eh, the montalena part of his reritta with the outstanding dmitri hvorostovsky, and we did it in a causan symphony orchestra. and this record was indeed nominated. and hmm, it’s very bitter for me personally, because the granny jury didn’t mark this work, because dmitry was already older then and and he sang just like a god, he lived this part so much, he suffered it, and the whole team singers are amazing professionals and the quality of this recording is just phenomenal uh. i know that you are very successful in trying your hand at opera directing. a year ago, your second performance was released. it's samson and delilah that turned out to be the most difficult for you, being on the other side of directing - this is exactly what people come to at a much more mature age. it seems to me, and for me it is, well, such an entry into cold water, despite the fact that i am a very experienced person in terms of working with different directors, and i have worked with the most outstanding directors of modern opera today. it the people who hmm are putting up now, who are very successful of this