eifman, a ballet about ballet.s dream is to see the secrets behind the scenes. the main thing is that there is precisely this dramatic moment, which for boris yakovich is always very important in his productions, this is a kind of escalation of the image, that is , the character’s line that comes from the beginning, it seems to leave no one indifferent to its dynamics. the world hidden from the eyes of the public amazes with its contrasts, a seagull, a ballet story, a performance where there is everything, love affairs, personal dramas, the pangs of creativity, competition. prima arkadina, against young zarechnaya, mator trigorin, opponent of debutant treplev. the production by boris eifman is quite dynamic, very interesting, very bright, absolutely not boring, everything goes like in some kind of film, everything unfolds very quickly, very dynamically, brightly. therefore, i think the audience will really like it, because there are also , for example, elements of swan lake, paintings, which also look very interest

eifman's multi-genre psychological theater.egin, moliere, pygmalion, anna karenina in the language of dance. this evening, fragments of iconic ballets will be performed on the kremovskaya stage. what will it be? in fact, i love holoconcerts precisely because that you can be completely different, a girl, a woman in love, and i don’t know, a vamp, well, that is, this image of the queen of spades. eifman brought moscow not only the theater, but students, those same universal dancers who are trained by his academy according to a special program, in which there are many new disciplines. modern dance, like classical expressiveness, like gymnastics, which we have about... it is the art of ballet that helps today to reach a person, live emotions born on stage are told in body language. the choreographer continues the theme of dostoevsky, now working on his most non-ballet novel of the crime of punishment. for elfman, as for the dancers, this is a challenge. this process of searching for new opportunities for the implementation of this

collaboration with the theater wizard, as boris eifman is called, will continue.mmer in the bolshoi. this concludes our release. we’ll tell you about the main things in belarus in exactly a week. on the air of the belros tv channel, all the best and see you, year-quality for our enterprise is, first of all, responsibility for the results of our work. i came to construction at an already mature age, as they say, a conscious choice, i liked the fact that you see the results of your work, when step by step the house is raised, built, well, i’ve been working, i’ve been in construction since 1988, the fact that we worked in the past century now - it's very there is a big difference, now the modern level of materials, technology, this allows us to have high quality... in 1983, a lot has changed; houses, schools, kindergartens, hospitals, kindergartens have grown, which cannot be compared with the period when i came here. here in every, one might say, in every house there is a piece of my work, it’s all very pleasing, as they say, everything was built for our children, o

petersburg ballet theater boris eifman took place at the kremlin palace.nts of iconic performances that were part of the repertoire during the almost half-century history of the group. the audience also saw ballet stars world-class emerging artists. report by guli boltaeva. primacy of the eifman theater 10 minutes before the unimaginable transformations. when not to hide behind the ballet, when the audience is exactly. the rooted pygmelion effect, a huge block from eugene onegin, variations give way to a duet, the trio again is a physically very difficult duet, says maria obashova, but not for the viewer, for the actor. it should seem very easy to the viewer. it seems that meeting with your audience once a year in the kremlin is becoming a good tradition for boris efman’s theater. in last time we celebrated our forty-fifth anniversary, and this year we brought new artists. which the choreographer calls universal and sculpts them in his academy according to an innovative program, which is based on modern dance, plastic expressiveness and gymnastics, as for

an amazing advantage, because well here the teaching staff, they work with when you study at the eifmann’t have such an opportunity to study with teachers from the neighboring one, these academies have now been named, these are the best, yes, moscow, st. petersburg, and here. after all, children study, come to programs from saratov, from krasnoyarsk, from novosibirsk, from ufa, this is a large number of completely different children from whom we sometimes have to refuse, but still there is some kind of limit on the number, well, yes, yes, yes, yes, of course, there are somewhere around three or four people per the place is based on requests, but you know, we work for results. every shift ends with a big grandiose holoconcert, every program, well, it’s more correct to say, the children, all these 25 days there, who are in sirius, they are preparing for it, they are preparing for the concert, they are learning a new repertoire, new variations, some, we also have very good master classes in modern choreography, children really like to work with teachers in modern choreography for them too.

petersburg state academic theater of boris eifman ballet consists of two acts.the application or on the website look.ru. see you later, good luck. turn on the return line so that they are left behind on all sides. well, transportation? let's go do good deeds? angels of the area, final episode. today on rtr. please, introduction and roll call, possible without formation. i am very glad that you came to visit me. how much tea did you drink? how many stories have been told? i was cocky. it’s worn out, i’m like a man, a hunter of women, i like to attack, dad imagined that i would have a completely different husband, and how much is still ahead, i foresaw my fate, now everything is only coming true, i surrender everything with joy, let’s all wave our hands when everyone is at home with timur kizikov, on sunday on rtr. good morning, good, good, wake up, spring is outside the window, and in front of you andrei petrov and svetlana opramova, let's start this day together, by the way, start thursday, very nice very good, let's go to our telegram channel and subscribe, nic

the boris eifman ballet theater begins a tour of the tatar opera ballet theater named after musadzhali karelia. the director of the play, maxim sokolov , moved the action from verona to the far north, and the characters in the production spoke different languages ​​- karelian, vepsian, finnish, tatar, mari and russian. at the komissarzhevskaya theater, the premiere of roman gabriya staged a performance based on the play by ivan sergeevich turgenev a month in the village in the role of natalia petrovna evgeniy igumny at the zurich opera house opera by roman haubensto. mother america, written in the early sixties of the last century based on the novel by franz kavka. premiere production by sebastian baumgarton, musical director gabriel feltz. we have never encountered such a score before; it differs from the traditional one. here, instead of notes, there are drawings of clouds, there are graphics that look like needle-shaped fields. and the composer also wrote a kind of grid for the performers, each instrument has its own of sixteen cells, and the musicians have the opportunity to perfor