east and east anglia. on the sandy soils, you could be down to two or three degrees or so. there isn't a great deal of change. we are now into sunday. still that murk a potential threat around the irish sea coast, getting up towards the solway and the eastern shores of antrim and down. more extensive rain as the weather front closes into the northern and north—western part of scotland. eastern side of scotland and much of england, wales and northern ireland, too, perhaps a fraction warmer than was the case on saturday. as i take you from sunday into bank holiday monday, this air stream is still the dominant flow, dragging warmth out of the heart of the continent and pushing it towards the british isles. there is cloud and some rain in northern and western parts of scotland, cloudy in northern ireland, but not without brightness here. still that potential for murk around some of the irish sea coasts. it could well be that we see another degree or two on those temperatures. if we make it up to the lofty heights of 26, possibly even 27 degrees, that will set a record for the bank holiday monday of a bank holiday. 27 degrees would be the mark we are looking for. that's probably the one that would make the headlines. having said all of that, it may well be the case that some of you don't get anywhere near that. tuesday, we will still have a banner of cloud across many of these western areas. still producing the odd bits of rain even as far ahead of that, eastern and south—eastern parts still very warm. this is bbc news — our latest headlines. jamie acourt, one of the original suspects in the murder of stephen lawrence, is due to appear in court in spain after being arrested on drugs charges. donald trump criticises the level of knife crime in london, comparing one of the capital's hospitals to a war—zone. an erupting volcano in hawaii has triggered a series of earthquakes, including the most powerful to hit the state since 1975. a space rocket has begun a six—month journey to take a probe to mars, to help scientists study what's beneath the planet's crust. sport with catherine downes, now. thank you. fighting for their premier league survival — west brom scrambled in a late goal to beat tottenham. these were the scenes of celebration at the hawthorns at the final whistle — just moments afterjake livermore had the last touch in a goal—mouth tussle to take all three points in injury time. west brom needed to win to avoid relegation — now they have the faintest of lifelines — they're still bottom, but they could still cling on. to give ourselves a chance, we've been on this road four, almost five weeks ago. wejust been on this road four, almost five weeks ago. we just wanted to get some sort of pride and commitment backin some sort of pride and commitment back in there. the supporters haven't been excellent. one the one standing up here talking about the occasion but it is us as a football clu b occasion but it is us as a football club the club came together, the supporters, staff, officials, everybody came together and working hard. through that hard work and commitment, results are coming. stoke city are the first team to be relegated from the premier league this season — their fate sealed by a late fight back from crystal palace. players dropped to the turf as the full time whistle confirmed their position. their afternoon had started much more brightly. craig templeton reports. in the premier league, many matches are called must win but stoke city new either beat crystal palace in the potteries heat all their hopes of survival would be shattered. palace had all the early pressure but the dangerous wilfried zaha couldn't find the finish. but when you have a master craftsman like shaqiri in yourteam, you have a master craftsman like shaqiri in your team, you always have a chance. the tension was rising. in the second half, tempers threatened to boil over. cracks then started showing in the stoke defence. james mcarthur found a gap. and then found the equaliser. and then stoke's fate was sealed when ryan shawcross got in a spin, leaving patrick van aanholt with the simplest of finishes. after a decade of premier league football, it's the championship next season for stoke. and some of these fans will remember that it can take years before you return. craig templeton, bbc news. they were excited to pick up the points. as i said, before, if the lads had been playing, they wouldn't have been in the position they are in. the club has to bounce back up, it is too big and the supporters are too big. it is in a good place infrastructure wise, they can do that. this football club has to bounce back. i feel very sorry. a lot of empathy for stoke city, not much fun coming off the field at the end of the game, seeing the pain etched on the players and the coaching staff's faces. it is not asked that has put them down, it's 37 matches have put them down, it's 37 matches have put them down. we just happen to be here today. and provide them with opposition that did theirjob, played the best football that they could play. swansea are on shaky ground — they lost 1—0 to bournemouth. ryan fraser's deflected goal in the first half secured bournemouth‘s place in the premier league next season — they are safe, but swansea could drop into the bottom three if southampton beat everton in the match at goodison which hasjust kicked off. 0-0 0—0 for now. and here are the other results for you in the premier league today — west ham took another step towards safety — they beat leicester 2—0. watford are safe for next season — they beat newcastle 2—0. third from bottom southampton still have three games to play. they are under way in the late kick off at everton. if southampton win that match, west brom will go down, swa nsea match, west brom will go down, swansea drop into the bottom three as well. the latest from goodison park, 0—0. we will keep you up—to—date throughout the afternoon. so this is how it looks at the bottom of the table — a crucial time forfive or six teams. west ham not mathematically safe — but huddersfield and swansea hovering above the drop—zone. stoke at the bottom now after today's loss — west brom move up a place. in the scottish premiership, dundee have all but secured their place in the top—flight for next season, after a 1—0 win over hamilton academical at dens park. dundee took the lead through kevin holt in the first half. but the game was set for a dramatic finish when hamilton won a penalty four minutes from time. dougie imrie stepped up and failed to convert from the spot, as dundee went six points clear of the playoff positon, with two games to play. elsewhere in the premiership this afternoon, second place aberdeen drew 0—0 at home to hibernian, steven maclean scored a hat—trick in his final game for stjohnstone as they thrashed motherwell 5—1. david bates marked his last appearance at ibrox with the only goal of the game as rangers beat kilmarnock moved to within one point of second—place aberdeen. it's the women's fa cup final this afternoon — chelsea and arsenal are battling it out at wembley. a huge afternoon at wembley. it's a repeat of the 2016 fa cup final — arsenal won that one — and there's a record crowd of over 40,000 at wembley to enjoy this installment. these are the live pictures — you can watch the match on bbc one. early stages of the fa cup final. currently 0—0 between arsenal and chelsea. elia viviani has won the second stage of the giro d'italia. the italian fought his way through on the sprint to the finish line in tel aviv to claim the second giro stage victory of his career. britain's chris froome appears to have recovered from his poor start yesterday. we should be seeing the pictures, 110w. he crossed the line in the main field and remains 21st overall. australian rohan dennis has taken the leader's pinkjersey. tomorrow is the final stage in israel before the race resumes in italy on tuesday. john higgins is through to the final of the world snooker championship. the four—time champion resumed today with a 13—11 lead and eventually beat kyren wilson 17 frames to 13 at the crucible. in the other semi, barry hawkins is 13—11 up on mark williams. they play to a finish this evening for the right to play higgins in the final. imean, i mean, i've had my family down and it's a big thing. you see them setting up and it's a big thing for the family. obviously, he's going to be gutted but i'm just proud. he obviously seized on the opportunity of my inexperience early oi'i. opportunity of my inexperience early on. i missed a sitter of a red at 4-3 to on. i missed a sitter of a red at 4—3 to potentially go for— four. from then on it was like tom and jerry, i was always trying to catch the mouth that i could never catch it in the end that might potentially go 4—4. john isjust different class. what a day of sport it is. david haye and tony bellew are getting ready for their heavyweight rematch which takes place later tonight at london's o2 arena. both men have weighed in lighter than last time and have promised a fight packed with speed rather than brawn. bellew stopped an injury—stricken haye in the first fight 1a months ago and reckons his mental strength will prove too much, but haye has different ideas. the final face—to—face last time round, i saw no fear, no breaking him. this time round, when i looked into his eyes, it was a different man. he knows it, i know it, we all know it. he can't do the same thing. what's going to happen isn't going to happen, what happened last time isn't going to happen this time. that is later on at the o2 arena. still 0—0 between everton and southampton in the premier league and arsenal and chelsea in the women's's fa cup at wembley. watch that live on bbc one. that's all the sport for now. now — when a courier is on a job, you'd expect them to drop off a parcel, get a signature and leave. but one amazon driver decided that wasn't enough — he wanted something in return. that's when wilma, the 11 month old miniature schnauzer disappeared. emma north has the details... emily, herfather richard, and their dog, wilma. they are a close team. she's quite lively, quite feisty. she always likes to play with her brother. last week, the family nearly lost her when a delivery of dog food arrived at the house. we noticed there had been an amazon delivery. and only one dog. wilma was nowhere to be seen. i wasjust in shock. i didn't know it at the time, but it's one of the worst things that can happen to you when you suddenly think, has your dog gone? a frantic search followed. we use this volunteering group called murphy's army and also dogs lost. they helped us with a search party. we also had a sniffer dog round, to see if we could search for her to see if she had escaped into the lanes. our only lead was the fact the amazon driver had delivered a parcel within the hour she went missing. we spent three consecutive days on the phone to amazon customer services for hours. each time they would tell us we need more time, another 24 hours. by day two we were saying, that is not good enough. what did you do as a last resort to get in touch with amazon? we e—mailed jeff bezos, the founder of amazon. and a man from amazon rang them straight back. he called me to say he had spoken to the agency that employs the driver, and the driver has said he doesn't know anything about the puppies. a couple of hours later, he phoned me to say he was looking at the tracking software of the driver to see if there was anything unusual. wilma was at the delivery driver's house. amazon told us this does not reflect the high standards we have for our delivery partners. they will be opportunist. they deliver so many millions of parcels, every day. i think people need to be really vigilant. much more careful with the security of their pets. and not necessarily have such a great trust for the people that enter the driveway every day. i've discovered my daughter is the most determined person i have known in my life. for four days, every waking moment, she was doing something that was an action to find wilma and get her home. and if i slackened off for one minute, she was there saying, "no, you can't do that, that is not getting wilma back". she has been fantastic. she is my hero. give us a kiss! the headlines on bbc news: jamie acourt, one of the original suspects in the murder of stephen lawrence, is arrested in spain on drugs charges — he'll appear before a judge today. donald trump criticises the level of knife crime in london — comparing one of the capital's hospitals to a war—zone. an erupting volcano in hawaii has triggered a series of earthquakes, including the most powerful to hit the state since 1975. sir david attenborough has been sharing his views on plastic, brexit and tv fakery. in an interview with the bbc‘s martha kearney, to mark the re—opening of the world's largest victorian glasshouse, the temperate house, at kew gardens, sir david said that plastic is a "major danger" to the planet. we can never go far enough, because we shall always be overwhelmed with plastic. but, at the moment, we are using plastic in a completely functionless sway. in a completely functionless way. i mean, it baffles me. people send me letters and if they think they are important, they put them in a plastic envelope. and then put that in another envelope. why? i can't understand. i mean, it makes them look, i suppose, precious or something. but it's quite functionless. and we use plastic, or have done until now, with total abandon, without any care or concern about where it's going to go or what it might do. if we can pull ourselves together and recognise that, actually, it is a major danger, particularly in the sea, we are stepping in the right direction. an awful lot of people now are working on ways in which you can deal with plastic waste. one of the problems is, of course, is plastic is notjust plastic, there are lots of different kinds of plastics, chemically. what works for one kind of plastic is not necessarily working for another. those are the problems they are wrestling with at the moment. was it a conscious decision in the programme to highlight the pollution of plastic? well, it was certainly in the mind of the producers that we would have a sequence. but i've been saying that, and we've been making programmes about that sort of thing, for decades. i mean, i've certainly talked about plastic many times before. and many, many other people have, too. why has it happened just now? that i can't tell. itjust struck a particular moment in the national mood when people were sensitive to that particular danger. why? i don't know. but it certainly has had a huge effect. and, finally, you recently made a television programme, you were in conversation with the queen. you talked to her about her legacy, the commonwealth canopy tree project. what would you like your own legacy to be? well, i don't think i deserve... i mean, i've been unbelievably lucky for the last, what, 60 years or something, to make natural history programmes. and with a lot of other people, too, cameramen, recordists, so one. cameramen, recordists, so on. we've all worked together in the natural history unit and produced a great corpus of stuff. i would like to think that there will not be any of it which you couldn't do again, perhaps better. but it could be that quite a lot of those things will become extinct in 50 to 100 years' time. in which case, that will be a legacy that future generations will treasure. think of what it would be like if you could see pterodactyls coming across and, actually, it brought come thundering through his newly planted palm trees. laughter. sir david attenborough, many thanks indeed. let's go before the pterodactyls come! laughter brontosaurus. now it's time for meet the author. how can a writer make us care about a creature from greek mythology born of the gods as a nymph? it's a challenge for any novelist. madeline miller did it first with achilles, now she tells the story of the great sorceress and enchantress, circe, who leads us through many of the great stories of mythology, behaving badly — like she so often did — but at the same time emerging as a figure with human qualities, including of course vulnerability. who will win many readers‘ sympathy because she is an individual trying to make sense of a very troubled world. welcome. what is the trick in humanising an immortal nymph like circe? well, i think i've always found that these ancient myths really resonate with un—human nature in that they are very timeless in what they are looking at, and i absolutely felt that as i was approaching circe. here she is, yes, she's a goddess, yes, she is a nymph, but she lives in a world where she is the pawn of much more powerful people than herself and she's on the receiving end. she doesn't have a lot of control, initially, over what she can do with her life and where she can go, and i think we can all relate to feeling in the grip of larger powers than ourselves. nonetheless, you have to bring them to life. they've got to be something more than statues in a museum, and if we're going to meet odysseus and prometheus and all these people who've got more than a walk—on parts in the story, they need to come off the wall, don't they? absolutely, and one of the things i love about the ancient myths is that when we talk about these greek heroes we use the word hero today to talk about someone who often is a moral exemplar. the ancient greek heroes were not moral exemplars at all. they were very complex, they had huge strengths and also huge faults, and so i really wanted to honour that in all of the characters — particularly circe — to make her a person that is three—dimensional, complex with those flaws and strengths as well. and, of course, you turn her into a figure who still has the powers, immortality and the ability to turn people into pigs and other things that she wants to and doesn't like them, which she uses, but you give her a humanity. she changes nappies. it's a dangerous game. you were a high school classics teacher by trade. do you ever think i'm letting this side down? i certainly have worried about the classics police and getting kicked out of the classics club, but i think that most classicists agree that the stories live because they are retold and they have been retold so many times over the years in so many contradictory ways and that's why they are still with us. and it's no accident that they've been told, because they are fundamental stories. folk myths, same thing. exactly. and i think that there is no such thing as an objective, definitive version of a mist. definitive version of a myth. i think they invite us into retell them. so, what about her? what sort of person do you think she becomes in your hands? well, iwanted her to be a character who is really forged by being downtrodden very early on in her life, and i think sometimes that can drive people towards then treading on people towards them treading on others, but i think it can also draw great empathy and pity for others, and i think that's the way circe goes. and the downtrodden nature that you reveal is very much connected with her femininity. yes. this is a world, the ancient greek mythological world, is a world that's not kind to women at all. it is not kind to a lot of people, men and women, but in particular as a woman and one of these lower—level nymphs, you are prey. i would not suggest for a second that this is a tract or a great political statement, but it's undoubtedly a book deeply informed by a feminist perspective in the world, isn't it? yes, i really wanted to take this female character and put her at the centre of her own epic. women have traditionally not been the subject of epics. their lives have not been seen as important enough for an epic, and so just as odysseus gets his epic i wanted this to be her epicjourney. and in a way, the humanising of these mythological figures has to do with the revelation of her, what we call them, psychological struggles or something? that is, to come back to the very beginning of our conversation, that is the trick. that's what makes her tick. and for me that always comes originally with asking questions. so, the great mystery of circe is why is she turning men into pigs? how do you come to that point in your life? homer does not tell us, odysseus never asks her, and so i think it's really ripe for exploration. i don't believe that people do thingsjust because or on a whim, i think people have reasons for what they do. and what is your explanation in her character? without giving too much away... indeed, yes. ..i think she feels very betrayed and assaulted and abused at one point, and she lashes out in response to that. so, really it's vengeance for her. the ancient world is very, very distant now from people. notjust because of the timeline, but because it sort of is slipping away. the days when the children went to school and many of them learnt latin as just the inevitable thing, have long gone. there is great enthusiasm for the classics in many schools, of course teachers are determined to keep them alive, but it's changed day, isn't it? it is changing. although as a high school teacher myself, one thing that i'm always struck by is when i do get children in the classroom and i do start talking about the myths, they are immediately gripped. i think these stories are so exciting and filled with huge emotions and things that they can identify with that i think if you can give them the chance, children will run towards them. do you see yourself as some kind of classics evangelist here? i know you are writing a work of fiction and of the imagination, in a way, but you are doing more than that. you are saying look, here are great stories and i'm trying to breed a particular kind of and i'm trying to breathe a particular kind of new life and shed some new light on them. it's always really exciting to me whenever someone comes and says i read your book and it made me go back to homer. that is, for me, the ultimate compliment. i want these novels to be for everyone. but with circe, you made the point earlier that there's so much that is not explained, that you've got the gift of the unknown to play with. yes, and as it turns out, she has this whole wonderful back story that has absolutely nothing to do with odysseus. she is the aunt of the minotaur in media, daughter of the sun god helios, she has a connection to prometheus, she's his cousin and all of these... sort of bringing everybody in. like some huge cast of a broadway musical. they are all there. if you have the opportunity to write a minotaur birth scene, i feel you have to take it. absolutely. it's interesting, this struggle between somebody who is in touch with the world of the gods in the ancient conception and the world of humanity. it's the kind of thing that wagner struggled with in the ring. how do you make this connection work? it is a big thing to take on. that really comes right out of homer, that he has this beautiful detail about her, that she is the dread goddess who speaks like a human. and so i think naturally she is that a bridge. she has a sort of a foot in each world. and that is the curse, of course? yes, yes. i mean, if you are just one thing or the other you get on with it, but if you are stuck transporting yourself between these two worlds of the human understanding and the kind of eternal life of the gods how do you handle it? as you say, it is kind of a curse because it means that you never fully belong anywhere, but it also gives you a very interesting perspective on each of those things. you can stand back and kind of come to see them for their faults and their strengths as well. you don't belong anywhere, but nonetheless in your conception of her, you have a life that is in its own bizarre way very enriching. yes. one of the major themes of the odyssey is odysseus has this intense longing for home, and he wants to find his home in ithaca. it is a journey. yes, it is. and i wanted her to have that same sense of searching for home, except she has to create that home. she has to make it for herself. and does she do it? she does. madeline miller, author of circe, thank you very much. thank you so much for having me. it's time we brought you right up to date with how we see the rest of the bank holiday weekend on folding right across unfolding right across the british isles. no complaints, i suspect, from the oldham area here. notjust darren‘s sky that looking like that, many of you are enjoying a sparkling saturday. however, there are exceptions to that rule. most notably, perhaps, some, and i repeat, some of the irish sea coasts. that is the view in one or two spots. but even here, there are blue skies to be had, if you haven't got that sea mist and fog coming in and out with the tide. in and out with the breeze. the weather from across the north west of scotland more of an ever present. to give more in the way of cloud, some bits and pieces of rain as well. it will be there overnight. as we come away from that, the skies stay pretty clear across the south—easttting up towards the solway and the eastern shores of antrim and down. more extensive rain, as the weather front closes into the northern and north—western part of scotland. eastern side of scotland and much of england, wales and northern ireland, too, perhaps a fraction warmer than was the case on saturday. as i take you from sunday into bank holiday monday, this air stream is still the dominant flow, dragging warmth out of the heart of the continent and pushing it towards the british isles. there is cloud and some rain in northern and western parts of scotland, cloudy in northern ireland, but not without brightness here. still that potential for murk around some of the irish sea coasts. it could well be that we see another degree or two on those temperatures. if we make it up to the lofty heights of 26, possibly even 27 degrees, that will set a record for the bank holiday monday of a bank holiday. 27 degrees would be the mark we are looking for. that's probably the one that would mak