that morgan should have a photo--the painter should have a photograph to work from, and hired edward steichen, who was just starting out in his career, to do it. steichen came in--he actually posed a janitor in the shot while he set it up to get it ready for morgan. morgan blew in, sat down very quickly, took the pose that he always took for the portrait painter, and steichen made the quick exposure and took that shot. however, he didn't really like the pose. he thought it was too formal, too self-conscious, and he asked morgan to rearrange himself a little bit, to move his head slightly to one side and get in a more comfortable position. morgan was not pleased to be told to rearrange himself a little bit, so he bristled a bit. and steichen immediately saw that this was the morgan--he saw these sort of piercing eyes and this imposing presence, and immediately took that shot. that's the second shot. it's on your right. and morgan has his hand on the handle of his chair. c-span: this shot over here or... >> guest: no, on. .. c-span: this shot over here. >> guest: yeah, that shot. he's got his h