almost finishing the film and... suddenly , in despair, i remember calling my friend, colleague dima vysotskyn, and i remember how i felt on the phone, i found him somewhere, he was almost going in, or getting ready, or going out somewhere, that is, on the run, and he did this, apparently, to get rid of me, well, knowing about the previous film, he joked, he couldn’t live without space, that’s how it is it’s just that i didn’t even have a version like this. moreover, a little later , when this excitement settled down, that the title was found, everything connected at once, the two films came together, here it is, a diptych, i suddenly realized this important thing, the last one, the title of the second film, he cannot live without space, even more precisely than the title we do not we can live without space, by the first film, but with the first film i couldn’t do anything, and by the second i couldn’t refuse such a tasty morsel, by the way, anton, there is a shot... in the first film, like two astronauts, in front of the rocket, before the dive, yes, before the launch, they take photographs

’m almost finishing the film, suddenly i remember in despair, i call my friend to my colleague dima vysotskyr getting ready, or going out somewhere, that is, on the run, and he was doing this, apparently, to get rid of me, well, knowing about the previous film, he joked, he can’t live without space, it’s so simple, i didn’t even have a version of this, moreover, a little later , when this excitement settled down, that the name was found, everything connected at once, the two films came together , here it is, a diptych, i suddenly... here’s such an important thing, the last one: the title of the second film, he cannot live without space, even more precisely than the title we cannot live without space, to the first film, but with the first i already i couldn’t help it, and by the second i couldn’t stand such a lacquered piece refuse, by the way, anton, there is a shot in the first film of two cosmonauts in front of the rocket, before the dive, yes, before the launch, being photographed on the platform, on the floor... the shot, i did it for the plot, it was important to me, well because the ph

finishing the film, suddenly i remember in desperation, i call my friend. .. to a friend and colleague dima vysotskyting ready, or going out somewhere, that is, on the run, and he did this, apparently, to get rid of i, well, knowing about the previous film, joked, but he couldn’t live without space, it’s so simple, i didn’t even have a version of this, moreover, a little later, when... this excitement died down, that the title it was found, everything connected at once, two films came together, here it is, a diptych, i suddenly realized this is the important thing, the last thing, the title of the second film, he cannot live without space, even more precisely than the titles, we cannot live without space, to the first film, but with the first i couldn’t do anything, and by the second i couldn’t i could have refused such a tasty morsel, by the way, anton, there is a shot in the first film of two cosmonauts - in front of the rocket, before the dive, yes, before the launch, they are photographed on the site, on a polaroids . i did this for the plot, it was important to me, well, because the photograph

it, i’m almost finishing the film, suddenly i remember in despair, calling my friend, colleague dima vysotskyefore the launch, photographed on the site, on a poleroid photograph, i did this for the plot, it was important to me, well, because the photograph as an artifact plays a certain role in this story, but then i i found out, someone told me that, in principle, neither cosmonauts nor pilots do this do, this is a bad sign, understand all this, this is a podcast of space stories, we continue the conversation with konstantin bronzit, anton shkablerov and stanislav didinsky are with you, and they say that there is such a tradition before a flight to watch the white sun of the desert, is this true? yes, it remained that way, and recently i found out that this is the second year we have had cross-flights, and elon musk’s ships have started flying. a good fate, a happy fate, yes, because a specific person is still an abstraction, colleagues, don’t forget, these are abstract figures, they don’t have names, this is in a sense, you know, this is such a birth trauma of animation, we are forced to re