doronina and her corpse, my fundamental proposal is to divide the art theater into two absolutely independentg this, i suddenly begin to discover for myself - some new, unknown things, so suddenly some completely unexpected discoveries occur. in general, i have to tell you, thank you, you’ve done well, despite these conditions, you are heroes, what do i need, it even seems like there was such a dead end in the world, now we’ve come after the vacation, everything really started to happen at five, i i already look at different eyes, different faces, just every day, today i love you, you didn’t notice, yesterday i thought, lord, this is impossible, now you played resuscitation in such a way that i did it three times too i wanted to cry, at such moments i immediately love you and want to work, and i think, lord, they are all artists, how they correct each other, what they dig up, i didn’t think that fate would bring me here, i didn’t think at all and that i i’ll really be needed here, it seems to me that now we really are some kind of breath of fresh air for each other. and galya here i am here i

for more than 30 years it was headed by tatyana doronina, her majesty an actress, integral, strong-willed theatre, live and die in it if you can. each production is like a part of world history, and this is already a new era in art, no romance, but only symbols, sketches, metaphors. ralanpiti set notre dame cathedral in paris in the era of hippies and beatles, his esmeralda has a completely different plasticity. i never thought that... that being a ballerina, i would perform on the stage of the moscow art theater, on the stage of the drama theater, and what it is like to love a genius, no one has ever looked at yesenin’s work from such an angle, this evening simply could not do without the main hit of today’s moscow art theater , a play by yesenin’s woman, about a poet who paid for talent with his fate, sought love and ran away from her , i was saving myself from loneliness and longed for solitude, forgive me, i know you’re not , they say, in order, for example, to write on... you need to look for material for yourself in painting, but i draw from writing, from dancing, from music, of cou

is here anywhere, we need to save, we are intubating, and today, perhaps, we can do it, it’s only doronina vasilievna to the theater, category, tatyana vasilievna, look, look, oops, and he’s gone, i love you. tatyana vasilievna is currently the president of the theater, she is absolutely such an active member of our team, we consult with her, i really hope that as soon as she feels good, she will come here. after covid she had a complication with her legs, she wants to come here with her own legs, they come here, so it’s like we’re waiting for her. do you love theater as much as i love it, do you love theater, since i love the theater, women of your soul, the older i get, the more i understand the scale of tatyana vasilievna’s figure, and i am happy that i had the opportunity to see tatyana vasilievna on stage more than once. i believe, i believe! "she drove up to the building, so we talked to her , we met for the first time, she came here, yes, everything is very good, we met after, everything is fine, yes, she looks brilliant, well, of course, she needs to get ready, we need to get ready

rays, it seems to me that this happened with lioznova in the film tritopol on plyushchikha, when doroninae it was beautiful, it seems like it’s true, but it’s some other truth, its truth, and you know, but alioznov told my father that efremov looked at it somehow, well, well, he’s playing something, playing, okay. then, when he looked at the material, he asked to re-shoot some footage of himself, these are wonderful plans, when it’s raining, when he’s cast for a role, this was then filmed, actually for the audience, moviegoers, and the acquaintance with mark antolyevich zakharov happened in a rather unusual way, because he turned out to be a co-author of the white sun of the desert, and specific details, yes, but it is extremely important that he was involved not just in the script. which passed through many hands, through the hands of ibrahim bekov, through the hands of valentin gezhov, and before that the basis was written by andrei sergeevich konchalovsky together with friedrich grenstein, here is mark anton zakharov joined at the moment when it became clear that some kind of emotional

this energy, some elusive rays, it seems to me that this happened in liozny’s film... on ivy, when doroninaoked at it and somehow, well, well, something... then he plays, he plays, okay, and then, when he looked at the material, he asked to re-shoot some shots of himself, these wonderful plans, when it rains, when here he is for the role, this was then filmed, in fact, for the audience, moviegoers, and meeting mark anatovich zakharov happened in a rather unusual way, because he turned out to be co-author of the white sun of the desert, with specific details, yes, but he was simply not involved, not just in the script, which passed through many hands, through the hands of ibragimbekov, through the hands of valentin geizhov, and before that the basis was written by sergeevich konchalovsky together with friedrich greenstein , so mark antonich zakharov got involved at the moment when it became clear that some kind of emotional note about this script was needed, it should be expressed in those very letters from sukhov, and the dramatic talent of mark anatelyevich was needed, the director of the

hugh jackman and pierce brosnan, there are even two films machuha with julia roberts and tatyana doroninaared to the world in the form of a mother-in-law, together with her son-in-law garik bulldog kharlamov. red carpets, festivals and premieres are a torment for me, posing on them and smiling, taking pictures of people posing smiling. over the years, the stress has increased. a step to the right will tread on a nimble tiktoker, a step to the left will crush a fashion blogger. these are the features of a modern press press. i was waiting for the appearance of her all-russian diva, larisa guzeeva, she captivated me with her stunningly beautiful eyes. guzeeva’s look at the mother-in-law’s premiere was carefully designed to the smallest detail: an oversized jacket, an organza skirt, and low shoes with thick soles greenhouse on the chest. larisa is a trendy brand, and as always, she is lightly witty. are there any good synonyms for the harsh word mother-in-law? in general, i want to say that russians have such a kinship, they have an evil head. take, na-na , take, you would like it if your da

strength of a bright woman is not accidental for mkhat; for more than 30 years it was headed by tatyana doroninatage, on the dramatic stage. and what is it like to love a genius, no one has ever looked at yesenin’s work under such corner, this evening simply could not do without the main hit of today's moscow art theater, the performance of yesenin's woman. about a poet who paid for his talent with his fate, sought love and ran away from it, escaped loneliness and longed for solitude. they say that, for example, to write a melody, you need to look for material for yourself in painting, but i draw from writing, from dancing, from music, of course, which very often helps to tune in to the role, a happy couple, as a symbol of eternal love for... . stage viewer to the theater ended the concert congratulations from the premiere and the prima of the great denis roydkin and elionor sevenard, who deftly decided to show me not only brilliant technique, but all the facets of his dramatic talent. acting, rameu javet is such a drama ballet, yes it is lyrical, but at the same time there is a strong dramatic