it seems that everyone has dmitry petrovich, what am i talking about?rd, because shakespeare did not exist in the 18th century. we know this very well. well, at the very end of the seventeenth and at the beginning of the eighteenth there was no classicism. outside. they stopped hearing him , forgot him, and only the germans schlegel, one of the schleigel brothers. uh, august wilhelm schleigel. translated experiment german shakespeare was rediscovered because he turned out to have the sound of romanticism. yes. and chekhov later heard an ironic promise from tolstoy that shakespeare is a barbarian for your plays even worse, that is, a lot depends on external causes, and manuscripts are burning mistletoe. again, the manuscripts will not agree, they are on fire, because the poet must. well, after all, uh, during his lifetime to understand that he hears some kind of confirmation of some kind of response to the poet. yes, and he is only an object for archaeographic studios, nothing more, i will say that the probability that there are some unknown geniuses, th

alexei varlamov, a writer and rector of the literary institute, and my two wonderful guests dmitry petrovichlbertovich thank you very much , friends. thank you thank you hello with you, the podcast of the melodies of my life is hosted by valery syutkin, i will tell you about my favorite melodies, with which all life is connected, well, the melody of childhood, the melody of childhood. if like this, not ready to say. probably this is this work of arkady ostrovsky on the elements. leo ashanin, solar circle, the sky around is a drawing of a boy. there will always be a mother, may there always be me. this tune, by the way, was in the early sixties. in the first half, it is very popular all over the world, not only thanks to the brilliant performance by tamaras and insarova of a whole series , many people sang it. i even saw a fragment somewhere on the internet, how this song is sung by a burn up. uh, one of the members of the legendary quartet. aba, though without reference to the fact that this is a melody by arkady ostrovsky, but they sing and she entered, i know for sure, this one song solar

what is it , let them go, they come to me, they almost knocked us down, dmitry petrovich, you are free free. what happened to the plane? i can't tell anything. our children were there. i can talk with you personally for a couple of minutes about what the civilian is doing here, under my responsibility, they will sign non-disclosure. ok. i'm listening to you, in general, i ask permission to tell the truth. do you know the truth, here on my plane son, he is 19 years old, did our children fly? honeymoon what happened he fell. what was not found? so it means they, so they can still be alive. afraid. this is impossible, the plane fell from five kilometers. where are you from? do you know? now i need help, you can't find them . let me go. i will find my son myself. i understand you, but it makes no sense to continue searching for 3 days. we didn't find a single living person. post me there, eh. look carefully and remember, please, they dreamed of returning and building a house for the sake of children. here volodya, he wanted to become a doctor, he would be brilliant. i understand that the c

dmitry petrovich you are free. ride to the post and you are free. i can't tell anything.here. ok. i'm listening to you, in general, i ask permission to tell the truth. what do you know the truth? stop making the main ones, my son flew on a plane, he is 19 years old, our children flew. honeymoon what happened plane? he fell. i understand so. he will say, let me go, i will find my child. let me out of there. see. take look carefully and remember, please, their faces, they dreamed of returning and building a house for the sake of the children. here volodya, he wanted to become a doctor , he would be brilliant. i understand that the chances are small, but suddenly, what if they are still alive , you say that it is pointless to look for. do you at all look, do you have children? son, if you were in our place, and you were told that it was pointless to search, you would continue to look for your child. do ivan and i studied at this institute together. he then just fell in love with brian, and she already little daughter was lariska. when you flew there, did you notice anything

thank you very much dmitry petrovich thank you from support. so our dear viewers. as a literary podcast. uh, dmitry baka podcast is called. let them not speak. let are reading today's issue, we spoke wonderful. writer sergey shergunov and together with sergey we tell you to read with pleasure i sign. hello this is a podcast life is wonderful. my name is aleksey varlamov today we will talk about the wonderful idols, but not only about them, we will talk about the literature about the novels of the writer evgeny vodolazkin, doctor of philology. hello. evgeny germanovich. hello, alexey nikolaevich . i thought in this number it was already possible to say her relative. by the way, since we're talking about childbirth, and i want to immediately explain that the topic was suggested by the guest. why this particular topic seems to you the most interesting it? uh, in general, a well-known concept, and it seems that everyone has some idea about this, but the idea is rather vague. and so i would like for us to talk in more detail about the phenomenon itself in our conversatio

am alexei varlamov , writer and rector of the literary institute and my two wonderful guests dmitry petrovichm albertovich thank you very much , friends. thank you thank you hello this is a podcast of the psyche and we continue to read the book of human judgment to look for a way out of the most difficult situations and see the light at the end of the tunnel, which, of course, there is always. i journalist. my name is natalya loseva, my co-host clinical psychologist mikhail khors and our guest today, who is mikhail in the literal sense, both a beauty and an athlete, a wonderful girl oksana hello oksana , what brought you to us? tell your story. i had a difficult relationship. uh, we, uh, lived with a young man, and 5 years in a civil marriage. that was not easy. he was a tyrant and manipulator, and he periodically had breakdowns. ah, that is, he shouted, arranged disassembly scandals, and there from scratch could arrange. ah, the screams. there he raised his nose, and there were situations, yes, and kia and 2 years, as i in the truest sense of the word, he fled from him during these two years

about wonderful poems, we will talk about poetry, and in our studio we have two wonderful poets dmitry petrovich bak, who is also the director of the literary museum named after him and the presenter of the podcast. let them not speak, let the poet maxim albertovich amelin, the glorified literary prizes, but let's talk about poetry, and the reason for our conversation for our meeting was the day of poetry, which, as you know, is celebrated in march. for the first time this holiday was celebrated in our country in 1999 in a literary museum, namely in literary museums. it is from there that everything went, and so it is. but generally speaking, uh, if we talk about russian letters. toure was told more than once that poetry is the poetic form of speech of this utterance, well, how would such a national ultimate ideal form of utterance in russian be the ultimate absolutely a speech that remains forever. and i have a question. i have never written poetry, so for me people who write poetry are some kind of special people, and i want to ask you, but in literary creativity in literary skill. there is su

about wonderful poetry, we will talk about poetry and we have two wonderful poets in our studio dmitry petrovichis also the director of the dahl literary museum and the host of the podcast. let them not talk, let the poet maxim albertovich amelin, glorified and hung with literary awards, read, but we will talk about poetry, and the reason for our conversation for our meeting was the day of poetry, which, as you know, is celebrated in march. the first time this holiday was celebrated in our country in 1999 literary museum. yes, it is in literary aziz. it is from there that everything went, and so it is. but generally speaking, uh, if we talk about russian letters. toure was never once told that poems are poetic forms of speech , this utterance, well, as if such a national ultimate ideal form of utterance in russian is the ultimate perfect speech that remains forever. you understand the duck, therefore, well, he lives an ordinary life there, but in the same way as it is not yet required. yes, to some extent so, that is, some accumulates. u inner here i don't know this one, some kind of poetic hmm

and i'm alexei varlamov writer and rector literary institute and my two wonderful guests dmitry petrovichch thank you very much friends. thank you thank you hello this is a paws podcast and a podcast first persons today our guest is a person who is certainly the first person in the culture of our country, the minister of culture of the russian federation olga borisovna lyubimova and i am a journalist, natalya lysova. hello, natalya, you became the minister of culture in such difficult times. in general, under-entertainment is not for art. that's now when you reminisce the very first month, what do you remember? what sensations do you know, i was supported by one uh my colleague, and when he came up in the first days after the appointment, and he came up to me and said the first six months, you will feel as if you were scalded with boiling water. and that's okay. we all go through this so much and this is the comparison. in general, i returned to this with my head several times, because somehow it is fantasized that you have been appointed, and you are driving there in the back seat of car

hand hallucinatory, and on the other hand a very realistic poem, i must tell the audience that dmitry petrovichappened to pass the ball to each other in tolstoy's yasnaya polyana expanse, when there were five or six fat ones in the clearing. yes, it was a great job. well, let's talk. uh, now about, uh, one of your main books is this book. here i have it in my hands. this is one of her publications. this is a book called kataev the pursuit of eternal spring by valentina petrovich kataev. how easy is it to guess the titles? what is the mystical connection with the hero? after all, the author can't just write someone 's biography, maybe because he is uh hmm associated with youth magazine like you or not only this connection continues. yeah, because i became the editor-in-chief of youth after writing this book. maybe this was the reason for the fact that the magazine of youth perhaps had a hand, and then they called me from there and they say, listen, come. by that time you had already written a book, right? that is , it was such gratitude, i take it that way, but miracles. what's up with the figur

who lives emperor pavel petrovich play by dmitry merezhkovsky and ruben simonov pavel the first productionnatalia kovaleva the scene of the old arbat is the state academic theater named after evgeny bakhtangov, and here the sensation in the role of the neurotic morally crippled emperor pavel alexander olezhko for this interview and the performance that followed it, artist came visibly, dragging his left leg. sasha is lame. this is an actor's acceptance theater of high-risk production brought new beautiful long boots over the knee boots, and i didn’t have time to get used to them yet , my foot stumbled , twisted, twisted and twisted back , my partner told me that sparks just woke up from my eyes in the truest sense of the word. i don’t know if the audience noticed or not , but instead of such a phrase, it means that pavel says there, annushka, you know, i didn’t know what love is, but only live without passion, i couldn’t even an hour from childhood with girls outbuildings opposite lived in the windows looked at each other. i started to carry this from pain, because i thought that i had bro

olezhka like that yet, son of a bitch, where he could not be our freak long live emperor pavel petrovich play by dmitryrst production by natalia kovaleva the scene of the old arbat state academic theater named after evgeny bakhtangov, and here a sensation in the role of a neurotic morally mutilated emperor. pavel alexander olezhka for this interview and the performance that followed. the artist came noticeably, dragging his left leg. sasha is lame acting technique, the notion of a theater of production of increased danger brought boots such beautiful long over the knee boots, and i didn’t have time to get used to them yet . i don’t know if the audience noticed or not, but instead of this, it means that the phrase there is pavel says, to annushka, you know, i didn’t know what love was, but only to live without passion, i couldn’t even an hour since childhood from my youth with the girls that lived in the outbuildings opposite, looked at each other through the windows. i started to carry this from pain , because i thought that i had broken my leg, if i didn’t think about the leg, i think, how should i di

okay, you say. a dmitry sergeevich o greetings petrovich how many years how many winters? it is, as usual, protect the innocent will tell the guys laugh. if you want me to tell you another anecdote. no thanks. it's redundant. you better tell me that you hired fomichev to protect. and fedor, to be honest, i don’t remember such questions. vova fedor petrovich salut great, if i tell you i'm learning the system, i just broke in. you will arrest me immediately. here they are talking. i need your help punch me a little man. igor fomichev. yesterday i was detained at the railway station shootout. so he's sort of doing backpacks for you. why did kostya understand? this is a serious passenger working for local authority akhmed rakhmedov, interesting. what the hell is a cover up? logical thank you rescued, come on. how many years how many winters you don't talk assholes to me colonel. why do i recognize your promotion? damn you from whom they are then in the next world in a frying pan? vanya vanya then mom will return, i missed her. will definitely return. you'll sit there with me.

dmitry medvedev himself without russia marovetsky. it is in europe that the exact country will disappear along with its underdeveloped prime minister andrey petrovichted that's how he tells you about the stages. well, a skirmish between poland and between the russian federation constantly arises in our country and we know the same thing, referring to a historical retrospective. it can be said that any conflict in europe sooner or later ends with a partition more and the poles - this is perfectly understood today for one simple reason, because that there is, as it were, a common enemy, which is designated - this is the russian federation well, our union state and so on, the union today. uh, poland in any form. whether it is a confederation or a federation, i think it is impossible, first of all, for what reasons the state within the boundaries of which it arose in 1991. this is the first position, the second political position, if even the laws that have been adopted to date in ukraine make it possible for the leadership of the polish republic. and corresponding way following aspect of this military, no matter how exalted today tried to pronounce th