after some time bringing carpets, or simply settled in villages like that one... for example , drozdovichived there for a while for a week or maybe more time, he created the carpets that people asked for, today there are many interested people trying to create some kind of little ones, some on their own, and in many places belarus. circles have appeared at craft centers, in such circles, particularly in the deep ones, there are professional artists who teach even children how to create little ones, how they were once created using the same technology, somewhere by painting, somewhere... with using stencils, so now this, let’s say, type of art is, as it were, reflected, the first exhibit that was recorded in the museum’s book was drozdovich’s sofa with a balistrad, but... it was drazdovich’s first carpets that the museum appeared in, thanks to that , that one of the artists gave them to the museum, well , it was just 1988, it was then that the employees decided that they should try to look for carpets themselves, and the first expeditions were organized in... glybotsky district, again, the

drozdovich’s duvan of the edges with a balustrade, well, it was drazdovich’s first carpets that appearedseum, thanks to the fact that one of the artists donated them to the museum, and well it was just 1988, that’s when the employees decided that they should try it. also one of the artists, this is vladimir basalyga, gave us a collection of sofas, today it turns out that out of more than 300 created by aleny kish, only 13 known ones have survived, and of this number 11 are in the funds of our museum, and somewhere in the late nineties we ... we also decided to try to look in the minsk region, in particular the slutsk district, kopolsky, we went and looked for alena kish’s carpets in the villages, but to no avail, however, on one of the trips we drove from village to village, they asked us what we were collecting for the museum. carpets, a woman, well, they called alena kish, she lived in your area, maybe someone heard somewhere that a carpet was preserved, well, we were told, yes, a woman walked around the villages, well , these are grannies who still lived there after the war, when alen

after some time they brought carpets, or simply settled in villages, like the same, for example, drozdovichme time, for a week there, or maybe more time, he created carpets, those that people asked for, today there are many who are interested and... using stencils, so let’s say this is a form of art, as if reflected in the first exhibit that was recorded in the museum’s book, this dyvan drazdovich of the edges with balistrada, but it was the first carpets of drazdovich that appeared in the museum, thanks to the fact that one of the artists donated them to the museum, well... they are kept in the museum from the cob, there was a search for more carpets by alena kish, also one of the artists, this vladimir basalyga, conveyed we need a collection of dyvans, today it turns out that out of more than 300 created by alena kish, only 13 known ones have survived. on one of the trips we drove from village to village, they asked that we were collecting carpets for a museum, a woman, well, they called alena kish, lived in your area, maybe someone heard somewhere that the carpet was preserved, well, we

organized to the glybots district, again . back then there were still several rugs were found by drozdovich gradually, after eighty... 11 in the funds of our museum, and somewhere in the late nineties we also decided to try to look in the minsk region, in particular the slutsk district, kopolsky, we went , we searched through the villages for olena kish’s carpets, but to no avail, really... but here, they say, we didn’t have any preserved ones, you go to the next village, they said the name of the village, we went to the next one, they also said that it seemed like a woman was walking wrote carpets, and so from village to we were driving to the village and in one of the villages they said, yes , alena kish’s son is alive with the offensive village, well, we thought so, like olena kesh was not married, by the way, after the opening, granddaughters, grandsons, alena kizh came, yes, they even took pictures here on the background of this carpet, by the way, the son whom we met then during that expedition gave us the carpet, well, it just so happened that another name just happened by chance whi

of art, as it were, is reflected, the first exhibit that was recorded in the museum's book is drozdovich'sere’s another name, just by chance, while searching for alena kish’s work, we also found another sofa artists, collecting sofas, at the beginning there was a desire, realizing that over time they would disappear altogether, since visiting many villages, talking with... many people even then , even in the nineties, understood that soon you might not find them at all, these rugs, and if at first there was a desire to make as many expeditions as possible, to find them, but then, when quite a certain amount had already been collected.