front of her eyes, to kill her herself, at the same time... a research center, a production center, dovzhenko'sis there, but they are fast asleep. that's all, well how, how we imagined, well, how only old men would fight, that’s how we imagined who the ukrainian was for us, yes, well, the bulls played just such a real one, yes, now you look, and who is the ukrainian? for some reason , zapodenets became the embodiment of ukrainians, with what joy, they are generally austro-hungarians, they have no history. there is no common faith, people, or language, they are completely lost, they don’t know at all who they are, what they are, and at the same time they tell some kind of fairy tales about their past, name me at least one ukrainian who history of austria-hungary rose to some significant position, well, let's find, well, how well they lived there, well , find someone, there are such, no, it was hard to be some kind of clerk there somewhere, let's be terribly oppressed yes ukrainians? in russia, the trough rozum, the first secretaries of the central committees, the first secretaries, the general s

have a style. the style of leningrad cinema, they could be distinguished from moscow, sverdlovsk, dovzhenkot to cry, what an occasion, comrades, let’s drink to you, they had their own atmosphere, their light puts on- to another, i can’t explain this in language, i can’t find any technical comparison, but the fact is that they really either have their own rhythm, or their own shadows, this is the play of light, this chiaroscuro, this is purely leningrad, and you could immediately guess it, mylnikov had it, it was present, and they had their own sense of humor among the leningraders, what can i say, volodya, a miracle happened, and of course, they had the selection of actors from st. petersburg, to stage film based on vampilov, vitaly melnikov used his official position, being the head of the association of television films, there was such a thing at linfilm, by this time this association had become stronger, bolder, such films as fantasia were already appearing there . suggested vampilov specifically for television and it turned out that on television it turns out that it is possible, in cin

the information day of the tv channel in rozpol, we are now joining our obituary of otar dovzhenko, ukrainianrnalist, media expert, creative director of lvivmediaforum. independent media council. glory to ukraine. we congratulate otara on journalist's day, so to speak, with tears in our eyes, that is, the holiday is not easy, of course, we are all pleased when we are congratulated by those who would like to sew up our mouths so that we issue information in the desired format, yes, rewriting the official press releases. but, but, but, the day before, quite a lot of interesting information appeared, dedicated to what, well... in something even worse than outright censorship, i.e., we are talking about dark people who, as we used to trade in ukrinform, well , a responsible dude, so to speak , was asked to resign with a bang. well, but the taste of a certain, certain substance remained in the mouths of all of us, and accordingly i wanted to ask you how that situation is being handled now, and in general, whether someone should be punished for this in the literal sense, well, because when they say

outraged by it to everyone , people who were never interested in ukrainian cinema, especially, or the dovzhenkond now we have a situation with the film support council, as i said at the beginning of our program, this is a council, this is a body that determines which tapes will win which the tapes will receive state funding, and accordingly, what films we can watch, we will be able to watch in a year, two or three years, and andriy kotlyar is on our direct line, the producer, andriyu, can you hear me, congratulations, yes, i hear well, well, this is our song, good and new, we constantly talk about it on our broadcast, and there is a letter about it in particular. yes, another letter from the ukrainian film community with demands and with demands, in particular , to monitor how transparent it will be, the elections of new members of the council for state support of cinema will take place, please explain please, why, why are there any suspicions that this can all happen opaquely? well, in general, the management of the state cinema and in general the people who, before... before the management of

extra-cinema bubble, and people who would never , in principle, even ukrainian cinema, especially ani dovzhenkoot interested in the center, but now we have a situation with... with the film support council, as i said at the beginning of our program, it is a council, it is a body that determines which films will win, which films will receive state funding, and accordingly , what films can we watch, we will be able to watch in two or three years, and andriy kotlyar is on direct contact with our producer, andriyu, can you hear me? congratulations, yes, i hear it well, well, this is our song, good and new, we constantly talk about it on our broadcast, and about, in particular, there is a letter, yes, another letter from the ukrainian film community with demands and with demands, in particular, to monitor how transparently the elections of new members of the council for state support of cinema will take place, please explain why, why are there suspicions that this may all be happening in a non-transparent manner? well, in general, the management of the state cinema and, in general, people who are in

start people who, in principle, have never been interested in ukrainian cinema, especially, or the dovzhenkoter, are outraged by all this, and now we have a situation with the council for the support of cinema, as i said at the beginning on... the program is a council, it is a body , which determines which films will win, which films will receive government funding, and accordingly, which films we can watch. we will be able to see in a year, two or three. andriy kotlyar is in direct contact with us, producer. andrew, can you hear me? congratulations. yes, i hear well. well, this is our song beautiful new we constantly talk about this on our broadcast, and about, in particular, this letter is, yes, another letter from the ukrainian film community with demands. and with requirements, in particular. to monitor how transparent it will be, the elections of new members of the state support council for cinema will take place, and please explain why, why there are suspicions that this may all be happening opaquely, well, in general , the management of state cinema and in general people who are conne

everything that happens there can be imagined in kyiv in the 2000s, there is a plus, and there is the dovzhenkoio in history, there is trukhaniv ostriv, such... you know, the main locations, you can say, various theaters, ah, it will be more ukrainianized, definitely, but we will not deviate very much from the original work and we do not want to, because it is not our style writes very, very vividly, that is, his books, they are primarily about action, and some scenes in the book, it's literally like you're watching a movie, every action is there, sometimes you can even feel how he puts the camera in his... in his own words, and the village, as i said, is a timeless story, and especially a village like vasyukivka can be said to be a fictional village, so it can be imagined at any time, and the events that will take place there will also be relevant at any time. well, we have literally one minute left, i understand that you can't think ahead, but at least you plan for yourself how many years this movie will be can it be rented? and if all the stars turn out as we need, then with the best schedul

thank you, thank you, otar dovzhenko, ukrainian journalist, media expert, creative director of lviv mediaform, head of the independent media council was on our airwaves, and we thank him, and we congratulate him once again on journalist's day, and now the time for news has passed, so we pass the floor to our colleague irena koval, who is ready to share important news with us as of this minute. iro, let's pass the word on and share what you're talking about managed to find out. thank you, marta, in just a moment i will tell you about the situation at the front, and also about whether the german chancellor allows the weapons provided by germany to be used for attacks on the russians. well, wait, i'll tell you literally. it's 4 p.m. in ukraine and we have a news release on the spresso tv channel for your attention. in the studio of iryna koval. i congratulate all viewers and just now about the most important events. the russians are trying to break through to the kostiantynka highway in donetsk region. this was reported by the spokesman of the operational-strategic group of troops khortytsia naz

some kind of primordial element, this theme comes from the thirties, it is very well expressed in dovzhenkol of eroticism, appeared who never became the object of a man’s erotic passion in reality. sphere, while she translates eroticism into the sphere his own, so to speak, interest and his own existence of the soviet man, with all that stuck to eroticism in the enemy camp. uh, an element of criminality, vulgarity, everything that, so to speak, was so characteristic of the idea of ​​the enemy and why these sexy girls were introduced there, all this sticks to these women’s bodies in the context of soviet life, the boy boba went for a walk, the boy bo - boba went out for a walk. and the wind blew into boba from the alley, he tore boba’s hat off, boba, where is your hat, boba, what will dad say, boba, boba, daddy knife! took it out from under the sofa and put it under the suitcase, dad took out the knife from the sofa, put it on the suitcase, some kind of criminal aura, a criminal aura constantly surrounds the female body in soviet films, and this is largely due to the fact that with these fro

becoming a doctor and loved. my city, the city of my parents, we are right on the dnipro river, as dovzhenko wrote, the fact that we have endless steppes and a river across the road. after the death of her mother, valeria lived with a guardian, she says, almost immediately after the occupation, they wanted to leave the city, but the school, where the collaborators began to manage, refused to issue her documents. then i found out that our director was being taken to the basement, and another director, who did not cooperate at all, was simply taken away. documents, took out safes with documents, thus the russians, according to the girl, gained access to the children's database, after which, in early october 2022, they gathered parents and they informed that the children will be forcibly evacuated tomorrow. on october 8, already at 10 in the morning, we were on the main square of the city with all the children, and from there we already went to the crimea. the children were brought to a boarding house near ivpatoria. valeriya says that the next two months were less scary. in her life the mornin