charlie: there are other opinions of ehrenberg, -- of aaron burr, some good, some bad.e: at the end of the day, i i have to play with what lynn wrote. charlie: you have to play into what you have experienced. leslie: and what i believe as far as what my job is as a performer. that is another one of those things that this has intersected. it has come at the point that i am ready -- there is a certain amount of vulnerability that the show requires that i was not ready to embrace at any other moment in my life. there is a certain amount of honesty that if i am doing my job right, i bring to the stage every night. that is -- that comes up time. charlie: earlier we talked to the writer, composer, and star of hamilton, and also with the director, thomas cale. here is a look at that conversation. >> you sit in a room for six years making something, and you have the dream version of how the show will be received. we are experiencing that. i started writing this in 2008 while i was still in my show, in the heights. i was on my vacation when i picked up ron's book at borders -- c