double bass, i will stay, timbres, flute, paper clips, and piano at mostacki, this is how he meets dinach'shey would even hasten to his sobist exhibition envied levitan dalininsky beruli grapes. oleg for summer cottages. don't just understand the swamp. gene yak the interior of a seat under the shank of the twenties stanislav, zhukovsky bodai, that one of the bridges fixed the house and nature , the experimental details were brought from the pictures in reality. this is a feature of exposure. i wanted to make a homestead behind the head of this exhibition and immerse. class in the atmosphere here in this slowness here in this change of seasons and to supplement all this with the things that we see in zhukovsky's paintings, i searched through all the collections of our museum and decorative and applied furniture sculpture in order to find things that would at least remotely resemble what we see in zhukovsky's paintings . why paint portraits and what kind of area from terrible belarus, borscht for usikh stumbled in a row on the duties of their duck at curatorial excursions for a week, the sam