two years later, lautc wa's cic- doffing his cap to chéret, he created a sensation with his first stabphy-- a medium that would become his métier. the poster featured la goulue, the bawdy high-energy dancer. accompanied by the supple valentin le désossé-- valentine the boneless-- she was the undisputed star of the moulin rouge. the new entertainment complex of stages, dance floors, gardens, bars-- and a plaster elephant acquired from the grounds of the 1889 world's fair. lautrec had first seen and painted the dancers at the moulin de la galette in 1887. he'd also seen something new-- the show theers, the latest craze in pasian entertainments lit from behind, the figures-- cut from zinc-- were operated by a team of stage hands. the poster's silhouettes inspired by the shadow theatre conveyed the modernity of the moulin rouge. lautrec had a fascination with performers off and on stage that drove his art for the rest of his life. the moulin rouge continued to attract him-- he caught the pensive side of the female clown cha-u-ka-o... dancers in the stage lights and their promenading audien

dofs, sparrows, as well as hawks. owls, owls is the other name, right? owls. and on the other hand, honor, if you interpreted it in a particular way, it meant that we're not going to give up on the saigon government. now, if you were really savvy about this, you knew that's what the war was all about. it was about preserving the saigon government in connection with that issue of creditability and so forth. and as long as nixon said that, if you were savvy, uyou could project it wasn't going to be easy to get out of this war. but it was a good way of approaching the war, and i think nixon himself perhaps believed he could pull it off. >> katherine, john? okay. yes, ma'am. >> by name is gail kates and i wanted you to speak a little bit more about nixon's response to the leak of the pentagon papers being the downfall rather than the fact that if he'd just -- you indicated if he'd just let it go, maybe it would have not been so important. would you talk about that a little more? >> certainly. the pentagon papers as a study, as a military analysis, as a strategic s

of a choppy trading day let's have a look at some individual ship movers oh major rules lift again doffed or greeting upgrade by which also indeed higher the linda c.e.o. says it will be possible to cut the state's stake in the russian banks or below fifty percent in about four years time only that's automated in the sea changes in legislation from power exports into rubberized two and a whole percent despite disappointing results companies saw net loss of around five billion dollars last year compared to net profit in the previous year and crude to gain on the rise from the lowest close of the week which is bad news for global recovery is on concerns ploys may tighten with persisting tensions over iran the international energy agency said it's not planning to release emergency crews still calls this point the recent price rises and that's your business for this so you can for more stories on our website headlines are next to nothing. question is that so much pride i trow that you believe that there's the taliban bad guys the massacre into these problems again highlights a lack of consens

two yes later, lautc wa cic- doffing his cap to chéret, he created a sensation with his first stab at-- a medium that would become his métier. the poster featured la goulue, the bawdy high-energy dancer. accompanied by the supple valentin le désossé-- valentine the boneless-- she was the undisputed star of the moulin rouge. the new entertainment complex of stages, dance floors, gardens, bars-- and a plaster elephant acquired from the grounds of the 1889 world's fair. lautrec had first seen and painted the dancers at the moulin de la galette in 1887. he'd also seen something new-- the show theers, the latest craze in pasian entertainments lit from behind, the figures-- cut from zinc-- were operated by a team of stage hands. the poster's silhouettes inspired by the shadow theatre conveyed the modernity of the moulin rouge. lautrec had a fascination with performers off and on stage that drove his art for the rest of his life. the moulin rouge continued to attract him-- he caught the pensive side of the female clown cha-u-ka-o... dancers in the stage lights and their promenading audience.

. >> that are going to hit, which would be disaster if we let that happ, wh i woul dof i was the president, i would actually let those happen and then i would turnaround to the republicans and say, okay, now we are going to negotiate. and we don't need $3.9 trillion of new revenue. we need about $1 trillion of new revenue. and so you can let the republicans come back and have a tax cut. >> and if you let them both expire that would give me how much revenue. >> three-point -- about 5 trillion. >> rose: about 5 trillion. so where do you stand on letting the bush tax cuts expire? both as a reality to contribute to reducing the deficit ors bargningool? >> i never uld have voted for them in the first place, if i would have been in the senate because what you do every time you are in the u.s. senate so you can assure yourself of reelection is wait until a surplus comes along and the last guy to balance the budget was this guy and then a surplus came into being and when the surplus comes to being, the staff of the person who wants to be president of the united states on the floor of the senate sa