i spoke with donna tartt for. here's a portion of that interview. and the journey you want us to khp#ter the explosion at the met and theo is charged with saving the goldfinch is what? >> the journey that i want to take the reader on always is the journey that i loved most when i was reading as a child just this galloping gleeful you don't know what what's going to happen next and i don't want my books ever to be an amusement park ride that's very predictable, up down, up down and you wind around the track and end up in the same place. i want the car to jump the track. i want the car to be out in the woods somewhere and you don't know where you are and you are wondering where the amusement park is. and you don't have to get back. i want there to be real danger for the -- if there's real danger for the character there's real danger and surprise for the reader as well for me i really feel if there's no surprise for the writer there's no surprise for the reade reader you alwayse to be writing at the risk point. i always do, anyway. >> rose: danger some