big one musical and theatrical history, which began several years ago, on the initiative of ekaterina granitovaitions, i contacted yulia chersanych, he gave the green light, okay, let's get busy, guys. and then we began to finalize the text, now - some time ago a teaser was released, as we call it in cinematic terms, five songs with a literary twist, a little introduction to the action, but this is exactly what works, these are still fragments, in the spring it will turn out entirely musical , theatrical theatrical story, we will release it in the format audiobooks, we will perform on stage like an opera in concert performance, class, and we also naturally throw all these fishing rods into theaters at the same time, so that cool, cheerful musical directors will somehow take it all in, for the first time on television, a bird song from the latest album of petr narich , don’t hang around the rope, you’ll still get stuck in the whip, i came to where the songs, the ringing birds sing, i came to the place where the ringing birds sing songs, and today the birds sing, songs of bitter love, i want to f

northern odyssey theater, director ekaterina granitova , script by the absolutely brilliant screenwritershat went on for 6 years, we played there live as a band, the actors sang there, and there i managed to expand my musical horizons in terms of literature, because where -we had some kind of free jazz there, somewhere some kind of ambient, it had to be filled in, there had to be gloom, snow-covered steppe, tundra, and we had some kind of... these things were hung up, somewhere there were choirs, somewhere there were stylizations of songs, there we had such a big, big number, we sometimes sing it at concerts when there are enough backing vocalists, because there are a lot of voices, whitefish, ah belitsa, quince river i went to save it. i didn’t see her, then it seemed like 15 verses were skipped, as usual in a song, you know, they’re endless, and there’s some kind of sad ending about what it means she didn’t love him and he went away somewhere. listen, i’m driving far away, this is a song, and it’s just a song that was specially composed for this performance, and for a long time we were

the large hall named after meirhold the premiere performance "an ideal husband", directed by ekaterina granitovaght was staged by vyacheslav dolgachev. production designer margarita demyanova. both female and male roles, as was customary in the english theater 17. igor morozov, maria boyankina, performs the main role in borodin’s opera prince igor on the stage of the bashkir opera and ballet theater as part of the shlyapinsky evenings festival in ufa. at the krasnoyarsk opera and ballet theater, the names of hvorostovsky are given to the opera by christoph velebald gluck, harfes and eurydice in the premiere productions by irina lychagina. everyone who studied at a music school remembers the operatic reform of the glitch, this is precisely the operatic reform, it has already begun to be reflected in this opera. this is a very dynamic, passionate essay about fidelity. about betrayal, about human capabilities, about the fact that trouble awaits a person where he does not expect it, that a scandal can arise absolutely out of nowhere, since our artists are very young, we tried to reflect all this in