we were doing whitman and dickenson. and it can to dickenson he said i just can't read this little bitty palms. i don't want to bother with that. there are still a few drawbacks. but harriet beecher stowe entered american literary as a best seller and a kind of pulp fiction writer, somebody who wrote very important fiction and had a huge historical impact, but not as an artist. one of the things i tried to do in my book is contest that attitude. we don't have an american jane austen or a 19th century female novelist to have the same status. at think there has to be challenges. we have to it say all these women writers producing artistically significant work here just never got the attention that they deserve. you need to dismantle that. so i think if you read reviews in england now there won't be quite the same in balance that there is an american reviewing, and there are a lot more than used for book reviewing in great burden then there are in the united states. you get more different voices on its publication, and here