also ella whelan the tory party.lla whelan from spikes is coming on to tell us about the bbc's censorship of the christmas classic fairytale of new york . and of course we of new york. and of course we can have plenty of questions for my lovely studio audience and from you guys at home and my panellists this evening are leo kearse. and let scheffer . kearse. and let me. scheffer. i should be about i've just been your hometown, new york city, i should say. yes a lot of fun. that's fun for you. you're there. i'm here. yeah, i know. i got to go there. but why you why aren't you there, by the way.7 why aren't you there, by the way? why did you leave? well, you spoke to those people. i did. they like you very much. they don't like you very much. no, the impression got. no, that's the impression i got. they very i don't they are not very true. i don't care. i was only joking. i forgot how delicate you. no no, no. that really true? they no. is that really true? they they your praises from dawn they sang your praises from da

also ella whelan the tory party.ella whelan from spikes is coming on to tell us about the bbc's censorship of the christmas classic fairytale of new york . and of course we of new york. and of course we can have plenty of questions for my lovely studio audience and from you guys at home and my panellists this evening are leo kearse. and let scheffer . kearse. and let me. scheffer. i should be about i've just been your hometown, new york city, i should say. yes a lot of fun. that's fun for you. you're there. i'm here. yeah, i know. i got to go there. but why you why aren't you there, by the way.7 why aren't you there, by the way? why did you leave? well, you spoke to those people. i did. they like you very much. they don't like you very much. no, the impression got. no, that's the impression i got. they very i don't they are not very true. i don't care. i was only joking. i forgot how delicate you. no no, no. that really true? they no. is that really true? they they your praises from dawn they sang your praises from d

let's, let's bring ella in if can susan we've got ella ella whelan who's our commentator we've got zacharye've got zachary. we've got susan . so let's get we've got susan. so let's get her view . and ella, what do you her view. and ella, what do you think about this ? the word think about this? the word i wouldn't i wouldn't use the word sympathy. i'd probably use the word solider because i think zachary is right. it's hard to . zachary is right. it's hard to. have sympathy even if you do support strikes when your day is getting screwed up or your you know, you're being put out. and i think most people know that strike and certainly when they're disruptive. so they essentially they have to upset people , order for them to work. people, order for them to work. otherwise you wouldn't have any clout when you were going your employer to show them that your your removal of your labour makes makes makes a difference . makes makes makes a difference. but the reason why i think it's important have solidarity with the strikers is because actually i think that there are two levels to this. on the on

let's, let's bring ella in if can susan we've got ella ella whelan who's our commentator we've got zacharye've got zachary. we've got susan . so let's get we've got susan. so let's get her view . and ella, what do you her view. and ella, what do you think about this ? the word think about this? the word i wouldn't i wouldn't use the word sympathy. i'd probably use the word solider because i think zachary is right. it's hard to . zachary is right. it's hard to. have sympathy even if you do support strikes when your day is getting screwed up or your you know, you're being put out. and i think most people know that strike and certainly when they're disruptive. so they essentially they have to upset people , order for them to work. people, order for them to work. otherwise you wouldn't have any clout when you were going your employer to show them that your your removal of your labour makes makes makes a difference . makes makes makes a difference. but the reason why i think it's important have solidarity with the strikers is because actually i think that there are two levels to this. on the on

whether ella whelan discussing. whether great art should carry a trigger warning. were warned scenes of sexual aggression before a showing of handel's theodora at the royal opera house. let's take a look at what ella had to say. now, you wrote very interesting article about this point of view and your argument was really that trick or won't that great art is meant to trigger you in some circumstances . can you talk us circumstances. can you talk us through that? well, the funny circumstances. can you talk us througaboutt? well, the funny circumstances. can you talk us througabout the �*ell, the funny circumstances. can you talk us througabout the production|ny circumstances. can you talk us througabout the production is' thing about the production is that great three that there was this great three star afterwards said, you star review afterwards said, you know, opera goers are very used to and sex and all that kind of stuff and actually that this production really tame and everyone was kind of waiting for the terrorism all that stuff so it raised yes much so it ra