everything that was related to the music industry, to show business. then the host of this column was dmitry shavirin he quite openly practiced borrowing, that is, he came to him, like here i have a stage, now yura is the head of one of the popular then in mid-eighties of the collectives, so, here he brought balyk cognac to dima zato. so that his group in the hit parade moved up a couple of positions, the first five, everything was honest, the first five did not sell at all, that is, all this by letters - readers disappeared, by letters not electronic, naturally there was no internet, no e-mail, paper letters just stupidly arrived with a note that this is in this section, people printed out envelopes, drove, letters were counted, all this was manually entered somewhere. it was counted here so, that is, the first five were not sold, there are sixth, seventh, eighth, that is, from ninth place to sixth , that is, in principle, i will repeat, everything was quite fair, and dima strictly said: "yura, we have a girl working very hard, the balyk is good, the cognac is excellent, we need more candy." yura sa

of his acquaintances when he was sorting things out there, i remember there was a story with dmitry shavirinquite famous music journalists, there were several more episodes when he simply resolved the issue himself. we are back, this is a podcast chronicle of the end of times, and today i am telling you about bandits in the soviet post-soviet show business. chris kelme told me that when he and mark zakharov, that is, with lenk, went to paris. about authoritative people, i just want with chris finish, he actually finished badly in his life, he was in a very bad state in the last years and...