a peer of elizaveta bogdanova, you yourself, elizaveta, have already said that you grew up from a peer , in fact, you remained in him, that is, you connected with him your future fate. and if it weren’t for a peer, it would probably have been something creative anyway. and although, when i studied at the university of culture and graduated choreography. i knew that and the world of choreography , the world of a dancer, it can be shaken in the sense that it is traumatic traumatic , there can be some kind of sprains, right? or some kind of injury, where in the future you will not be able to work as a teacher or as an artist, too, maybe, and based on this, already in the fourth year. i realized that i probably need to get another profession so that i can have it. i love to develop and learn and decided. will be something completely different to finish and enrolled, parallel to the second higher, and at the university of physical education at the institute of tourism and graduated from the institute of tourism, which is already graduating from the fifth year as an operator and travel agent

program, do not be silent, and our guest is the director of the dance group , the same age as elizaveta bogdanovand part, immediately a question for backfilling. how get into a peer? do you need blood, not for yourself? good question. every year in september, we recruit young little boys and girls from 4 to 6 years old. we invite everyone. we always have ads on instagram and in the subway of advertising on television , we sometimes launch ads, so we are waiting for everyone. and as i say, he is in thieves, but he is vlad, but for his own, because, and we have whole generations, we have seven. i start. we have a family, a baby danced, a grandmother danced a son and already the fourth generation of grandchildren are dancing. we have, of course, we are always waiting in our team for such guys, for our own, as we say, good vlad, of course, there are cases where our graduates, guys, families were created. ah. they got married , got married, uh, and already bring their children to our team. and you said that you are waiting for the casting, uh, kids from 4 to 6 years old, that is, there is no such thin

today the position of artistic director has been delegated to elizaveta bogdanova. this is the first children's dance group to receive the title, deserved in the creative treasury of a peer and a special presidential award for spiritual renaissance for the upbringing of the young generation of the performer , six choreographers are responsible at once , seven age groups are recruited in the repertoire of stylized dances. choreographic compositions of drawings are also experimenting with the stage. we tell the guys a-a about belarusian traditions. we rasem from them patriotism, love for the motherland, they must understand what country they grew up in, they must know the history of their country and know how to convey and be proud. in which country they grew up, therefore, this is also certainly a part of our team, so we participated in all, well, large-scale government concerts, starting from independence day, national unity day. sixty-fifth dance season. a peer will meet on the native stage. palace of culture of trade unions on the stage hits of the repertoire or w

artist of the bssr marina belzatskaya, still not a position in the mostatsky, kirka, far from elizaveta bogdanova, this is the first child that the dance group of the outlet is well-deserved. here came out of the carbon fiber and a special presidential award for spiritual stimulation. for the honor of the young generation, the water utility refuses once six masters recruited seven from adult groups in the repertoire of stylized dances, choreographic compositions for mollusks experiment from the stage. and we we tell the guys a-a about belarusian traditions. we instill patriotism in them, love for the motherland, they must understand what country they grew up in, they must know the history of their country and know how to convey and be proud. in which country they grew up, therefore, this is also certainly a part of our team, so we participated in all, well, large-scale government concerts, starting from independence day , national unity day. sixty-fifth dance season. the same age as the elimination of the folk scene, the palace. culture, trade union, all of his repertoires are hits or without mac

the main thing was together elizaveta bogdanova and ksenia filonova, as well as members of the ensembleia diaghileva and alexander filonova good morning ladies. good morning. good morning, tomorrow a peer will celebrate the 65th anniversary of his creative activity, what is the team today, how many people are there? how does it develop? i don't even know who to address this question to. i will start for you. and yes, tomorrow we will be 65 years old. we are considered, probably, you can even say so, the brand of the republic of belarus in our team more than 350 boys and girls from 4 to 18 years old are involved. this is a big huge creative family, children, parents and teachers. yes, we know what these are. over the years, the ensemble has been introduced to the dancing belarusian folk culture. in particular. just thousands of boys. how can you even get there? well, uh, let's, yes to that question, since i've been working with prep. we each have a set of children at the end of august or at the beginning of september, and we invite children of four or five years old , mostly a little ear