my name is emberley cross, the coordinating attorney at the restraining order clinic. i want to thank you for always being supportive of the v.a. w programs that provide - i also want to thank you for this, for setting aside an entire day to hear from your community, and to hear from your community for hours and hours on end area that is not easy for you. thank you. i know you have already heard from many of the 39 programs that we funded. i know you have always heard about domestic violence is a common thread in the lives of many of the of her own liberal communities who have spoken to you today. you arty know about the connections between domestic violence on homelessness, domestic violence and child care. domestic violence, sexual assault and stalking, cut across all communities and our languages, all districts, all genders, all sexual orientations, all religions, all races of it densities, everybody. again, i know you arty know that. i just want to say again, thank you for your time and thank you for always being there for domestic violence sexual assault and stalk

emberley: all right, we have some mics. does anybody have questions. remember that gerrick is on the phone with a wealth of information, as well. don't everybody jump right up now. all right, razor in the back. i am with the "washington post two-part question. you mentioned you get pushback from upper management. but what specifically were people pushing back against that you wanted to do? second part, have they learned lessons from how well the coverage did online, and for other crime stories, are you applying those lessons going forward? whoever wants to answer. >> let's have angel talk about gerrick, as well, and then erica can talk about the direct conversations. mentioned -- new kimberly: and i think he means in general, pushback you have had in the past. angel: other stories, it would take a long time to go through what exactly the story was. with enterprise stories, you get negative news and you're digging deep yourself. maybe there is a preconceived notion of what the story is. and sometimes when you give a story that does not fit that mold, it