well now with the end of lockdown in sight, eisenberg is back in ourfront rooms in resistance, a strange inspiring true—life story about mime artist marcel marceau leading jewish orphans to safety during world war ii. they laugh. despite describing himself as not good with children, the young marcel is nonetheless recruited to care for the orphans whom the french resistance are sheltering in a remote castle. at first marcel, a butcher's son with dreams of becoming an actor, wants only to work on his play. but through clowning and mime, he makes a connection with these children which seems to give him a new purpose in life. it's this purpose that will sustain him through the movie's most dramatic sequences as marcel leads a group of youngsters into the alps en route to switzerland pursued by notorious ss officer klaus barbie. passports, please. written and directed by jonathan jakubowicz, the venezuelan film—maker behind secuestro express and hands of stone, resistance may be based on fact but you get the sense that it tells its story with a fair degree of dramatic licence. it's a story a

began in march was vivarium, a surreal twilight zone—style thriller starring imogen poots and jesse eisenbergwell, now with the end of lockdown in sight,

know why they're 11 years old and seeing these people do you understand this systematic historical eisenberg i don't see in that position ok are told you want to do is begin no yes or no you should people you know hello or most of them just want to suck on the system were do something bad like drugs or gangs have been told they have been oppressed you have not been given the same opportunities you have you have you when there's plenty of black nobody going till he had a funny mine you out here he knows he now has an issue is the reason why it's still continuing today i seem a little ridges on constitution people that are of color. yikes well hey he gets it but how do you be an effective ally to the black lives matter movement if you are not black that is what we'll be talking about with the guests today. tell everybody who you are welcome to the street thank you so much for having me i mean it's the chairman's i am a retired social worker and they're all very i'm an activist and a black 5 minutes so i'm happy to be here. happy to have you and it's now welcome to the street great job new tell

. >>> a specific instruction was that i had to go to the lawyers to john eisenberg, i was senior counselcouncil and say i am not of whatever drug deal mulvaney and sondland are cooking up. >> which so irritated john bolton that he ended the meeting. he directed dr. hill to brief the lawyers. >> did you tell ambassador bolton about the conversation? >> i reached out to him. >> what was his response? >> tell the lawyers. >> john bolton's absence from the impeachment proceedings and to donald trump sparked a fire storm and called into question bolton's motives for skipping them. his alarm over what he witnessed as national security adviser found its way into the record anyway from the patriotism from bolton's aides. tell the lawyers was a refrain for bolton. he too says that he told the lawyers in the white house and at the justice department when he grew disturbed by what he saw and worried the illegality or corruption was under way in some of the rooms it happened, rooms he places himself in in his new book. bolton's memoire "the room where it happened" almost didn't get p publish publish

presidents, story of nancy eisenberg, the story of john quincy adams. >> at the heart of this revolutionary movement was impulse to unmask superstition and cultivate independence of thought. john adams held that a desire for fame could be found in every heart, fame needed an audience. the ruling few needed the masses to worship their riches and their might. this is why he then identified the danger of the cult of personality. the cult of personality is when the personality of the leader is equated with the nation. the worship idle replaces we the people as the sole of body politics. adams watched the cult close and personal. first when he was in france. there franklin seduced the educated elite as america's first rock star. adams understood the desire among human beings to be seen and loved. he zoomed in on the forced of spectatorship and then there was the opposite, the fear of obscurity and insignificance and put at the center of theory. he explained the first riches and beauty sured up power. the societies divided people into classes. the political parties used the same method in marketi

well, now with the end of lockdown in sight, eisenberg is back in ourfront rooms in resistance, a strangeribing himself as not good with children, the young marcel is nonetheless recruited to care for the orphans whom the french resistance are sheltering in a remote castle. at first, marcel, a butcher's son with dreams of becoming an actor, wants only to work on his play. but through clowning and mime, he makes a connection with these children which seems to give him a new purpose in life. it's this purpose that will sustain him through the movie's most dramatic sequences, as marcel leads a group of youngsters into the alps en route to switzerland pursued by notorious ss officer klaus barbie. passports, please. written and directed by jonathan jakubowicz, the venezuelan film—maker behind secuestro express and hands of stone, resistance may be based on fact but you get the sense that it tells its story with a fair degree of dramatic licence. it's a story about one of those unique human beings... from the book—ended framing device featuring ed harris as general patton to the numerous nail—b

presidents as historian nancy eisenberg, the co-author of a new a biography of john and john quincy adams. his a portion of her talk from institutions historical society in may of 2019. >> john adams was a disciple of the light meant as much is jefferson. at the heart of this revolutionary movement was the impulse to unmask superstition like the divine right of kings. and independence of thought. john adams held that a desire for things to be found in every part. they needed an audience. the ruling you needed the masses to worship the riches and their money. this is why he identified the danger of the cult of personality. it is when the personality of the leader is equated with the nation. nancy: the worship title or places we the people, as the sole of the body of politics. adams watch the cult up close and personal. first when he was in france. franklin seduced the educated leads as america's first rock star. adams understood the desire among human beings to be seen and loved. he zoomed in on the force of spectator ship. there was the opposite. the fear of obscurity, of insignificance.