soviet pantomime, worked in the moscow music hall and len-concert, collaborated for many years with edita piekha, your love began with... this bottle, but not with the bottle, no, no, but in any case we certainly drank it, naturally, i lived a happy 45 years, it 's been 5 years now, as... no, i still can't come to my senses, i'm alone, and that's very bad, only the theater, when i come to the theater, i come to life, if i had not gone to the theater, i do not know how my biography would have turned out, but there is no education, like in the theater, and i took a risk, when i came to the lenin komsomol theater then, i saw this stage, the largest stage in the city, more. prices, more than marinka, at that time there was an artistic director, a wonderful director pavlovich khunsky, so he taught me to walk on stage, one day he comes up to me better and says: oh no, i'm starting the play siranazherak, i offer you the role of roxana, here you are on this roles he taught me to walk on our stage, to speak, not like they speak now. you can't understand it that way, but how to speak properly, there were