the opera sadkov, directed by dmitry chernyakov , was shown for the first time in the bolshoi theateron the historical stage rehearsals go on for weeks, and the bolshoi theater dedicates its first performance to the outstanding opera singer vladimir atlantov. artists at rehearsal in casual clothes. at the performance they will dress in the costumes of boyars and residents. underwater kingdom, sadko’s image will remain almost the same, jeans and sweater. dmitry chernyakov, preserving the scale of the score of the roman korsakov and the magical elements of classical fairy-tale operas, makes the heroes of the performances of modern people, with their fears, doubts, problems, rehearsals are not directed from the audience, immediately on stage corrects the artists and corrects the mise-en-scène. here, i opened up directly, i trusted, even when i was rehearsing, i said, i will trust 100%, 200%, whatever. with the feeling that you can, that you can’t, your ambitions, imperfections, hopes, passions, loss and so on and so on, they are , in general, always, and of course, our heroes, they are t

what do you think about a director like dmitry chernyakov?akov. i know him and his work well. this is the real gold one. completely different from the provocative productions i’m talking about said. the first work of chernyakov that i saw was the player in berlin and lascala. then i watched it a lot. the tale of tsar saltan in brussels is simply amazing. the audience wants to see new productions, i have nothing against it, but when the actions of bohemia are transferred to the moon, forgive me, i saw with my own eyes a bageme where paris was on the moon. in space, i'm not saying that every bohemian should have a christmas tree like zeffirelli, but respect the composer's intention, if the characters on stage mention christmas eve, at least hint at it, not powder the viewer's brain by showing a spaceship flying somewhere to mars. another question: in the 20th century, opera lived under the sign of straight-ahead, star tenors. has this culture passed away today? not so simple, times have changed very, very much, undoubtedly, today singers are te

strakhara ruslan borisovich, talets irina vladimirovna, chernyakov dmitry vladimirovich, shpilevskaya olga aleksandrovna and shuleik yuri vitoldovich. please vote. against, abstained. thank you, the decision has been made. dear alexander grigorievich, dear alexander nikolaevich, dear members of the newly elected presidium of the all-belarusian people's assembly, we congratulate you on behalf of the central election commission of the republic of belarus, on behalf of all those present in this hall on your election to such important, high government positions, and we wish you good health, success, good luck and, of course, fruitful work for the good. republic of belarus, allow me to give the floor to the chairman of the all-belarusian people's assembly, president of the republic of belarus, alexander grigoryevich lukashenko. dear delegates, i apologize for my voice, there have been a lot of meetings lately, it took a lot to speak, so i lost my voice a little, i think what to say in this situation is, well , banal, traditional, but very correct, i want to thank you uh. not entirely accur

staged by dmitry chernyakov, conductor timur zambiev.yauza palace. to the 225th anniversary of the birth of alexander sergeevich pushkin, stage director yakov lonkin. at the nabronny theater, the premiere performance of a proud production by kirill vytoptov based on the story by fyodor mikhailovich dostoevsky is a lowly insulted one. and on the small stage of the theater of the nation, the premiere production of murat abulkatinov based on the novel by vasily ivanovich aksenov: 10 visits to my beloved. the sergei obrazlov puppet theater and the shabolovka gallery present a joint project "biomechanics of meirhold", actor doll for the 150th anniversary. on the birthday of director novator. the phenomenon of demeichold's unique method of all-things is revealed at the exhibition in two dimensions at once: a living actor and a doll, which the master considered the bearer of mystery and maximum theatrical expressiveness. it is also very important for meirhold, in the puppet theater, to play with angles and enlarge the gesture. in fact, the biom