emmit's hill was linked in with the deep south pictures. then the battlefields. i don't know.ure you have got it on a piece of paper somewhere. charlie: it shows the evolution, too. what remains was 2003. sally: there you go, ok. charlie: there it was your greyhound. what was it about? was it about dying? was it about understanding cap and what -- understanding death? sally: it started out that way sort of as a documentary impulse. she died, and i could not bear to leave her. so i had her skinned. then i took the body and buried it. it ended up decomposing in this almost constellation of little bones. and i went from there. it was an odd leap, but i began asking the question about the landscape in which she was buried. then there was a death on the farm. charlie: you get engaged by something like that, and boy you go on a rampage. sally: i'm a little terrier-like. charlie: you are. [laughter] charlie: then because of your dead greyhound, you get interested in other dead bodies and decomposing bodies. what is your camera telling us? sally: i don't know. charlie: you just wrote