rubelling. i think young people have been doing it ever since. you know, today it is even easier to go out there and rebel against your family, your parents, mass culture, you can go out there and start a band camp, sound cloud page, you can go and create youtube videos and get your ideas ow there. you-- out there. you can 56-10 people to per-- 5- 10 people to perform, we see that in philadelphia all the time. it is a really vibrant culture here, we have been running the magazine since 2011. i have been writing about music since 1994. and i think that there are probably more people now making music and getting out to audiences than ever before. on saturday, tomorrow, it is record store day, which means all t

and at the end7, of december as well he made an appearance on dick clark's american bandstand.appeared on the arthur mary , and touredprogram extensively throughout the country. he was able to meet a wide who playedmusicians many different john rose of music. and he became friends with a lot of these musicians, with don and everley, with the big bopper, with richard jennings. and informing those friendships, not only did they tour the country and perform on stage, they also talked about when we have some downtime, let's record some more music and work on things together. and that got him to thinking about opening up his own recording studio. which he had plans to do here in lubbock, texas in 1958. he purchased a tract of land a little west of the center here, and he hired an architect to thatup lands for a home was largely to be his parents' home, for he and his wife. and one wing of the house was devoted to a music studio. he had business cards printed up, he had contacts throughout the industry. in 1958, he and his new bride date in new york city, largely so he could learn ev