dr. bailey has been deputy director and chief -- i can feel comfortable with and admire and to be honest, the fact that the fine arts museums of san francisco, in a way are the moment in one and serve like as that for this vibrant community. i'm really excited. i know there is lots of support. what's so exciting in the visits i have made to san francisco is how welcome you feel. that sense of a home, of a place, regardless of size, is very important. and it was thrilling to me to see that there is already suchen enthusiasm for the audience. >> he's talking about the art itself. just listen to the way he enters these works from -- >> who was the goddess of fertility of flowers, of spring, it brings in the regeneration, if you like and this is a fantastic painting by one of the greatest 18th century artist, at the top of his game. this is the most flamboyant, exciting paint is of this artist. and we do feel that everything is possible. >> we can't, when we look but think of fertility and of femininity, some sense of generation. we can smell the perfume. >> to rembrandt. >> his mistress, inc

dr. ron bailey. he joins us once again. people yearn to know the answer to the simple question, the one word question, why? in search of motivations, i suppose could it be a wide variety of things? for some people it gives them a sense of power to the powerless. for others it is hatred and for others it it is revenge or all of those -- are all of those factors? >> the why is as perplexing to those in a proposition and all in society. we try the best we can to look backwards on what individuals have said during the evaluations and placed under similar circumstances. there are a few things that are consistent. you mentioned about fear and feeling i'm pawent tent and not -- i'm tent and using any normal tee of ways. there is revenge and sense of entitlement or somehow they felt wronged by the system or by our government and country and university if you will. if they have a right to strike out in these most violent and adverse fashions, we can see that pretty often. >> dr. this is jaime colby, i wanted to ask you this question

dr. bailey has been deputy director and chief -- i can feel comfortable with and admire and to be honest, the fact that the fine arts museums of san francisco, in a way are the moment in one and serve like as that for this vibrant community. i'm really excited. i know there is lots of support. what's so exciting in the visits i have made to san francisco is how welcome you feel. that sense of a home, of a place, regardless of size, is very important. and it was thrilling to me to see that there is already suchen enthusiasm for the audience. >> he's talking about the art itself. just listen to the way he enters these works from -- >> who was

dr. bailey's observation about his own experience with art museums. >> you have to have real commitment and belief in your vision in what you believe is right and yes you have to be flexible and malleable to a certain degree but you keep going. i think that is case of a great artist. >> we are finally led to another of the museum's great treasures by wayne tibo. >> how happy one feels to look at these objects. a painting talks about more than what we can have, about consumerism but also about childhood pleasure. i love this artist. when i look at this, i feel happy. >> [ applause ] >> okay. we now have a brief question and answer period if anyone has any questions? no? okay. >> i have one. [inaudible] what changes do you for see for the museum of collins coming here? >> well, i think what he'll do, first of all i think he'll take his time getting to know the museum and the staff really evaluating because especially because we have 2 museums. it's really a matter of becoming familiar with both of them, they are very different in character. i think it will take several months to getting to kn

dr. bailey has been deputy director and chief