have the next episode of a literary podcast, it's called, let them not talk, let them read, and i, dmitry bakonderful guest is a translator, writer, biographer and editor-in-chief of the foreign magazine.

evgenia germanovicholan, dmitry petrovich bak.ter and film actor and writer, veniamin smekhov. hello, benjamin, let's start, if you don't mind from the very beginning, this is how it all began, exactly for you, what was in the foreground, or what was in the beginning, and what then? so, i was born in moscow, a year before the start of the terrible war, my dad went to the front, already being a candidate of economic sciences, he was already in charge of some sector in the main house of the soviet union, which was called gasplan of the ussr. my father is a scientist, and when his centenary was celebrated without him, it was at the current plekhanov academy, where dad taught for many years. and now they opened professor smekhov’s classroom. when i appear in plekhanovka, my middle grandson studied there, and i visited him, and we approached this audience, several teachers immediately reported that there was a rumor among students that if you pass this audience of smekhov, then this promises you good luck, well, this is a good reputati

have another episode of a literary podcast, it 's called, let them not talk, let them read, and i, dmitry bakits host, today am talking with a wonderful guest, he is a translator, writer, biographer and editor-in-chief of the foreign magazine. it seems to me that in the seventies and eighties now the attitude towards translated literature is very different , because now, theoretically , anything can be translated, and translations are kept up immediately, and by anyone, yes, yes, i agree, by the way, the amendment is very important , because in the nineties, which we talked about, a revolution took place in translation, they began to attract young translators, because it was important, yes, it was important, to publish the book, to set it as soon as possible, it doesn’t have to be translated well, but it has to be translated quickly, it has to be done quickly, it’s not always possible to tell from the translation, which is not always the case, but before my eyes the book was torn to pieces 10 parts, a huge book by angelica, and was distributed to ten translators, young ones who did not really

hello, we have a podcast lab, my name is dmitry bak and i am the host of a literary podcast with a veryad, our guest today is the honored artist of russia, rector of the mkhat studio school igor yakovlevich zolatovitsky. hello. i say for the last time on you, since we are on you in life, today we will also try to be on you, so that don’t get confused, if you don’t mind, i’ll be glad, yes, yes, we are friends in life, i’m sure that today we will talk interestingly about theater and literature, and it happens that when from the future you look at the creative path of a person whom whatever, fyodor mikhailovich dostoevsky, anyone, i am pleased, such a direct rise that a person walks logically that we are close, yes, well, in eternity, in eternity you are close, of course, sometimes it seems that it is from peak to peak, dostoevsky in 1946, 1846, he published his novel poor people, yes, these are still early, but still already the great dostoevsky, in fact, if you read his correspondence, he writes to his guardian, give me money, i don’t have a winter dress, i ’m going to die, and i will. r

dmitry petrovich bak, literature specialist, candidate.cal sciences, evgeniy germanovich vodolaskin, writer, doctor of philological sciences. friends, i am very glad to see you. it's mutual. who else if not you to talk about such a topic, and you know, i want, i have a pre-question, perhaps, a warm-up question, memory, is it more about hope or damnation? evgeniy germanovich? well, memory - this is something that you often want to get rid of. in fact, this is so, sometimes you want to forget many things, so in some ways there is a trace of the curse, but memory, it gives hope in the sense that if it is a good memory, a good memory, then they give hope, something it will happen again, petrovich, what do you think, you know, after all, i would put hope in the foreground, because well, we know that the curse of the family, which can weigh, hang, weigh on itself, it definitely exists, yes, because that the golden age is replaced by a silver one, and further until iron, but nothing good happens to the world, therefore, always - memory speaks of

dmitry petrovich bak, evgeny germanovicholan, i’m vladimir ligoido, let’s continue.t we remember something. by and large, augustine writes about this, he says that this is such a palace in which memories are stored, which are either an understatement or an exaggeration, in any case, interpretations. this word gustina no, the construction of selectivity, yes, yes, reality, so i, in fact, in a broad sense, have this question, in a narrow sense, a little narrower, then the question is about the value of memoirs as historical documents, because in general , is a memoir, it is the memory of an individual person, and the memoirs of another contemporary about the same events will be different. how to perceive this? well, if you allow me, i would still start with forgetting , so that this topic does not disappear, because we are always in this earthly vale - in the face of the realization that we have to forget, yes, something completely different, and i keep repeating the quatrain of my beloved georgy ivanov: if a new life, oh soul , opens in a black grave, how good should

hello, here is dmitry bak, the host of a literary podcast, which is called in very important words, letekhov, hello, veneminich, let's start, if you don't mind from the very beginning, this is how it all started for you , what was in the foreground, or what was in the beginning, and what then, so, i was born in moscow, in a year before the start of the terrible war, dad went to the front, already being a candidate of economic sciences, already in charge of some sector in the main house of the soviet union, which was called gasplan ussr. my father is a scientist, and when his centenary was celebrated without him, it was at the current plekhanov academy, where dad taught for many years. and opened the audience of professor smekhov. now that i... i visited him and we approached this classroom. several teachers immediately reported that there was a rumor among students that if you pass the smekov test in this classroom, then you have an ideal reputation, but my father still went to the front in 1940. my family began, what my beloved mother was like, naturally, i had nothing else in the worl

hello, my name is dmitry bak, i am the host of a literary podcast with a wonderful name. let them notfor our free time, music, the internet competes, etc. , etc., but that’s all -it is necessary to count, therefore this pathos of the order is always with us, like in chekhov’s seagull, remember, this is the resurrection of people, lions, eagles, partridges, here people, lions, eagles, all living beings, we address this call, read, read with pleasure, today i address this call to you, dear interlocutors, on the other side of the screen, together with my guest today, this is a writer, translator, editor-in-chief of the magazine foreign literature, alexander yakovlevich levvergant. hello, alexander yakovlevich. good evening. you go through our podcast under. after all, your main bread is literary translation, or maybe i ’m wrong? yes, well, a literary translation, if apart from the fact that this literary translation has to be changed every now and then, with classes in roggu, where i have been for more than 30 years, it’s scary to say, i teach there at the russian state humanitarian univ

dmitry petrovich bak, evgeny germanovicholan, i’m vladimir legoyda, let’s continue.about this. he says that this is such a palace in which memories are stored that are either an understatement or an exaggeration, in any case, the interpretation of this word is not a construction, selectivity or reality. and so. i actually have this question in a broad sense, in a narrow sense, a little narrower, then the question is about the value of memoirs as historical documents, because in general, what are memoirs, this is the memory of an individual person, and the memoirs of another contemporary about the same events will be different , how to perceive this, well, if i may,

next episode of a literary podcast, it ’s called, don’t let them say, let them read it too , i, dmitry bakthis is a translator, writer, biographer and editor-in-chief of the journal foreign literature, alexander yakovlevich, livergant. it seems to me that in the seventies, eighties and now the attitude towards translated literature is very different, because now, theoretically , anything can be translated. and the translations are immediately kept up by anyone and everyone , yes i agree, this is important by the way, the amendment is very important, because in the nineties, which we were talking about, a revolution took place in literary translation, they began to attract young translators, because what was important, yes, it was important to publish the book, to assign it as soon as possible, not necessarily to translate well, but to translate quickly, definitely quickly, you can’t always tell by the translation, always, but, but, but before my eyes the book was torn into 10 parts, a huge book by angelica, and it was distributed to ten translators, young ones who didn’t really know how to

dmitry petrovich bak, literature, candidate of philological sciences, writer, doctor of philologicalout such a topic, and you know, i want, i have one pre-question that whether it’s a warm-up, memory is more about hope or a curse, evgeniy germanovich, well, memory is something that you often want to get rid of, in fact it’s... so sometimes you want to forget many things, so in some way there is a trace of a curse here , but memory, it gives hope in the sense that if it is a good memory, a good recollection, then they give hope that something will happen again, petrovich, what do you think, you know, after all, i would put hope on first plan, because well, we know, yes, about the curse of the family that can gravitate, hang, put pressure on yourself, it definitely exists, yes, because the golden age gives way to the silver age, and then all the way to the iron age, but nothing good happens to the world , so always - memory speaks of a curse, but on the other hand, memory speaks of the best, namely because the past is happy, this childhood, for example, it almost always has a shade of

dmitry petrovich bak, literary critic, candidate of philological sciences, writer, doctor of philological there is a trace of the curse here, but memory, it gives hope in the sense that if it is a good memory, a good memory, then they they give hope that something will happen again , petrovich, but what do you think, you know, still, i would put hope in the foreground, because well, we know, but it’s a curse. yes, which can gravitate, hang, put pressure on itself, it definitely exists, yes, because the golden age gives way to the silver age, and then all the way to the iron age, but nothing good happens to the world, therefore, memory always speaks of a curse, but on the other hand memory speaks of the best, precisely because the past is happy, this childhood, for example, it almost always has a shade of happiness, sinless, transparent existence, and the more you remember, the more you hope that at every moment you live in your fullness, and not in the incompleteness that seems to you, the right vanity, i’m right now, when evgenia germanich you said that something from something i sometim

hello, dmitry bak is here, the host of a literary podcast called. in very important words, let them notet them read, today our guest is a theater and film actor and writer, veniamin borisovich smekhov, hello, veniamin bori, let 's start, if you don't mind from the very beginning, this is how it all started for you, what was in the foreground or what was at the beginning, and what then? so, i was born in moscow a year before the start. terrible war, dad went to the front, already being a candidate of economic sciences, and was already in charge of some sector in the main house of the soviet union, which was called the gas plan of the ussr. my father is a scientist, and when his centenary was celebrated without him, it was at the current plekhanov academy, where dad taught for many... years and professor smekhov’s classroom was opened, now that i appear in plekhanovka, my middle grandson studied there, i visited him, and we approached this auditorium, several teachers immediately said that there was a rumor among students that if you pass in this... smekhov’s auditorium, then this promise