, in druzkivka, the historical heritage of the cultural-historical heritage of the french was preservedsort out, for example, yes, you can say that well, it is okay to forge archival photos, but let's agree with the building, which has been preserved there since the middle of the 19th century, it is quite difficult to forge it, and that is why it was very important for us to photograph the local residents and their attitude to this but how they look for such historical parallels even with the present, because donbas, as ihor kozlovsky said in our film, it is such a frontier, the frontier of europe is such a border yes, which is constantly constantly moving, and it is for us awareness of this region is also important in order to bring it back. in addition to historians, are there people in your film, besides the residents of donbas who know its history well, people who were told by their parents, and their parents told them what donbas was like when it was still european and when the russian peace had not yet come there, of course we filmed right in the village of new york, even in the 2