but particularly working with the english national ballet. ot worked with other ballet companies, and english national ballet, i was always apprehensive of working with a ballet company. were they open to you? well, yes. what you were bringing was probably very different from anything they'd worked with before. that's why i was apprehensive, if they were going to be open, and they were extraordinarily generous and really daring. i mean, they really supported the entire process, and kudos to tamara and the whole team. they're extraordinary. you know, classical repertoire has heritage. it has a lot of weight. so i could feel the weight. and giselle's very loved. you know, it's a very loved piece and it's an extraordinary piece of work so, to take it and then have the audacity to kind of... you didn't dance in that, did you? no, i wish i could do ballet. i was going to say, you said very modestly at the beginning of this interview, "you know what, the secret is i'm not very talented." i don't think anybody watching this necessarily is going to be