spring and then lost 'em. 30 of 'em? and just lost 'em? well, it can happen, doc. (stretches) i don't understand it, hoby. what makes a bunch of youngstete go off on this kind of a toot? well, doc, if i had the answer to that, i'd bottle it and save the world. well, we'd'detter get back to the bank. what's 'a matttt? somethin' goin' on. what'd ya think? well, they're comin' for us. maybe they'll still let t . huh, will? ask 'em! tom! will: tom! tom: yeah? yeah, will? will: bring the gambler out here! (gun shot) (gun shot) what happened? he's gone. (sighs) (gun c ccking) welllli guess we can go in now. all right, load 'em up boys. we don't have to go to mexico for a war. hoby. (gun shots) (screaming) (gun shots) (sigh of relief) well, mr. smith, i've seen you land in a room with more grace thth that! but never with more relief, mr. gilman, to be sure. well, what about this hastings and his group? the whole bunch ofofem. how many are there? six. mhm. they all downstairs now? they were before i leftft mhm. all right. let's

let 'em come, we've licked 'em twice, we can do it again. [bugle blowing] [all cheering] - baker's with 'em. - they sure tookokheir time. they're brass-button soldiers, what'd you expect? let's go meet 'em. i want 'em to see it's been a job worth doin'. mister... why don't you let the boy go? he's no match for you. you keep out of this, mitch. i'm no boy. and you're no man. ( fingersnap ) one more.

cultured, they call 'em. i planted on the other side of the cacan. would you like to see 'em? i sure would. i never, uh, saw tame flowers growin' out in the waste before. i didn't know what they were by the seeds, so i planted 'em with the onions, and then when they began to grow, well, i recognized what they were, so i moved 'em 'round here. ? sure are pretty. -zinnias, you call 'em? -that's right. oh, i'd like to have us a house here someday, with zinnias growin' all around it. you like it out here? i love this valley. livin' out here's so... so simple. you're not always sufferin' from seein' things that you want and can't have. ? well, i sure hope you get your house. well, if the season keeps up like it started, we might, come spring. ? -howdy, men. -armstrong? -that's right. -i'm major george early. howdy, major. i got your letter, and your supplies is waitin'. you're a mite late, ain't ya? -how's that? -we're gonna bed the herd down till next spring, over in costa vega valley. -that could be g gd or bad. -whaddaya mean? the dutchman and his bunch are in town. took over th

bud: probably didn't want me to find 'em and ruin 'em before he had a chance to use 'em himself. (laughter) bud: i'd better put these back (laughter) (thud) (laughter) kippy: what was that noise? uh oh, did they break? bud: what do you think? boy, what a dope i am, i let 'em slip right outta the sack! kippy: yeah, but what are you gonna do now? bud: well i gotta get some new ones before dad finds out! hey, you got any cash? kippy: a buck maybe. bud: that's not gonna do any good. you can always raise some money selling something down at mad charlie's swap shop! why, he might even have some binoculars and swap you for somethin'. bud: oh, what have i got to swap? margaret: bud, where are you bud? bud: hey, look, you climb down in the basement and get the evidence outta there right away, and then we'll- margaret: bud! bud: comin' mom! hurry up, hurry up, i'll be right back. kippy: ok. bud: comin' mom! margaret: well find kathy and both of you come in to dinner! (thud) (laughter) (laughter) bud: where are you? (laughter) bud: hey kathy, dinner's ready, where are ya? bud: hey [sman]! (

don't squeeze em, play em. i'm playin' 'em, i'll see you. head for the hills, boys, and load up for the bear. i think i got you beat. i i ise you 50. bucking the master might hurt you, sonny. what do you got? beat 'em. i can't. sell me a stack, hoot. well, that finishes me. well, this sure is easier than trappin' for skunks. how's your luck, mr. g gham? cleaned out. maybe i'd better see about hoot. whwhdon't we go down to the lower deck? got 'em again. ain't seen so many bullets since hildy's pa catched us courtin'. three aces. you learned your lesson, son? no, i'm kinda a ubborn. i'll be back. to do? you sure let him win enough. i wanted to hook him good. give me 500 and a deck of cards. these match. you'll get your money, santell, but they'll be a lot left over for me. you're right, cheyenne. i shouldn't worry. there's no reason why i won't get along. i'll make new friendnd it's good to make new friends. it's the old ones that disappoint you sometimes. it's beautiful. the water, the stillness, ththstars. i hope hoot isn't gettin' hurt too

i'll fix 'em. don't you worry. i'll fix 'em, all right. a man can't even run a good, honest still without being bothered anymore. yeah, i'd... i'd like to get my hands on just one of them little brats. not bad. not bad at all. i told him. i told him... ( coughing ) boy, she really burned to the ground. how come you didn't call them volunteer fire brigade? they might have saved somethin'. well, there wasn't time. it was them kids. i tell you, it was them kids. i told you there'd be damage if they was allowed to hang around here. look, i seen 'em. i seen 'em comin' out of this barn and one minute later-- poof! there was a fire. you're sure of that? why, sheriff, are you makin' me out a liar? no. barney, we're gonna have to start an investigation. yeah, full-scale. now, we'll need names. who are these young'uns? well, i don't know their names, but i'd know 'em again if i saw 'em. i was tellin' you about one of 'em in your office just the other day, only you didn't believe me. don't start in on opie again. he's too little to be messin' around

aah, let 'em come! we'll give 'em what-for! thank you for the warning. ( infant crying ) jimmy'll take u. jimmy'll take care of you. jimmy'll take care of you. at's saturday, kitty. lean back and rest ynow. take it easy, honey. saturday? saturday? satur--? mmm-hmm. what i been sayin'? oh, noch. you just been kind of ramblin' on, that's all. ever all right. now, just take it easy, honey. how sick am i? you ain't hale, that's for sure. but i... i can't be sick. i gotta take care of saturday. now. sound-- sounds like he's hungry. i been out of my head? 'bout a week, i think. well, but don't you worry. i'm taking care of everythindo. yes, but... what if you get sick? what happens then? honey... don't y about me. i got an arrangement gonna take care of me. powerful fella. . could i have my baby? why, surely. take it easy. ( infant crying ) ? you're just a poor ? ? wayfarin' stranger ? ? travelin' through ? ? this world ? can you hear that? yeah, she ing, can't she? sn't talking 'bout the singin'. ( war whoops, gunfire ) come on, let

they want to get 'em down, but i won't let 'em do it. you know, i tell 'em no. we turned 'em loose to go free and they're enjoying it. there's been people come from new york. i'd wished mouth flies open, their eyes get big. but i never thought this would ever happen, you know, in this area. 'cause everybody goes on about, "do they leave--do they go to other places in the winter?" no, they don't go to other places. they stay--they go off, but they come back here and nest. they call me the bird lady. [laughing] everybody asks me, "what's gonna happen to the birds when you're gone?" well, my son maybe will do it. if he don't, somebody else will do it. i love the birds. i think they're pretty. alex: we'll have more of "animal rescue" right after this brief alex: and now this "animal rescue" safety tip. man: ? keep your pets happy, healthy, and fit with this animal rescue safety tip ? alex: would you know how to help an animal in distress? first, restrain the frightened animal. the friendliest of pets can act unpredictably when hurt. wrap cats in a towel or jacket to

why don't you go on down there with 'em? stay there till the snow gets up to that turkey neck of yours? hey, hawks, do you a man could haul a load of that gravel to sacramento and wash it out tting by the fire? s he couldn't. not a dad-blasted bit of work done on those wagon th. the only man in camp is bill dye. g. how you gonna get 'em back to work? how the devil do i know? i'm tired of yelling at them, th. let 'em cool off, and we can talk some sensem. would have to be a man like burke, wouldn't it? all the decent, deserving people in this train, no way. logot! a dollar a drink, boys! a dollar a drink! i just opened up a saloon! ha, ha, ha! hey. that one's on the house. n, radford, aren't you gonna stake a claim? no, you and i'll win . whoo-hoo! ted? ted! later, but ted-- i'm gonna dig you up a gold-plated coach white horses. what do you think, darryl? how about a little blackjack? if you only had some dancing girls. come on, darryl, old boy. ( laughing ) just like old times, ain't it, whitey? hey, whitey, remember rush cr

estaban let's go get 'em. ah, we're not ready for 'em yet. we'd only lose 'em. ? we'll build a trap in that canyon, another one to the south, set up camp in between. ? all right, let's see if it works. ? cover these posts up with brush. you gonna take all summer to build that thing, cheyenne? don't worry, we'll have it finished by the time you locate those watering holes. another thing, sam, don't mistake any of those mescaleros for mustangs. mescaleros have two legs. coffee? well go ahead, it's not poisoned. thanks. is something bothering you, mr. bodie? sam has been gone too long. i hope he hasn't run into trouble. oh, he'll be all right. one of us has to worry about him. we have seen the mustangs, many bands. senor wilson and the others wait in the hills. what are you doin'? wewe, i'm going with you. seems to me i remember you sayin' you'd pull your own weight. there's plenty of work for you totoo right here in camp. i want to see what's happening. half those horses belong to me. we haven't caught 'ememet. dozen bands, most of 'em small, but a couple of 'em ran

you'll beat 'em, bobby. you'll play 'em and beat 'em, s, right? lock the door to the squad room. [ siren wailing in distance ] [ both moaning ] [ moaning continues ] [ chattering ] [ phone ringing ] hey, you got some hell of a job. yep. [ scoffs ] people throwin' shots at you left and right. then your bosses do that. anyways-- yeah, anyways, i put you in that jackpot, bobby. why don't you let me look out for you now? yeah, well, it's not like i'm buried in job offers, you know, so-- oh, you got no job offer. you got a job, all right? "technically" violate some laws-- [ gunshots ] [ tires squealing ] - you all right? - andy. get outta here! what happened? i made a left on mulberry and this is what i saw. what did you do? oh, my god. oh, my god. - i'll tell 'em what i saw. - get out of here! i know what i did. [ siren wailing ] - they're comin'. will you get outta here? - andy, get outta here! you better lose that tape. captain, we've reached the designated position for scanning the coded directive. good. we've both guessed right. negotiations with

you give 'em a toe, they take a foot. you give 'em a foot, they take an ankle. i'm comin' to join you, honey, john, we're giving you a raise. that's fantastic! but i'm gonna pass. are you ok? honey, you got another present. no thank you, dad. who says no to more? time warner cable internet gives you more of what you and those little data hoggers want. that's 50x faster than dsl. this internet speed is sick. get 50 meg internet starting at $39.99 a month. call now. and with home wifi, the whole family can be online at once. g reat for kids to stream scary shows while not cleaning their room. you'll also get our exclusive 1-hour arrival window, a money-back guarantee, and there's no contract to sign. get 50 meg internet with no data cap starting at $39.99 a month. plus, free installation and access to . would rex pass up more beef stew? i don't think so. hey, wait. that's funny. hey, mr. sanford! fred: yeah? oh, yeah. remember that radiator we sold yesterday? uh-huh. yeah, we got, uh, $20 for that, didn't we? yeah, $20 big ones. 2-0. yeah, well, how come in the sa

em, em, em! did you hear, clem? - i sure did lem and so did shem. - yes, sir, lem. we all heard clem. - this one's clem. we'd better call a mortician in the morning (drumming) (gun shot) - well, em, i figure as long as we're gonna have a marriage, i thought i'd slow him down so he could play "the wedding march." let's all go in and eat. - we'll be back in just a moment with our special guest - thank you. thank you very much. i hope you all enjoyed the show. it was kind of silly, wasn't it? miss connie francis. connie, you were just wonderful on the show. - well, thank you so much. - you know besides singing so well, you get such big laughs, too. - well, thank you, jack. - in fact, you were so good, i'm gonna take you to dinner. - well, that's awfully nice of you. i'll go change. ressed just right. well, let's go. good night, folks. (end theme music) just can't leave well enough alone? take my sister, annie. please. now she's on a "let's all make gidget a young lady" kick. that's her telling me it's not lady-like to yell out the window. but what are ya supposed to do

[gunshots continues] (duncan) 'soldiers, , ok at 'em.' that's why they wanted guns and ammunition. ped i'd never see a uniform again. i take it all back.. they still know where to find us. maybe it's time we pulled out. ''yeah, i guess there's no sense in pushin' our luck.' how much you figure we've made up to date? oh, maybe 30,000 a piece. well, there's still a lot more up here. if we stay, we may be wintered in. i vote with you, cheyenne. let's call it quits and leave, huh? [trumpet music] settled, it's settled. she sounds like a real nice girl. - who? - cramer's wifefei mean, widow. you read that. i ain't read it. what's it say? "dear lou. it was such a relief to get word "little jimmy is fine "but he misses his daddy almost as much as i do. "i've never thought any material treasure no matter how great "is worth the painin of these long separations. "the fruit trees are all in bloom "and everybody looks forward to big crops. "of course, i'm hoping that you.. "...will, at last, strike it rich. "it is high time for luck to start smiling

now, get 'em out! you got ten seconds to make up your mind. ( thumping ) you boys are just wasting your strength. that is a good'un. you know, fellow travels alone like you ought never get lonely with a doodad like that to keep you company. well, friend, now you just said a lot of words of truth. this little concertina is the only thing i got in the world. and i sure do enjoy it. please play us another one, mr. charvanaugh. we just about got time before supper. well, now, i'd be pleased to, ma'am. ( playing "brennen on the moor" ) now, this is a tune my pappy taught me. it's all about road thieves and robbers and such. called "brennen on the moor." now, being as you folks have been so nice to me, i thought maybe you'd like to meet my boys. now, this one here is, uh-- - ( instrument squeals ) - woman: oh! don't bother saying it, charvanaugh. what are you doing? i'll explain to you later. get us out of here! what's holding up that gate? you mean he was fixing to rob us? that's exactly what i mean. he's g

the injuns get 'em? yes, indians. well, they're comanche, all right. train must've scared 'em off. what kind of foreigner do you figure he is? i think they're japanese, bill. he said something about "nippon" and "samurai.i. sakai ito, nippon samurai. i've never heard of either one of 'em. seth: mister, you're not gonna get very far by yourself out here. bill, you'd better go get 'em a team. all right. be right back. to california? your names, please. adams.eth adams. ah, so. mr. adams. arigato. s "thanks," why, all i can say is "you're welcome," i guess. n. henry, you hold yours back. the rest get back to your wagons. we'll be pulling out right away. it ain't true. it can't be. you reckon they escaped from the sideshow, sailor? no, not hardly. but i do know where they come from. hey, major! you know what you've got there? ( japanese ) do you know this fella? japanese from japan. how come you know so much about japan, blane? what do you thinkk they call me sailor for? i was with commodore perry when we opened japan in 1853. commodore perry? you? why, i iure was. yep, yedo bay, july

now suppose you and your other brothers mop 'em up and cart 'em back to your farm. i'll buy that. but joe here's from missouri. takes a sight more provin' before he believes. i believe you, ambrose. everything you say. pickckp the glass, joe. i don't want to pick up the glass ambrose. hold it up high. hold it up to the light. wewe little beamer will get himself a nice, clean shot. i'd leave that tickler where it is, mrmrsmith. 'less you got a mind to try out kelly and gagah. take the glass, joe. please. hold it up high. higher! on a count of three, beamer here. one, two... 's it beamer, hold it right there. gun. unbuckle your gun belt. ranger wants you to give up your gun beamer. figure's you ain't man enough to wear one. you're burying him. what i figure is you've got some provin' to do. that you are a man. what do you figure, beamer? dodot listen to him, beamer. don't be a fool. i'm not going to hurt you. we ought to read something over beamer, ambrose. read something. i'll read. over gilman. when he's lying out there beside him. we go and pop him, ambrose? that what we gonna do

you tell 'em to do things, they never get 'em done whwh they're supposed to. why the devil don't you watch where you're going? i'll say one thing for you, major. bad. get out of here, you little--! major. what in tarnation do you want? i thought maybe i could do something for you. any time i want you to do anything for me, i'll tell you! major! well, what is it? it's molly richardson. the baby's coming. well, that's fine! she don't look right. i don't like her color. oh? we got everything ready. two kettles on to boil. mrs. green's there, and mrs. parker, i'd better look at her. mrs. richardson. molly. dick. is that you, dick? easy, molly. he said he'd be back in time. dick! easy now, molly, easy. you're never coming back to me! molly, he'll be back, believe me. why don't you go back with the men? there's nothing you can do around here. you'd only be in the way. you let me know if anything happens, will you, please? sure. how is she? laura... why don't you go help 'em? that baby may be a long time coming. well, i... i'm sure your fred will understand. all righ

he did his b keep 'em alive. ight. i'm sorry. you see, ben was a regular army man. a little girl from chattanooga. ir honeymoon when fort sumter was fired on. so ben had to leave his wife and high-tail for th so? well, hem her now and then. first she wrote and told him she was pregnant. then he got word he was a father-- a fine boy. so he could get back to his wife and son. but never made it. why not? they were both killed during tf atlanta. that near killed him. about a week after that he took a mini-ball in the arm, paralyzed it for life. he can't use that arm,m,it hurt. everybody suffered in the war. the town council's meeting right now. they're gonna give ben the authority he needs and the men he wants ur people out of the valley. well, you tell the town council thaharams. and neither am i. i figured you'd i'm sorry, mccullough. so am i. one thing-- you watch ben. when he says he's fastt left ha, he meansnst. john: it's mighty fine, flint. good, you got other things to worry about besides planting crops. take these wagons and

'em down too far. i want... i want to leave a little bit for scratchin'. ( laughing ) andy, what's she doin' to you? she's just givin' me a manicure like any cultured gentleman ought to get. okay? yeah. you're next. what? just be glad you're a cultured gentleman. sit down. but, andy... as my deputy, i want you to look nice right down to the fingernails. now, andy, i... that's a order. well... ( chuckling ) there you are, miss. why, thank you. and may i say i have never had a finer manicure. there you are, floyd. thank you. sheriff? hmm? and i really do mean thank you. well, yes'm. see y'all later. andy? um... uh, andy...? andy! what? well, let me have your hand. i won't hurt you. honest. ( gasps ) what's the matter? it makes my skin crawl. i'll be real careful. well, be extra careful with that one. that's my trigger finger. you damage that, and i might as well quit the business. not frightened anymore? nah. feels kinda good. do this one. howdy, fellas. what's up? andy, look. how 'bout that? do you beli

two or three of 'em. i wouldn't put 'em on. the town is just waitin' for it. now, why? why can't they forgive a man for one mistake? this is why. ?? not a word, not a tear. nothin'. as though she were carved out of ice. ralph: i drive you home, ms. crow? i'll manage. if there's anything i can do, you just let me know. thanks, ralph. i can do what has to be done! dora? dora! save the fancy speeches, hoby. now, you've had your share of grief, dora. why go lookin' for more? ed's gone, joker's still alive. now, get outt'a my way! you keep this up and i'll throw you in jail right now. for something i haven't done yet? that won't work. e it work! not a chance. your little laws are on my side, till i decide to break 'e'e after that, it won't make a bit of difference. maybe she'll be lucky. ?? (knocking on door) ?? (objects falling) oh. here. there. (coughs) who worked you over? nobody. everybody. it don't matter. a gun. yeah, you'd be dead by now. that'd been an improvement. hold on, hoby. toss that gun away. this is just plain foolishness, dora. the gun. joker's got guns in t

you ruined 'em. ruined 'em? that's right. you heard me. you ruined them. virgil, you polished the keys so good they won't unlock the lock and we can't let otis out of the cell. hey, barney, i'm sorry. sorry? that's all you ever are is sorry. can't you do anything right? all right, you can all stand around here if you want to hey, i'm sorry, andy. i know you are, virgil. forget it. what about it, andy? when do i get out of here? i'll get you out as quick as i can, otis. you go ahead and get cleaned up, and by the time you're ready i'll try to figure some way to have you out. where's my tools? whenever i start to do anything i spend eight hours lookin' for tools and a half hour workin'. well, ain't you going to look at this? ain't they nice, paw? yeah. where is that thing? i bet you think i bought these in a store, huh, paw? didn't ya? mm-mm. virgil made them. good. oh, there it is. what'd you say? virgil made these? yeah. ain't he good, paw? you actually made these, virg? well, they're mighty fine work. uh, ope, you want to run along? i want to talk to virg

so the flies aren't bothering 'em, and on a hot it keeps 'em a little bit cooler. and then in the evening, they're back out in the field, and they come back in the following morning, and eat again. - well, i know they help santa get from place to place, so it's good that we have them here. and it's so cute to see them. so they can come down to spring mist farms, right on pearl road here in brunswick. - [harold] big sign out front that has the farm name. - [natalie] it's a great place to bring the kids. i enjoy feeding these animals, so i know the kids would absolutely love it. - i feel like a kid sometimes. alright, say bye, this is joy, right? - this is joy, yep. - say bye joy. when we come back, we are taking you to an italian bakery with some of the best pastries, including cannoli, that i can almost guarantee are bigger than you have ever seen. - [jim] it's a great centerpiece for any party, it's a great conversation piece. it's in a large shell, and we stuff it with about three dozen of these smaller shells. honest ingredients. like real delicious honey, and r

have 'em bring their metal files with 'em. yes, sir. metal files? what do we want metal files for? we're gonna do a little work on the firing pins of those rifles before we turn 'em over to that bunch. you're not gonna give 'em a bunch of rifles. charlie, will you do like i asked you, just once, please? yes, sir. attention: are you eligible for medicare? the medicare enrollment deadline is just a few days away. changes to medicare plans could impact your healthcare costs. are you getting all the benefits available to you? new plans are now available that could increase your benefits and lower to update your coverage- or enroll for the first time -- call healthmarkets. we'll help you make sure you have the right medicare plan. hi, i'm m ctor martin gizzi. it's a new medicare year. that means more changes... and more confusion. here's what i tell my patients... start by asking ... what kind of care is best for your current situation? have there been changes in your an you do now, health or medications? to ensure you get the care you to find the coverage you need, call healthmarkets t

they gonna know i ratted 'em out now. make contact? yeah. we're picking 'em up. hey. you better not go back on your word to me 'cause now i gotta be there when they get busted. i shoulda never had nothin' to do with this. don't worry about it. we're gonna grab you up to make it look real good. ok, you're gonna need backup. medavoy and kirkendall are in the house. take them. all right. we got half an hour. we gotta get going. come on, hurry up. let's go downtown and get shot, right? yeah, i appreciate it. ok. hey. hey. how'd it go at the hospital? marlene wasn't sure this barry was the guy. he give anything up? no. he's, uh, sticking to his story. i gotta say, he's kinda convincing. would you come over here? i ordered this stuff from jersey a couple of weeks ago. sex offenders? yeah. i was going through it, and i came across this guy. he's got the look. his name's stanley houser. he just got out of the joint 4 months ago. he was in for attempted rape. you know where he is? yeah. he's here on the lower east side. i talked to his parole officer. he's working as a dishwas

keep 'em in shallow water. ? keep 'em movin'. ? don't let 'em head downstream. ? stay in the narrow part of the river. ? keep 'em movin'! ? he can't swim. ow to swim. yeah, you sure would have thought so. one of us better track back to the ja and tell susan. she might want to take the boat and meet us in dodge. she sure ought to know, all right. i'll cut out as soon as we make camp. should be back in three or four days. uh, it's getting along towards dark. that crossing took a lot out of us. we'll bed the herd down here until morning. rowdy, you figure you're running things now? you've got any objections? well, i don't know yet. it depends on how the rest of us feel about it. let's get these cattle on the move. we're wasting daylight. you're taking orders from me, bodie. just like you took them from amarillo. we're camping here and we're camping now. amarillo's orders to me were to take over if anything happened to him. then why didn't he tell us that? he was hoping it wouldn't be necessary. i think you're lying. if he'd have told anybody, he'd have told slim or r

you know, they figure nobody trusts 'em. it's the old nobody-trusts-'em complex. don't happen to be one of them people that don't trust people. i happen to be one of them people that does trust people, and you know what i find? i find that when you do trust people, they trust you back. lookee here... you see these keys? now, they're the keys to every store in mayberry. now, that means every storekeeper in this town trusts me. oh... gee. you do? yes. i've always wanted somebody to have faith in me. you know, trust me. i know. say, did you ever notice how these 21-jeweled wristwatches with the pure gold bands sorta... sorta pinch your wrist? yeah, they sure do pinch your wrist. right there and kinda... kinda rub my wrist a little bit-- let some air get to it. yeah, yeah, i always say "if you can't trust your fellow man, why... what good are ya?" ( chuckles ) this old world'd be a mighty poor place to live in if you couldn't... what do ya know? ( chuckles ) i got to him. w-when we sing the mayberry song let's be sure and get the words right. that's, "mayberry'll shin

hold 'em, dad! stop, hold 'em, dad! stop, dad, hold 'em! - let my son go! - it's your turn to go, roden! we'll leave! you can have the killer, but let my son go! y won't give us anymore trouble! you've lost one son, you could lose another. [dramatic music] come on. [intense music] put the handcuffs on him. len. where'd they get you? son.. 'get him to santa loma.' first, we're gonna take care of you. we ain't got enough water now to get throughghhe desert. - water hole. - don't try to talk. he's telling you about the water hoho halfway across the desert. - i know where it is. - you sure? cheyenne...alone. 'i want to talk alone.' it's all over with me. don't try to tell me different. like it or not, you gotta take over for meme mighty hard thing you're asking me to do, len. i don't even think he's guilty. i swear you asas deputy. you've gotta do it for me. no matter what you think, no matter what happens get the prisoner to santa loma. i want your word on it, cheyenne. alright. you'll stand by thth, won't you? i give you my word. [gasps] roden, there'll be a

you'd never mistake 'em for each other. maybe he saw her as a close enough second. - well-- - [ door opens ] have a seat. thanks. sure. you know, i'm very worried about my husband. i think you got basis for worry, mrs. buono. and please believe me, we want to get this resolved without hurtin' people more than we have to. being honest with me, you think i should have an attorney present? that depends on what you feel needs concealing, carol. i don't want to conceal anything or cause more hurt. [ gasps ] oh! [ sobbing ] oh, god. what can you tell me about this typewriter? oh, god, forgive us. god, forgive us. you want god's forgiveness for you and who else? hmm? i can't say. i can't. when will my wife arrive? i'm not exactly sure about that, frank. i'm reluctant to have a conversation until i see her. - i can understand that. - thanks. in the middle of the night, the area where this typewriter was found. she's outside without explanation, 4:00 a.m., seen by a witness cleaning mud from her shoes. what we're gonna pursue is tha

i'll put 'em out later on. look what we got for 'em. a replacement rabbit. he looks exactly like the one they reported stolen. yeah, we gave the pet shop guys the description. well, this is wonderful, sergeant. we got some other presents for 'em too. we're gonna have s snt nick here and everything. well, he's got some very kind elves working for him. yeah, and there goes santa now. [ groans ] oh, that-that's great. great. thanks a lot, mr. peters. i'll send a car over. i just got two dozen deadly space assassins dolls for four-year-olds. - great. - yeah, detective medavoy. let me call you back. hey, andy, did you pick up the santa suit yet? [ sighs ] not yet, medavoy. oh. 'cause i took it to the dry cleaners. i-i told 'em you'd pick it up today. this afternoon, andy. hey, medavoy, how come i gotta be santa claus? well, uh, stillwell psychoed out, and walker's got jaundice. no offense, but you're the fattest guy in the squad. hi. andy. hey, what's haverill doing here? uh, i guess he's waitin' for the lieutenant. now, you see, that much i figured on my own, me

could've been any of 'em. "them" being who? the blacks. half of 'em are drunksks, crackheads, and the young ones are all hoodlums. any kids specifically you think might've done this? kids who run in pairs? any of 'em. she's asking if any of "them" in particular why weren't you at work today, george? i was at h home with my kids. my wife's mother's in the hospital havin' heart surgery. how did mr. lee get along with his son? 3 years i worked for mr. lee, i saw the guy maybe half a dozen times. he thought he was better than his father, smarter. like, mr. lee played the numbers. one time he hits, and, uh, the runner's late payin', and his son says mr. lee's stupid, to pay off. but he did get paid, 3 days later. all right, georgrge. we have your information if we need you again. i'm sorry my wife's mother got sick. cop called, and i left my kids to come cooperate. mr. lee was a good guy. no race prejudice towards me. all right. [knock on door] thanks a lot, naomi. sir, you have gone past the catching area where i asked you to wait. this woman'

why don't we go for 'em right now? 'cause i gave 'em an hour. rosa. rosa, let's get married now. we'll go to the church and tell father juan to make the arrangements for the wedding. no, not while there is so much trouble. - but why not? - this man can help us, alfredo. i know he can. but we must help him, too. no please, rosa, no more about that. do you wish to live in fear of these people? i wish to live. you know what happened the last time. at least now i have my cantina and things are not too bad. but somehow, somewhere, there must be a start. well, let someone else start it. i must think of my business if we're going to be married. alright. think of your precious, little cantina and we never will be married. stop being so itchy! you boys are acting like you're going to your own funerals. if anybody doesn't like this deal, he can pull out. get me a drink. i said, get me a drink. are you deaf? i am not deaf. and also, i am not your servant. why don't you get outta here? go home! [dramatic music] you are the last hope, padre juan. only you can help us now. when these people fi

we pour 'em! we pass 'em! we pick 'em! delicious fun for everyone.. ""you don't want to ride the 13l checkiforever, do you?"ore?" "credit karma huh?" "yeah, it's free." "credit karma. give youself some credit." sure, you could buy this. but why miss out on this? it's baking season. warm up with pillsbury. our progressive direct rate... we let you compare great deals for reals! ...and our competitors' rates side-by-side, so you know you're getting a great deal. saving the moolah. [ chuckles ] as you can see, sometimes progressive isn't the lowest. not always the lowest! jamie. what are you doing? -i'm being your hype man. not right now. you said i was gonna be the hype man. no, we said we wouldn't do it. i'm sorry, we were talking about savings. i liked his way. cha-ching! talking about getting that moneeeey! talking about getting that moneeeey! savings worth the hype. now that's progressive. its great little moments like these i don't want to miss. but when i'm worried about all the things that might happen, it's hard to live in the moment. protect t

slaughter 'em, skin 'em, do anything, but get rid of 'em. hammer, you're workin' for me. i'm givin' the orders. you're the boss as long as we make money. you can't be that stupid. cheyenne's lookin' for help. he didn't get it from me, he couldn't send the telegram, so that leaves sinclair. i don't think he'll be much help. why not? he's dead. dead? we tried to get him to cover up for us. he refused. ship the cattle, do anything you want. i'm pullin' out. oh no you're not, partner. in rustlin', not killin'. u fellas told me about sinclair. who shot him? matt did. we both saw him. we don't want a warrant out for either of us, do we, matt? you were a good gun once. the marshal's office? no. the line must be down somewhere. it sure is. well, how do you know so much about it? heard a shot back at matt ellis's place on the way here. somebody put a bullet through one of them glass things on the pole there, neat as you please. you mean you've been settin' there watchin' me pound on that key and you never said nothin'? looks like i made a better law man outta you than i figured. i

you can't watch 'em all. you can'n'control 'em. you're completely stressed out. they couldn't do nothing right. and with frankie-- he had been doing blow, and a group of 'em, three different times, couldn't comply with what he's saying. and finally he just goes nuts, starts spraying bullets. we didn't even get all the money! well, you both must've been so frustrated afterward. look, jimmy, we can work with the d.a. to get you some consideration on these murder charges, i'll g ge him to you on a silver platter, only i don't know. he called me from a bar just before you showed up. i didn't want to talal'cause my girlfriend was in the room. what bar was it? he didn't say. [ simone ] he gonna be calling again? i don't know. i said i'd call him back. you mean you got the number? yeah, i wrote it down. able personality. [ jimmy ] here's something. frankie's gogomy gun. i gave it to him. he threw his away. see, now, that could be of help. we appreciate that. yeah. thanks. go and try and hunt up frankie now. okay. good luck. detective medavoy and i are just back from the

ain't we lucky we got 'em? ?

i think i hit one of 'em, andy. - they throw shots. - both of 'em throwing shots? i got one of them, i think. the one guy yelled, grabbed his shoulder going out the door. then i went down, chest pains. could just be god saying keep away from these xxxxx bars. i had to use a phone. i had to get to a telephone. ththe you go, vince. reach out and touch somebody. take good care of him, huh? yeah. ur squad. we got word that he was involved. we come check on him. - was he shot? - chest pains, eddie. well, why don't you go keep him company, hold his hand, huh? you know, you're some kind of jerk. you had me going. - what was your problem giving me a wrong number? - what are you talking about? yeah, you play whatever kind of silly games you need to play, eddidi next time you give me wrong information on a case, me and you, we'r'rgoing at it. be good to check the emergency rooms in the area. i'll hear what gotelli's got to say whenen interview gotelli. so, this has got nothing to do with getting these xxxxxxxs off the street before somebody gets killed. what's up, arthur? i,

i shut my door, wouldn't let any more of 'em off. there's a bunch of 'em still on there. man! damn drive-by shooting from my own bus. - could you tell who he was shooting at? - somebody on the sidewalk. all of a sudden, there was all l is yelling in spanish, he started shooting. - must have been eight or 10 shots. - all right. we'll have to straighten this out at the, uh, station house. let us on the bus. we'll talk t tthe passengers. yeah, we're gonna do a thorough search for guns before we break 'e'ethe news. that one guy mouths off again, him and me, we're gonna have trouble. guy calling abby names? he bandies slurs about, he's gonna get his ass kicked. okay, folks, we're gonna be here for a few minutes we understand d u made a confession on those rape/homicides last week. you think i could sell my story to the movies? that what you want? yeah. i think it'd make a good one. but i gotta be the star. oh, you're never getting out. how about tom cruise to play you? - where were you last night, gerard? - before here? - yeah, well, we know what happened o oe you got here. - i-i w

>> yeah, but they don't know i spotted 'em. >> and you led 'em here? why-- >> save it, frank. i knew what i was doing. i brought 'em here for just one rereon: so they could walk into a trap. >> hey, duke. there's a couple of riders comin' up the trail. >> that's thememow. marty, get around to the side of the barn. frank, you get in the house and cover 'em from there. i'll watch the doooo >> what about me? >> ahh, go paint your horses. >> yes, yes, paint the horses, paint the horses... no, i'm gettin' out of here! >> gypsy must be in that barn over there. pancho, you stay here while i have a look. i'm gonna circle around. well, gypsy, it t oks like somebody did a very good dyeing job on you. ?? don't be nervous, girl. come on out here. go on. [clattering] [grunting] ?? >> hold it. ?? [gruntinin >> hombre! [moaning] >> well, i'll be a gee whiz. i didn't did something. [chuckling] [speaking spanish] >> we got gypsy put near as good as new. >> and some. hey, what's keeping cisco wiwi that surprise you both told me about? >> don't be impatient, he will be right away. here he comes

look, look. >> well, i see you got 'em. >> yeah, i got 'em on a string like fish. hey, get in the wagon. make a wagon out of yourselves. pronto. andale... >> shall we collect him, too? >> that jail will never hold all these birds. >> if it doesn't, we'll hang you instead. >> and she'll do it, too. that's my girl. >> all right, pancho, let's get our horses. ?? >> they don't need us no more, cisco. let's went. >> for once you're right, pancho. i don't like to say good-byes either. ?? >> hey, cisco, they're throwing wheels at us again. >> go after it, pancho. we'll take it back and give them a hand. >> pancho, get after it. >> hold onto your hat, loco, here we go again. >> (laughs) that's a mighty sad knock you gt there son. yeah well, i'm glad i can say the same for your aim. well it keeps them hoopin'. what's on your mind? my name is gilman. i'm looking for a man named perkins. anger. hey what's he in so kind of trouble? no, no trouble. i just want to talk to him. well you come to the right place for all the good it will do you. come on. (man singing) i locked the o

if'n my blame writers can think of 'em. my feet hurt. kids, you can have 'em. all these personal appearances e killing me. you know what i'm gonna do till them reporters get up here? i'm just gonna soak my poor little old feet. what about the pageant you agreed to appear in for that mrs. webster? well, mrs. webster can go soak her little old head. my feet are killing me. you know, i think sensitive feet run in my family. my ma had sensitive feet. will you forget about your feet? and you can't run out on the pageant. the press would tear you to pieces. and her old pageant. are we gonna start without whip crawford? well, evidently, mr. crawford has been detained, so we'll go through it once and i'll play his part while we're waiting for him. jeepers, mrs. webster. you? yes, me. now, children, this is a window ns and dennis is loading the muskets. oh, dennis, do you know how? sure, i know how from watching tv. where's the gunpowder and the bullets? oh, no, no, no, dear. we're not really going to load, you know. this is just make believe. now, indians, start creepi

let 'em fall to the floor. kick 'em away from yah. you. lock the door. key is over there. yeah, i know. the keys. no one comes out, and no one comes in. throw it to me. throw it! pick it up. pick it up! ?? give me. ?? all of yah. back in the cells. now you stay right where you are. you're digging your grave. you give me that. and the rest of yah, when i give the word you go for your guns. you'll be a dead man. and you'll be right on top of me. alright. get him. lock him out back. (gun shot) ?? moss! come out, you're surrounded. we was wrong to try this bank. i said it-- ah shut up! any other way out of here beside them front doors? you scouted the place. i asked you a question. just them doors. you hear me, moss? i hear yah. there's four of us out here. then there's me in here with that bank teller friend of yours. and he's not gonna do you any good, and you know it. ben? let me go? it's just that, i guess i forgot how. alright go on, get out. you mean it ben? i said it didn't i? you're no good to me, go on get out. thank you ben. i'm coming out! here's my gun. ?? the tell

- no, no, let 'em go, we'll kill 'em over there instead-a here. - (laughs) ok, black! - call me, bart. - bart. - don't shoot, it's us, it's us! - get it, get it, go, go, it's us, it's us! - what's happenin' here? - we gotta get outta here before cartwheel and his gang get's here. - ben cartwheel? - also, known as "black bart". - that's ridiculous. ben cartwheel's the kindest millionaire in whole valley, he wouldn't hurt a fly. - flies? no, but if you're a human he'll kill ya. (gun shots) - run! (gun shots) - don't shoot, don't shoot! ("words" by the monkees) (gun shots) (glass breaks) (gun shots) ? (lyrics) girl, don't you know every time i see you smilin' ? hurts so bad cause when i see you, i start tryin' ? try everything to stop but there's no denying ? ohh, how can i make you stay, don't turn away ? i can still hear you saying those ? words that never were true (gun shots) ? spoken to help nobody but you ? words with lies inside ? but small enough to hide ? 'til your playin' was through ? you won't turn around or slow down your walkin' ? i've given you everything w

. >> get 'em, men, get 'em! what the hell? get 'em, get 'em, come on! come on, get 'em! (whooping) >> by golly, we got here just in ?? >> en gard challis. >> oo you're a swordsman, too. this should be very interesting. >> i'm glad you didn't kill him, cisco. that right belongs to the public hangsman. >> walker! >> yes, you murdering pirate. it's your turn to walk the plank. get up. >> well, one can't live forever. congratulations, cisco. >> good-bye, amigos! >> see you soon! (laughs) ?? ?? (clock bell chiming) ?? (knocks loudly) how can i help you? been a long time, hadn't it? you haven't changed much. before i leaea town, i'm gonna see that you die for it. and i'm walkin' out of porter, scot-free. (scocos) (clock chimes) he the one? ?? trackdown starring robert culp why don't you keep moving, tully? and let bygones be bygones. you got 'til sundown. hey, you. why you miserable little punk. go on. boy's got a right to defend himself, tenner. (laughs) you gentlemen having a little trouble with tenner smith, are yah? no ranger, we ain't having no trouble. oh. just passing t

tell 'em. tell us what? nothing! go on. break it to 'em. this ain't your everyday easy news to break. florida, are you gonna tell 'em, or am i gonna tell 'em? cool it, henry. now don't go humbuggin' me, woman. buzz off, henry. don't you know, when you work for somebody a long time, you get to know them? you're quitting? really? florida, is something wrong? did something happen? well, i'll tell ya what happened. last week, henry got promoted down at the firehouse with a real nice raise. so we figured out, after all these years, i won't have to work any more. i can stay home with my husband, my children, and my house. like i always said, "henry may not be the handsomest man in the world, but he is a good provider." something, florida. since you've been working for maude, your lip done grown a full three inches. i'm gonna miss you, florida. no more than i'm gonna miss you, honey. mmm. well, that's terrific, florida. congratulations, henry. thank you, walter. now, see, florida? that wasn't so bad to tell 'em, was it? wait a minute, henry. this

keep 'em up. i got every right to live here. am i supposed to freeze to death? this is an illegal knife, pal. they sell them in the stores. [russell] turn around. what's this, huh? oh, a crack pipe. this hand. let's go. i won't go in there no more. yep. let's go. come on. let me go. i'm grace morgan. someone left this message at my house. yeah, that was us. detective simone. this is detective sipowicz. we need to talk to you about your son, fred. come here. sit down. sure. wind blows stink from the river, you look for my son. - you know where your son is now, grace? - you can call me mrs. morgan. you got nothin' to talk fred about. and don't pull any of your sick tricks. i know how ya put people in a corner. last situation, freddie had to say he was guilty just to ever see the light of day. organ, your son has committed a serious crime, or didn't you teach him that growin' up? what's he supposed to have done this time-- stole the crown jewels? he killed a person, mrs. morgan. you'll say any damn thing, sons of bitches. - [sucks teeth] - now where's he goin'? art

what are we gonna do with 'em, sheriff? >> ride 'em out of the valley. >> that's a good idea. we'll go along with ya. take 'em out to their horses. >>>>et outta here! >> sheriff, how 'bout passing a >> that's exactly what i have in mind. >> well, then, why don't we do it here? >> you're forgetting, red, i'v'v got to keep up appearances. there are quite a few decent folks in town, and it wouldn't look so good-- might even start a revolt. >> all right, we'll do it your >> what're you spp >> my cinch is loose. do you mind if i fix it? >> go ahead, but d d't get any fancy ideas. >> i've got to cut some leather. have you got a knife? >> maybe you want me to fix it for you. >> hey, cisco, this sheriff, he act more like a bandito than a a sheriff. >> pancho, he's worse than an outlaw. shares in their loot also. >> where we go now? >> we're going to go where they least expect to look for us. >> looks like they gave us the slip. >> yeah, and i don't like it. with that cisco o d on the loose, we all liable to fall off of that gravy wagon. >> not me, red. from now on, shoot on sighgh i'm

tell my brother i come with love tell 'em! tell 'em you're medicine mama's-- are you my brother?? tell him! you got the mark! i seen it when you first-- the cheyenne are my people. i cannot see your face. my brother. see it, and you'll never see again. we're ready to start any time you are. what about the cheyenne? my scouts tell me they've faded back into the hills. they haven't fadeded very far, captain. the cheyenne stick with a wagon train, even with an escort, waiting for a break. well, it could be that mededine mark has got something else on his mind. i suggest we get started as early as possible. tell me one thing, captain. what do you propose to do about that fellow mason? mr. mason is no longegeour business. our job is to get this wagon train safely to the fort. do you need my help, captaiai if i do, i'll call on you. you still look pretty worried, major. well, i'm not very happy. mccullough.... in your humble opinion-- if you ever had a humble opinion-- to mason? yep. from what i hear, when bije wilcox smells money, there's nobody as dangerous. hmm. if you really want my

you can't trust 'em. 'none of 'em.'.' i've heard indians say that about the white man. it's something i don't argue about. it's your move. [knocking] coco in! (crowley) 'well, what brings you out here, wade?' i think what you've been waitin' for finally came through. decided to bring it over myself. well, i'm obliged to you, marshal. ho ho! t tre it is in black and white. taggart's grant isn't worth the match to burn it. he's trespassing on my property. an eviction notice, marshal. no, i don't think you'll need that. i'll drop by on my way into town and tell him to get. that might not be as easy as it sounds. maybe a couple of us oughta go with you. no, i think i can handle it. i don't know. taggart's someone who's getting meaner by the minute. they stomped bodie here pretty bad the day before, you see. i can sure testify to that. stomping a cowhand is one thihi but i don't think he's gonna come up against the law. well.. but i still say that you could use some company. a bunch of us ride out there loaded for bear somebody's gonna get shot sure enoughh no, it's a one-ma

i wind up keeping 'em for myself. got nobody to give 'em to. them young'uns. got no place and no time for the old man. oh, well. - all i can say about that stew is it's hot. - mister? mister, i need a room. - well, i'm sorry. we're all out of rooms. - well, any place. any place at all. i can pay. - told you, we're all filled up. - well, wait. just let me explain. i'm sorry he doesn't have a room for you. i'm sorry he also doesn't have a room for me. will you get me another plate of that stew? - mister, i know it don't do no good, but i do beg your pardon. - well, son, you're probably just as tired, as cold and as hungry as i am. is the stew is hot. - well, i couldn't eat right now. thanks anyway. - hey, mister, bet you five bucks you can't do this. (raucous laughter) - don't have a room. you think you can make it? - no. please. please. , son? you bring her on inside. we'll get her a room. - come on, henry, a full one. - come on, now. give me a beer, give me a beer. - now, that cowboy and his wife... - you didn't hear me very well, did you? we ain't got one! -