dizzy was at a local school. he was working with the mary lou williams jazz foundation at that point. the school was a recipient of some of the funding. he came up to jam with kids and the next day the "new york times" had a nice article, lovely article and a photograph of a small one or two inch picture of dizzy standing there holding his horn staring at the camera. and i looked and saw this picture and i was so mad as a photo editor, how could you run this gorgeous picture of him? i understand it, he has his eyes closed, they never would have done that. wouldn't show a picture of someone with their eyes closed, right? it was too big, you couldn't run this photograph -- >> even if you did a detail? >> the version that they ran was somewhat cropped moment of this that was just tight in on him either before or after he picked up his horn and the photographer just got him looking straight on and holding that horn. and left this one. i think it's a shame. again, it was space restraint. it was space restraint. >> this -- >> great series of photos in the book, sam foulk went to new york a