it was through their hands that six centuries of our history of dmitry donskoy and nicholas ii passedd resurrected for a new museum life, unique neoobs. original works of art, created by talented craftsmen, whose names are often unknown. the masters are seamstresses, shoemakers, people who are jewelers, who did everything in their own way, it is with their hands and these prints are all there. everything, it lives. this memory is only needed to somehow activate the film crew of the project, of course, they let them into the storerooms, but the heroes can’t get close to things, it’s forbidden to violate the temperature and humidity regime, and the cameramen and directors literally breathed every other time. this is a crown. exactly the way that emperor paul wore. a mysterious story with many mysteries that we had to unravel the history of museums. the moscow kremlin has almost three centuries , during which there were periods of high upsurge, the rapid development of museums and scientific work, the heroic struggle for the preservation of national not all of the relics were in time and

the film covers six centuries of russian history from dmitry donskoy to nicholas ii, viewers of the kultural for the first time be shown relics that have never been exhibited before. don't miss tomorrow at 23:05 on kultura tv channel, the first episode of treasures of the moscow kremlin designed by alyona rogozin . actually. this silver mantle and emperor paul i is shown to the public for the first time; it has never been filmed or photographed. she has never been restored. and as you can see it is in excellent condition when sergey shumakov, the general producer of the serial film treasures of the moscow kremlin, saw with his own eyes this luxurious royal vestment richer, which was not even among the byzantine emperors . i had an unusual chill, because, well, it's impossible to believe. here, i feel the tactility. this mantle was on the shoulders paul has it all. it is very transmitted invisibly. it cannot be described, but for some reason, at my fingertips, i have the feeling that i have touched one of the most little-known stories that the authors of the film tell this story of boris god

our katyusha, we are tired , in a mysterious way particles of the nest-breathing sword of dmitry donskoykulikovo field particles of metal from the impenetrable shield of alexander nevsky, these grand dukes. they invested their weapons in the weapons of the great patriotic war - this weapon became a sacred colored weapon. the victory was the victory of the great ecumenical russian unity. it so happened that in victory as a result of this fiery focus. which our people has come into being, a new people has arisen, a giant of russian history, this is a spring, which, under external influences, sometimes shrinks to a small point, and then the enemies straighten with a whistle, the state greatness of the urals trembled the volga lived, the borders were torn, the phantom ribbon, as the russian spring straightened, the creaking shift of the intellects, the defense of consciousness, the mighty cat of the russian victory, our golden cockerel drank the royal tree, now and then flapped its wings, crowed, announcing the next enemy rati, which was moving to russia from the south came the cumans pechen

it was through their hands that six centuries of our history from dmitry donskoy and nicholas ii passed and resurrected for a new museum life unique extraordinary works of art created by talented craftsmen, whose names are often unknown. did it by hand and these prints are all there. everything, it lives. this memory is only needed to somehow activate the film crew of the project, of course, they let it into the storerooms, but the heroes cannot get close to things, it is forbidden to violate the temperature and humidity regime, and the cameramen and directors literally breathed every other time. this is a crown. exactly the way that emperor paul wore. a mysterious story with many mysteries that we had to unravel the history of museums. the moscow kremlin has almost three centuries, during which there were periods of high upsurge of the rapid development of museums and scientific work, the heroic struggle for the preservation of national relics, not everyone had time and could to deduce something they tried to hide in the caches, in particular, there were several caches, some of which w