dmitry tank. our guest today is people's artist of russia avangard nikolaevich leontiev well, what happened after gavriilovna after? and he said that i met dmitry nikolaevich zhuravleveat reader , a great full-fledged artist of the soviet union and he prepared me for admission to the school of the moscow art theater studio berries. this is the sixty-eighth year of the sixty-eighth year. yes, the end of the sixties and, uh, he worked with me a little and selected the repertoire and introduce me to his student viktor karlovich monnikov , the famous professor of the student school. and he listened to me, and in general, i had support. already before the selection committee, because munikov was a member of the selection committee , some kind of confidence, after all, you didn’t have no confidence, but i supported by such wonderful people revered, remember interesting, yes, i read the tale of the golden cockerel. pushkin that you are peter's gold to the golden cockerel - this is a cockerel, then he fed me. when i already entered the philharmonic in the shtetsky department of literature for children, after graduating from the studio school, i began to read concerts in sch

eh, here it is necessary not as he said, dmitry nikolaevich zhuravlev must keep himself on the reins. let yourself go. eh, that's all, emotional experience cannot be dissolved in this and cannot be in this you can’t enjoy swimming, but you need to lead a lot. uh, yes, the author's line hmm , the author's speech, the author's voice, that is , they felt the author's what was happening between these people. this case is a very important story even in such tragic things it can be seen. for example, uh, when i tell students from tyutchev, uh, i say that there are some of them there . of course, there was no cruelty in the verses. there is death. it sometimes happens there in the deniseev cycle, but nevertheless there is tragedy. yes of course, how murderous love. yes, of course, she was sitting on the floor and sorting out a pile of songs, how she took the burned-out hall , removed their hands and threw them away. yes, and the opportunity, love, ruin, love tragedy. this, yes, yes everywhere, she lay in oblivion and that's it, shadows covered her already, but i'm talking about the fact that

i'm still dmitry baka visiting us today people's artist of russia avangard nikolaevich leontiev well, what happened later after anna gavriilovna, after he said i met dmitry nikolaevich zhuravlevhe soviet union and he prepared me for admission to the school of the moscow art theater studio is 68 year 608 year. yes, of course, the sixties and uh, he studied with me a little and selected the repertoire and introduced me to his student viktor karlovich munikov , the famous professor of the moscow art theater school. and he listened to me, and in general, i had support. already before the selection committee , because munyakov was a member of the selection committee , you still had some kind of confidence, you didn’t have any confidence, but i was supported by such wonderful interesting people. i read the story of the golden cockerel. pushkin that you are a golden cockerel this cockerel, then he fed me. when i already entered the philharmonic society in the reading department, the literary reading department after graduating from the studio school and began to read concerts in schools. i spoke hundreds of times with this golden cockerel in schools, well, this is a wonderful text.

uh, here it is necessary not as he said, dmitry nikolaevich zhuravlev must keep himself on the leaderseah, that is, you can’t let yourself go. eh, that’s all, a sentimental experience , you can’t dissolve in it and you can’t bathe in it, you can’t enjoy it, but you need to lead very much. oh yes, the author's line. yeah , the author's speech is the author's voice, that is , they felt the author's what is happening between these people doing it. this is a very important story, even in such tragic things you can see it. i like, uh, when to students, uh, uh, telling tyutchev, i say that there are some of them there . of course, there was no cruelty in the verses. there is death. it sometimes happens there in the deniseev cycle, but nevertheless there is tragedy. yes, of course, how deadly we love. yes, of course, she was sitting on the floor and sorting through a pile of letters, how she took the burned-out hall , removed their hands and threw them away. yes, and there is the possibility of love, collapse, love, tragedy, this, yes, yes, everywhere, she lay to forget everything, she was al

dmitry tank. our guest today is people's artist of russia avangard nikolaevich leontiev well, what happened after anna gavriilovna after? and he said he introduced me to dmitry nikolaevich, the great reader zhuravlevartist of the soviet union, and he prepared me for admission to the school of the moscow art theater studio i wanted berries this is the sixty-eighth year of the sixty-eighth year. yes, sure. i’m ready and, uh, he studied with me a little and selected the repertoire and introduced me to his student viktor karlovich monyukov, the famous professor at the moscow art theater school, and he listened to me, and in general, i had support. already before the selection committee, because the maniacs were part of the selection committee , there was still no certainty, but there were such wonderful people who supported me, i remember interestingly, i read the tale of the golden cockerel. pushkin that you are gold. this is gold cockerel. this is a cockerel, then he fed me. when i already entered the philharmonic in the reading department of the literary thurs for children after graduating from the studio school, i began to read concerts in schools. i spoke hundreds of times with this golden cocker