hello, i'm dmitry bak, we have another release of a literary podcast , let them not talk, let them read on, in russian literature there is a person, there is a writer who specifically addressed the topic of folklore. on the topic of folk legends - this is pavel petrovich pozhov, who was born exactly 145 years ago in the working village of sissert in the current sverdlovsk region, near yekaterinburg, here’s about this wonderful author, today we will talk with my interlocutors, with our guests, this is darya mikhailovna beglova, the head of the house of creativity in the village of writers peredelkino near moscow. hello, dasha, let’s go by names, as in life, and this is nikita petrov, head of the laboratory of folklore in ronkhix, at the russian academy of national economy and public administration, as well as an employee of the russian state humanitarian university. good afternoon, nikita. i am glad to see you, i am sure that our conversation will be interesting and meaningful. all of a sudden it’s all around us. these are words, actions, images that influence the emotional behavior of p

igor’s campaign on the one hand, as our national epic, on the other hand, kireevsky’s songs, i’m dmitry bak, let don’t talk, let them read, and we talk with nikita petrov and daria peglova about pavel petrovich bazhov. well, i think it's about time. go to the author's section , our regular interlocutors know that in the middle of our program there is a presenter's section, and i do one of three: either i read a poem and somehow analyze it, or i read some quote from the classics, or i just i’m showing an old book from my sometimes peredelkino library, but today the book in my hands is not old, it’s one of bozhov’s modern editions, and that’s of course. more, some kind of massacre of people happened here, katya’s old people both died, she has a big family, three brothers married before sisters, a married man, there was some kind of quarrel between them, i’ll go to danilushkov’s hut to live, the guy has become completely old, even if i follow him, an insertion from me, that is, she never married anyone else, and her fiancé disappeared and went to live with her failed husband. father-in-law, pr

i'm dmitry bak, we are now having another episode of the podcast, let them not talk, let them read. and daria peglova about pavel petrovich bozhov. yes. well, i think that it's time to move on to the author's section, ours. regular interlocutors know that in the middle of our program there is a presenter’s section, and i do one of three, either i read a poem and somehow analyze it, or i read some quote from the classics, or i just show an old book from my sometimes peredelkino library, but today the book in my hands is not old, it’s one of bozhev’s modern editions, and of course it’s not lyrics, it’s sata from the classics. i'll try to do a very risky thing now, in such an abbreviated form variant, draft version, read the tale , one of the tales, it’s called the mountain master, katya danilova is a bride, she remains unmarried, two or three years have passed since danilo got lost, she’s completely out of her bride’s time, in her 20s years in our opinion, according to the factory overstuffing, it is considered that guys like this are rarely matched, widowers are more likely to do so,

are with you again. together, a literary podcast, let them not talk, let them read, i am still dmitry bakna, after anna gavrila, she introduced me to dmitry nikolaevich zhuravlev, a great reader, a great, people's artist of the soviet union, and he prepared me for admission to the mkhat studios schools. he worked with me a little and selected the repertoire, introduced me to his student viktor karlovich manyukov , a famous professor at the moscow art theater school, he auditioned me, in general, i had support before the selection committee, because monyakov was on the selection committee. some kind of confidence is everything. there was no confidence, no, there was no confidence , but such wonderful people supported me, and what they read, remember, interestingly, i remember, i read the fairy tale about the golden cockerel by pushkin, that you are a golden cockerel, about the golden cockerel, this cockerel then fed me , when i already entered the philharmonic into the reading department, the literary and reading department, after graduating from the studio school i began reading concerts

well, i remind you that here is dmitry bak and a literary podcast, let them not talk, let them read. conversation about pavel bozhov and not only about him. so, we were talking about collections, well, indeed, this is a very powerful tradition in russia, this is pyotr vasilyevich kireevsky, for example, yes, a collection of songs, a red one in four volumes, i always remind our interlocutors on the other side of the screen or headphones that we -we are talking, first of all, about the time when there were no electronic media yet, and one could always remember what color a book was and what thickness, the student cannot always answer, and i don’t know whether it was an article or a monograph, he can’t... find out from anywhere, the collection of pyotr vasilyevich kireevsky was not very thick, but of a large format, already published in soviet times, in four volumes red, okay, okay, well, there were fairy tales by alexander nikolaevich afanasyev, yes, that is, that the same principle of collection, expedition, and pushkin's fairy tales, of course, also in general, this next question, ri

hello, i'm still dmitry bak, i still host a literary podcast with a very catchy name, let them not talkd. today's episode is absolutely special because this year we celebrate the anniversary of the wonderful poet rasul gamzatov. it’s hard to say, he’s russian, avar, dagestan, soviet. poet, he is the poet of the planet, i am convinced of this, that is why we decided to talk about rasul gamzatov in the anniversary year, that is why among our guests there is a wonderful important... you grew up in a family of wonderful artists, creators, and i would like to hear your story first about my grandfather, about hamzade tsadas. hamzad tsadasa is an absolutely legendary dagestan poet, cultural figure, have you been told about him, who is this for you? of course, for me , hamzad tsadasa is, first of all, a grandfather, but when i... accept some of my relatives, and just next to people who found themselves like this, homeless, probably, after all, not everyone took them home, but grandfather was such a person, he was left an orphan at an early age and was brought up in the house of his uncle, an ar

hello, i’m dmitry bak and here is a literary podcast under the romantic title “let them not talk, let we talk about books, we talk about writers, but this year we celebrate the anniversary of arkady petrovich. gaidar, that’s why today we are talking specifically about arkady gaidar. and today we are talking with wonderful interlocutors, this is the main library of the moscow library, which bears the name. hello, tatyana valerievna, and the head of the house of the gaidar museum in the city of klin, moscow region, natalya vladimirovna perlina. hello, natalya vladimirovna, and let’s start with this quick survey, what is the most important thing for you in gaidar? you know, this is the first word that for some reason came to my mind - honesty, honesty, decency, loyalty to one’s work. understanding a child, it seems to me that the most important thing for arkady petrovich is that he always remained a human being, despite the fact that he had a lot of trials, in childhood, the first world war, in his youth, the civil war, in adulthood, the great patriotic war, always remained a man who was

hello, i'm dmitry bak, we have another episode of a literary podcast, let them not talk, let them readbut there are texts that you cannot read, you can only hear them. these are folklore legends, these are fairy tales and so on, in russian literature there is a person, there is a writer who specifically addressed the topic of folklore, the topic of folk legends, this pavel petrovich bozhov, who was born exactly 145 years ago, in the working village of sissert, in the current sverdlovsk region, and not far from yekaterinburg, today we will talk about this wonderful author with... with my interlocutors, with our guests, this is darya mikhailovna beglova, head of the house of creativity in the writers' village of peredelkina near moscow. hello, dasha, let’s do it by name, just like in life. and this is nikita petrov, head of the folklore laboratory in ronkhix, at the russian academy of national economy and civil service, as well as an employee of the russian state university, a russian state university for the humanities. good afternoon, nikita, i’m glad to see you, i’m sure that our conv

hello, i'm dmitry bak, and here is a literary podcast under a romantic name, let them not talk, let themtion, what is the most important thing for you in gaidar? you know, this is the first word that for some reason came to mind - honesty, honesty, decency, loyalty to one’s work, understanding of the child. it seems to me that the most important thing for arkadi petrovich is that he always remained a man, despite... the fact that he had a lot of trials, in childhood, the first world war, in his youth, the civil war, in adulthood, the great patriotic war, always remained a man who was true to himself, to his ideal and never betrayed himself, but mandelstam said a little later, after gaidar had already become a writer, that in the first half of the 20th centuries, in the first third, even xx. when this is still just a child, a child in the fourteenth year, accordingly he is 10 years old, he writes to his father, his father went to the front... and he writes a letter in which he asks in detail and asks very professional questions related to the military body, it was not in the fourteenth, i

hello, i'm dmitry bak, and here is a literary podcast under a romantic name, let them not talk, let themy of arkady petrovich gaidar, so we... you know, here's the first word that for some reason came to mind - honesty, honesty , decency, loyalty to one’s work , understanding of the child. it seems to me that the most important thing for arkady petrovich is that he always remained a man, despite the fact that he had a lot of trials, in childhood - the first world war, in his youth, the civil war. in adulthood the great patriotic war, always remained a man who was true to himself, his ideals and never betrayed himself. here - mandelstam said a little later, after gaidar had already become a writer, that in the first half of the 20th century, in the first third of even the 20th century, people were knocked out of their biographies, like balls from billiard pockets, this is a very capacious image, well, that is, we don’t know . who would gorky be, who would babel be, who would pasternak be, if not for the revolution and not the first world war, that is , this is the time when everyone mixed

hello, i'm dmitry bak, we have another episode of a podcast with a romantic title, let them not talk, of course, about literature, about books, well , by the way, about papyri, about electronic readers, about anything, the main thing is that you read, we are talking today with a wonderful interlocutor, this is the general director of the russian national museum of music, mikhail arkadyevich prysgalov, hello, mikhail arkadyvich, hello, petrovich, i’m very glad. you see, i’m glad to have the opportunity to talk, now, let’s have our line of synthesis of arts, well, after all - you had an understanding as a schoolchild, as a student at a music school, then at a college, there was an understanding that music is one of the arts, next to literature, painting, so that they loved literature, of course, of course, at school literature, literature, in general, was one of my favorite subjects, both of my parents are philologists, so that’s me. yes, that’s why in general there was always a cult of books in the house, always from childhood i didn’t even understand why, but first of all, before goin

hello, i'm dmitry bak, we have another episode of a podcast with a romantic title, let them not talk,se, about literature, about books, well , by the way, about papyri, about electronic readers, about anything, the main thing is that you read, we are talking today wonderful. at school literature, literature, in general, was one of my favorite subjects, both my parents are philologists, but i didn’t know this, yes, yes, that’s why in general in the house. always put the cult of the book, always since childhood i didn’t even understand why, but first of all, before going out on the street, i had to read this or that work, i liked something, well, just one thing there, listen, at a young age i read books that were intended for older ages, i will say this, and so in my house there was a wonderful, well, first of all , a children's encyclopedia, which i always turned to on the internet. there wasn’t, there was a non-glorifying children’s room, which everyone was chasing after in general, they were looking for, there was and was wonderful fifty-volume children's fiction, it was a collection

hello, i'm dmitry bak, we have the next episode of a literary podcast, let them not talk, let them reade fairy tales and etc, in russian literature there is a person, there is a writer who specifically addressed the topic of folklore, the topic of folk legends, this is pavel. petrovich bazhov, who was born exactly 145 years ago in the working-class village of sissert in the current sverdlovsk region, near yekaterinburg, today we will talk about this wonderful author with my interlocutors, with our guests, this is daria mikhailovna beglova, the head of the house of creativity in the village of writers peredelkino near moscow, hello dasha, we’ll be just like in life! there is a scientific concept of post-folklore, such as if you could describe it all, we are once again in the world of damn it, vladimir the red sun, tsar kalin’s dog. remember, i am a dog, a red-hot king, i am writing to you, vladimir red sun, folklore, but it has probably ceased to be perceived only as those same fairy tales, as epics, as songs. if it could be defined using modern words, i would say that it is words, actio

dmitry petrovich bak, literary scholar, candidate of philological sciences, evgeniy germanovich vodolaskint such a topic, and you know, i want to have a pre-question, perhaps, a warm-up question, memory - is it more about hope? the best, precisely because the past is happy , this is childhood, for example, it almost always has a shade of happiness, a sinless, transparent existence, and the more you remember, the more you hope that you are living in every moment in its completeness, and not in the incompleteness that seems right to you, in vanity. just now, when evgenia gernovich , you said that sometimes you want to get rid of something, but i thought, i remembered, or rather, the thought, the thought of what confession is, this is a cry to god: lord, don’t remember me like this , that is, don’t remember me committing this act, forget, well, it’s funny to ask god to forget something, but that’s the whole idea, well, not repentance, but repentance is probably based, no, moreover, i think that repentance, confession is overcoming time, you return to the time before sin. as if, because this s

with you, but time is inexorable, but we still have memory, evgeniy germanovich vadolaskin, dmitry petrovich bak, editor-in-chief of the popular science magazine schrödinger's cat. today we will talk about a very, very important topic, about russian swearing, but i want to warn you right away that we will not swear, so if anyone listens to us or watches children, anxious women, or conservative people, you don’t have to leave , listen to us calmly, just in case, the editors of the podcast have prepared many options for bleeping words, although we won’t say them, we wo n’t talk about them, but about them, and for this we invited a wonderful guest, maria ravinskaya, linguist, member of the spelling commission of the russian academy of sciences, associate professor of the russian language department of the marchiya, if i’m not mistaken, teacher at the higher school of economics. in myth, in general, there are a lot of different regalia and titles, and after these titles i want to ask directly: maria, you are you swearing, mother? as they say at our scientific conferences, thank you very much for a v

hello, i'm dmitry bak, we have another episode from a literary podcast, let them not talk, let them readolklore in ronkhix at the russian academy of national economy and public administration, as well as an employee of the russian state humanitarian university. good afternoon, nikita. i'm glad to see you, i'm sure we'll have a conversation. interesting and meaningful, after all, suddenly around us in recent decades, and maybe a little earlier than recent decades, texts have arisen again that do not have an author, well , it’s like internet memes, they have no author, but literally everyone knows these phrases , or - shouts, chants of football fans, it is hardly possible to establish their authorship, or graffiti, sometimes not very beautiful. well , what kind of phenomenon is this, how to qualify it, how to describe it, when it arose, well, there is a concept of post-folklore, such a scientific one, well, how if you could describe it all, we are once again in the world of bulin, vladimir krasnosolnyshko, the dog kalin the tsar, remember, i am the dog kallin tsar, i am writing to you vlad