ex-daughter-in-law says that if it weren’t for you, she and your son would be together now, in the studio elena makarovant, so that the grandmother would be the owner of the house, and i don’t want her to be registered in the house, that is, to live, as it were, because her son is sick, she can live, i don’t mind, well, this is her own house, not hers in 2012, vera petrovna, but she gave us this house in half, our children were born, and our whole family lived in this house, vera petrovna never lived in this house, did you have your own housing besides this house, which vera petrovna gave? yes, we also had a three-room apartment in a neighboring village in surgut, and when we separated, that is, divorced in 2015, i was forced to move into an apartment with the children, and yura... stayed to live in the house, i moved to another city and sold this apartment, because there was a need to buy in first of all, a car, i had some of the funds left, i planned to take out a mortgage and invest this part of the funds in housing, but due to the fact that i returned to sergievsk, i also bought non-residential prem

by the hair, in this camera footage observation in a high-status residential complex, the same elena makarovalready in the role of a victim, she is in white, the opponent nadezhda ionkina in yellow takes over, two adult, wealthy women, each of whom is a mother with a drop in the middle of the hall they pull each other's hair, scratch their faces and strangle their rival, right in the presence of their children, but when apart, the ladies are just examples of sedateness, composure and piety, it was wildly scary, she just strangled me with her foot, uh, i i was already there through my tears, i just couldn’t even speak absolutely , the child was screaming, let go of mom, while the reason for the fierce fight, almost on the verge of life and death , sounds even... not that childish, as if from the lips street punks, she pushed me with her hand, i immediately turned around sharply, i said, you need something, she, her favorite catchphrase, you, it all began and will not end in the spring, now you won’t believe that once these two the families were friends, their children went to hockey games toge

and in this recording from surveillance cameras in a high-status residential complex, the same elena makarova threatened her neighbor with violence in the presence of a policeman, already in the role victims, she's in white nadezhda ionkina's opponent in yellow gains the upper hand, two adult, wealthy women, each of whom is a mother with rapture in the middle of the hall, drag each other by the hair, scratch their faces and strangle their rival, right in the presence of their children, and yet when the ladies are apart, they are just an example of sedateness and composure and piety, it was wildly scary, she just strangled me with her foot, uh, i was already there through my tears, i just couldn’t even speak, absolutely, the child was screaming, let go of mom, and the reason for the fierce fight was almost on the verge of life death even sounds not like a child, as if from the mouth... of a street punk, she pushed me with her hand, i immediately turned around sharply, i said, what do you need, she, her favorite catchphrase, you, it all started and didn’t will end in the spring, now you won’t b

of the three cameramen of the film are women, natalya makarova and yulia galochkina worked together with konstantin postnikov, the film's artist, elenan st. petersburg, a message to man, more than 2,000 applications for participation came from eight countries of the world, 63 films entered the competition, here are the winners, grand prix of the international feature film competition, drama about a person sentenced to the highest measure, called parents will come to see me, directed by moharawa, co-production of somalia, austria and germany. the prize for best director was awarded to russian director vladimir eisner, for the documentary film twilight filmed in the russian outback for 30 years. i thank the jury, i thank the festival. for this prize, thank you, winner of the international experimental film competition shanghai in the spring about two difficult months of quarantine, director xunxu china, best film of the national documentary film competition, a film about the contemporary theater after the departure of galina volchek, proposed circumstances, director nikita efimov, russia. in tribute to this text, directors, artists, et