the creative industry on channel one with you, as before, your favorite presenters roman pockets elena kiper didn’t even have legs all day , to be honest, from fear of contact with the super legend people’s artist of the russian federation artistic director of the moscow oleg tabakov theater vladimir mashkov when did you determine in yourself that you were an artist? how did it happen for the person who got caught? in the theater of fate, i just grew up in the family of an artist and director. my mother was a director of the puppet theatre, an amazing director, and my father was an actor, a brilliant puppet theater. we lived first in tula, then, well , in frunze, then in novokuznetsk, and this one here the theater was on my mind. i didn’t really like it, because , firstly, they argued in the evening and this conversation about how pinocchio or karabas-barabas went the wrong way or it was more than that, but it was all at such a level of passion, of course, at first. this didn’t frighten me even as a child, so i was adapted to do my own thing. i really liked it. biology was engaged in bugs th

creative industry podcast on channel one elena kiper roman pockets today vladimir mashkov folk artistmoscow e-theater oleg tabakov, the film the challenge has never been in the history of cinema such that some actors, they played a role, while others lived a real life at that time, and in fact. these are two worlds that converged on one platform. here's a job for you. uh, in a movie like this, was it a challenge, you know, when even the solution came. eh, after all , people could not believe it for a long time and everyone is really very happy. what happened successfully? the responsibility was huge. the attention of the whole world was cats, and operations, moreover, that program, according to which shipenko and yulia peresild were preparing for them - this is a new program for preparing tourists for six months before preparing for at least a year. and here is new knowledge. allow to prepare quickly enough gives the opportunity to people in general. uh, having some unique professions that are required there for certain discovery experiences and it would be nice if they had the opport

on channel one , elena kiper roman karmanov was completed with you and our guest is people's artist ofussian federation, artistic director of the moscow oleg tabakov theater vladimir vladimirovich mashkov thank you hello this podcast life is wonderful with you writer rector of the gorky literary institute alexei varlamov today we will talk about the wonderful great actress of the legendary actress faina georgievna ranevskaya and in our studio people's artist of the russian federation evgeny yuryevich steblov big to you thank you evgeny yuryevich for coming to this studio and we invited you, because, as far as i understand, you knew faina georgievna and you can tell her to share her memories and thoughts about this amazing woman. i worked with her on a play. the truth is good happiness is better, which is sergei jurassic kingdom of heaven. when he moved to moscow from btt. in my opinion, this was his first production at the moscow city council theater, and i really loved this play. and even an excerpt played. at university. the whole idea of ​​staging this play was for the sake of the f

karmanov media manager and general director of the cultural foundation initiatives elena kiper, producergrigory comrade zaslavsky rector gitessa and anton megerdichev, russian film director, grigory but tell me, please, after all, the university educates its uh students, so to speak. he's laying down some philosophy here. like it or not , they come out with a certain spirit? yes , they are here they are brewed, there are predecessors. eh, here is how e is modified. uh, this is the inner philosophy in connection. well, this is a very important change. here e, or here's how it itself somehow, here's the nosphere, here 's this internal how it happens. here you are taxiing there inside, there are paddles, and we are engaged in fine tuning. that is, naturally. today, a young man or some girl has to tell that there used to be radio receivers. and there were two such wheels, one wheel for coarse tuning, and the second one is fine tuning, this is it. ah, fine tuning. she is changing, of course. and, of course, from what we did not teach and what we have now begun to teach differently. the abilit

and antona gerchachev, russian filmmaker roman karmanov elena kiper ah, creative industry podcast. all episodes of the podcast project. you can see it on the website of the first channel 1tv.ru hello dear friends, this is nothing but an anthropology podcast first, this is just the same ethereal construction, after which you will immediately run to the nearest guitar store to buy a guitar, because now people will lie down and show you a style after which you will not remain indifferent. this style, of course, is known by an expert in the guitar business. we love this style terribly, but for many today's broadcast will be a discovery question. what could be found in a guitar here are polezhaevs and shatavarishchi to number a lot of them, dear friends. a new one came to the fore. i consider the guitar style, which is called in english fingerstyle, another name for fingering. peak. well, now we are fighting for the russification of the russian language. let's go on of his own. now you see that it is not only the bass, not only the rhythm and not only the melody, but also the drums will

elena kiper roman karmanov and our guest is people's artist of the russian federation , artistic director of the moscow oleg tabakov theater vladimir lvovich mashkov thank you holy great father glory to the lord lord , i open fire from now on glory lord glory