my father did love the work of edgar alan poe. ctuae liked a lot of bad writers, but poe was our greatest bad writer that's my consolation. >> charlie: our greatest bad writer? >> he is. amazingly good and bad at the same time. >> charlie: this is silly question but i'm fond of silly questions. would you rather create the perfect sort of novelistic conceit of a story that has great meaning and transcends and connects with everybody's life and has power or write a good book that had perfectly constructed sentences? >> why would you have things like that? why not take them both and put them together? and just -- >> charlie: in one more important than the other for you? >> well, i don't make divisions of that sort in my mind. the books always start with some feeling, some evocative start from a phrase or picture or phrase of music. something that you find mysteriously exciting. and these guys were mysterious to me. they had to be understood. they had to be interpreted. but all the books -- this book started with that line, other books

introducing you to embaassment to other peoe as "the writer in the family also, i happen to be nedafter edgar alan poewch was an innction there. children areamed as a wish bend a name, isn't there? my father did love e work of edgar alan poe. actuae liked a lot of b writers, butoe was our greatest bad writer that'sy consolation. >>harlie: our greatest ba writer? >> he is. amazingly good and b at the same time. >> charlie: this is silly question but i'm fondf silly questions. would you rather create the perfect sort of novelistic nceit of a sty that has eat meaning and tnscends and connec with everybody's life and has power or write good book that haderfectly constructe sentences >> whyould you have things likehat? why not take them both and put them together? and just -- >> charlie: in one more important than t other for you? >> well, i don' make disions of that sort i my min the bos always start withome feeling, se evocati start from a pase or picture or phrase of music. something that you fin mysteriously eiting. and these guys were mysteous to me. they had to be uerstood. theyad to be interpreted.

. >> not edgar alan poe. >> purple ravens that i missed out on. >> you are taking a lot of guilt for this. >> that's right. in the blood stream. >> so, stick around we have a lot coming up. we'll check in with jamie and let's. tell us with the st. patrick's cathedral. >> the purple rain -- tell us about the forecast. >> and the doppler radar and had some hefty rains and make it for a slow commute. we take you down to anne arundel, and annapolis the rain is moving off shore through kent island. our friends in cambridge and george jackson, sharpton. haven't heard from you in a time. need a update. we're looking for showers. and schooler this afternoon wade until and more rain this afternoon. that's coming up in a bit. 9:02. back to you. >>> now to the top stories. we have the police officer in baltimore seriously hurt after he was shot in an attempted robbery. we have been following this all morning long. he was shot on his way home on high gate avenue in northwest baltimore. investigators say the officer was leaving work about to walk into his home when two men tried to rob him. gunfi

alan poe whi was an injution there. children are ned as a wish behi a name, isn't there? my fatherid love th work of edgar alanpoe.actuae liked aot of bad writers, but p wasur greatest bad writer that's m consolation. >> crlie: our greatest bad writer? he is. amazingly good and bad at the same time. charlie: this is silly question but i'm fond o silly questions. uld you rather create the perfect sort of novelistic coeit of a stor that has grt meaning and tracends and connectsith everybody's life and has power or write a good book that had pfectly constructed sentences? >> why wld you have things like tt? why not take them both andut them together? and just -- >> charlie: in one more important than thether for you? >> well, i don't make divions of that sort in my mind. the bookalways start with se feeling, som evocative start from a phre or picture or phrase of music. something that you find mysteriously excing. and these guys were mysteris to me. they had to be undstood. they h to be interpreted. but all the books -- this book started with that line, other books have stted, "billy bathgatestarted with, men in blac