literature, senior researcher at the institute of world literature, academy of sciences elena iosifovna pogorelskaya of the russian academy of sciences, deputy director of the gomaleya institute and one of the main developers of the sputnik vaccine. and today we will talk about vaccines. hello, denis. hello, konstantin. share your thoughts on why, it would seem , after more than 100 years of widespread use of vaccines in medical practice, there are so many doubts about the appropriateness. is there any answer to this question? in fact, the question is complex, the first is, well, this is some kind of medical fact, which definitely needs to be mentioned, let’s look at the overall impact of the vaccine on the human population, how many lives per year, for example, are saved there from infectious diseases diseases, as a result of the introduction of national vaccination calendars there and the vaccination calendar for epidemic indications, that is , about 4 million, keep in mind in our country? no, in the world, in the world this is an impact on the world, that is, 4 million deaths per year are prevent

literature of russian abroad, institute of world literature, russian academy of sciences, elena iosifovna pogorelskaya glad to see you. you can’t talk about babel in a detached way, well, in my opinion, you can’t talk simply literary, as you think, yes, because babel, well, seems to require its reader. andreevna akhmatova, yes, in the ninetieth year of pasternak, in the ninety -first year of mandelstam, well, that is , centuries of writers followed each other who had such a difficult fate, as they used to say, if we compare the two anniversaries, now it’s 130 years, well, too anniversary, let's consider it this way, if we compare these two dates, what has changed in popularity, in reputation in... a four-volume, five-volume book is being prepared, yes, if we talk about reader popularity, hasn’t it decreased, because after all, in the year eighty-nine, in the year ninety, people just with their hands they tore off this two-volume book, which had a difficult fate, yes, because babels had not been published for decades before, there were like two editions, but in the late fifties, mid-sixties that’s all,

continue to talk about isaac immanuilovich babel, and we are having this conversation with elena iosifovna pogorelskayan preparing the collected works of babel in five volumes at the institute of world literature. i'll ask you this - a classic question for the former time, and well, babbeli’s famous phrase that the bitter one sent me to the people, well, this is like an allusion to the ending of the story of the bitter childhood, when grandfather koshirin says to his grandson, you are not a medal on my neck, go to the people, yes, then gorky’s other two stories begin, and babel changes a lot of occupations, at this time. i’ll ask you this: how does he accept the revolution? doesn’t accept it, well, that’s how he feels about soviet times, but of course we don’t live in a time when people were relegated to the right on this basis or left. led astray, yes, created completely, remember, mandelstam says that people knocked out of their biography are like balls from billiard pockets, i just remember this phrase very once, like babel with the revolution and with everything that happened in russia , then in th

babel, and we are having this conversation with well, we continue to talk about isaac elena iosifovna pogorelskayababel in five volumes at the institute of world literature. i'll give you this one. a classic question for the old time, well , there is a well-known phrase in babbel that gorky sent me to the people, well, this is like an allusion to the ending of the story of bitter childhood, when grandfather kashirin says to his grandson, you’re not a medal around my neck, come on you’re a people person, yes, then ugorkov’s other two stories begin and babel changes a lot of occupations at this time and... it’s not true, but in unjust times there was steel, there and so on and so forth, the truth came, it was poorly arranged, the steel died, people began to be counted on, so four families were evacuated from the baltic plant, the carriage was put on hold, poorly strengthened or not strengthened at all, and the author of the essay comes, well that is, babel in mertvetskaya, where... not the whole revolution, maybe this is, who knows, this is not a revolution at all, okay, you need to give birth to ch

be a story, which i will later combine by... and we are having this conversation with elena iosifovna pogorelskayais now working on preparing the collected works of babel in five volumes at the institute of world literature. i’ll ask you this classic question from the old days. well, babbel’s famous phrase that gorky sent me to the people, well , this is like an allusion to the ending of the story of bitter childhood, when grandfather kashirin: says to his grandson, you’re not a medal around my neck, go ahead into people, yes, then gorky’s other two stories begin, and babel changes a lot of occupations, at this time, i’ll ask you about this, and how he accepts the revolution, doesn’t accept it, well, how did he accept the revolution in soviet times? applies, yes, of course, we do not live in a time when, on this basis, people were assigned to the right or left, ours or not, well, it’s curious how he feels about this time, which mixed everything up, all classes, led astray, yes , created completely, remember, mandelstam says that people knocked out of the biography, like balls from billiard pockets

literature of russian abroad institute of world literature of the russian academy of sciences elena iosifovna pogorelskaya speak detachedly. well, in my opinion, you can’t just talk about literature. how do you think? yes, because babel, well, seems to demand his entire reader. let's think about it. let's start with this: in the year ninety was the centenary of babel, yes, well, in the eighty-ninth year we celebrated the anniversary of andreevna akhmatova, and in the ninetieth the year of pasternak, the ninety-first of mandelstam, well, that is , centuries of writers followed each other who had such a difficult fate, as they used to say, so if we compare the two anniversaries, now it’s 130 years. in 1990 it was very difficult, that is , it was not easy to publish, compile a two-volume set of his works in a fiction publishing house, thanks to the efforts of the widow of the writer antonina nikolaevna pirzhkova, this was done, and if we generally start from anniversaries, then every 10 years, naturally over the period of decades... well , quite a lot happened, but if, well, let’s say, we compare it with the

continue to talk about isaac immanuilovich babel, and we are having this conversation with elena iosifovna pogorelskaya, who is working now over the preparation of the collected works of babel in five volumes at the world institute. please tell me, babel is still an inventor, an ernik, well, here is a person who strives to make the ordinary unusual, i remember the story in the basement of the death scene of the dutch, dutch-jewish, if you like, the philosopher benedict spinoza, well , spinoza came up with a lot, yes, pantheism, i once knew this very well, natura naturans, natura naturata, creative nature, nature. created, this man, immersed in philosophical abstractions, dies, suddenly at the moment of his death the artist rubens appears, this clearly could not be, this is not that babel modifies his life, rearranges something, this is the 16th century, how to be here , why, why is this being done, well, yes, indeed rubins, who died, if i memory serves 37 years before spinoza's death, however, in babel's story. ends up at the philosopher’s bedside, but you know, babel said in the second half of the thi

literature, senior researcher at the institute of world literature of the academy of sciences elena iosifovna pogorelskayathank you, dear elena iosipovna, for this wonderful conversation. thank you, i'm sure we'll see you again on our podcast, i tell you, our dear friends, as always. have fun, hello, dear tv viewers, you watch the labtiger podcast with you its host, tatyana krasnovskaya, psychologist and psychotherapist sergei nasebyan, our guest today is svetlana. hello, hello, svetlana, tell us how we can be useful to you? i have such a request, i already want a relationship, if i didn’t want it before, now i already feel that i want it, i’m ready for a relationship, but i can’t build a relationship, moreover, my life has been there for the last few years , well, men don’t come at all, that is, they don’t even just appear in my field, so that at least at least somehow interact with them, so i have this request, that you give me... a cry from the heart, because well, for the last 10 years i understand, it’s really possible to directly figure this out, because well, i really don’t there, starting in 2014,

with elena, a senior researcher at the department of modern russian literature and literature of russian abroad, the institute of world literature of the russian academy of sciences iosifovna pogorelskayaes, because that babel, well, seems to require its entire reader, let's think, let's start with this: in the ninety-fourth year there was the centenary of babel, well, in the eighty-ninth year we celebrated the anniversaries of andreevna akhmatova, and in the ninetieth year of pasternak, in the ninety- first year of mandelstam, well that is , centuries of writers followed each other who had such a difficult fate as this... a lot, for example, shortly before the centenary in 1990 it was very difficult, that is... to compare with the last anniversary and 120- anniversary babel, who is probably 125, well, 125 is not celebrated, but 120 years was celebrated, but i will say that during this time, during these 10 years, i managed to come out, yes, now, in general, now, of course , babel is often published, often, in these days, in quite good editions, and... even in 2006 , a four-volume collected works were published, but now i ’m talking about mass editions, there are already several three-