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>> according to the powers vested in us -- >> the westerns forever changed with the soundtracks of ennio end of "the good, the bad and the ugly" on the day they can hear the score that we as an audience are hearing. now, if you did that just silent, i think actors would start to kind of wonder what's happening. when you play the moricone music, now you're in an opera, and it changes their performances. ♪ >> morricone's music and the use of close-ups combined to really punctuate emotion and thinking. and the close-ups get closer and closer and closer to the actors' faces till you just see their eyes, and it starts to move more fren etically as, where's the gold? who's going to shoot first? >> okay. open up in there. >> butch, you know that if it were my money, there is nobody that i would rather have steal it than you. >> "butch cassidy and the sundance kid" is a counter culture western. there's never a moment when you're not rooting for the bad guys in this movie. >> it hit a nerve, i think, unexpectedly. it hit some kind of nerve that had to do with outlaws and the outlaw sensibility. >