he improved the department of easel painting , is busy with young orphans , the remainder of elizaveta morozher 19th . and the piston. here i am checking her out with a mentor body-sleeves more than once specific shalo statutes and tear-off narrow kind of competitions that you advised me. that's it, liza's little ones are not experts, the laywoman tatyana alekseevna from the tyapurka, pointing to the ushin people. i use them more to add tonal contrast, light and shadow to give the portrait a realism. lisa decided to work without fullness against the background you will have a silhouette to be seen. the figure itself. yes. well, if it only looks like a silhouette, then, uh, the role of the line is very large, which will limit between suppose. uh. here is the light. yes, then there is this line here, which you will make from the side of the light, its work is more expressive than from the side of the shadow, so that the execution here has different strokes. in coal, they try with a shadow, cobwebs, let's inhale volumes for alyonka, the difference between lisa c is concentrated. with a breakdow