she's very, very emotional and, uh, he 's got elizarov's third act.t is built generally on one juliet. she is actually the whole act is alone on stage and hold. ah, the viewer's attention. uh, you can only with your gut, only with your emotions, with your experiences, if you have real ones, and in order to feel them, you must first feel it inside, that is, experience these emotions for real yourself. and the pea party of romeo took on the role of the actor, the artist wanted to take the role of the monastic hero beyond the scope of the role of the monastic hero, and the performance was carried out at the performance, in his advanced years, oleg rodnik, with the blessing of ilizarov and kharusyushtaki, asked to give him the role of a bastard. have spiz in the channel of the ck-khan. juliet was given tasks, but there were no specific boundaries. that is, all the same, each person experiences in his own way, each sees the performance in his own way, each plays it out in his own way. so he said, so my partner helped me, because i know that she is very emo