her interpretation of eric clapton's tears in heaven made the young post musician an internet.ideo with her brother uploaded it and 3 days later when. i called my brother who's like. 20. like crazy and. and we were in before. things like something's broken through what do you know so that was the moment. we didn't like. it. here she's running a sound check out the jazz festival in getting she's currently touring europe with her 4th album. she's considered a rare talent on the electric bass and one a few women playing an instrument typically associated with men. her father taught her to play but she's had to teach herself quite a lot to smile. and. play whatever you want but you have to practice to do it. in a musical family near the city of poland she started playing bass at dates of 12 and her 1st gigs where with the family's band. later she became a sooner artist with her own band but she doesn't sing. only for fun. and i hope my bass. with me. this is my voice. for the playing adaptations of popular favorites or her own compositions keeps winning over audiences by making her

her interpretation of eric clapton's tears in heaven make the young post musician and internet stuff. she made a video with her brother uploaded it and 3 days later. i called to labor that he has like. 20. like you know crazy and. and we were in there for. things like something is broken push through because you want to know so that was the moment. we didn't like. hear she's running a sound check out the jazz festival in getting she's currently touring europe with her 4th album. she's considered a rare talent on the electric bass i'm one of few women playing an instrument typically associated with men but. most of them are like oh you play bass. do not play bass and you do it so i'm happy to do it and i always knew it did and to be a bass player so there was no doubt that i want to play in the piano or guitar or my you know it space that's my love for. her father taught her to play but she's had to teach herself quite a lot to say well. you know play whatever you want but you have to practice to do it. in a musical family near the city of cats a big pool and she started playing bass a

fender on how they went about updating an instrument beloved by everyone from jimi hendrix to eric claptonking musicians and serving their needs. the basic form is very difficult to improve upon because it was done so well, but we have really tried to modify every single nuance of the guitar. the make is a fundamentally different shape, one we have never done before. we have rounded the edges of the fretboard to make it quicker to go up and down the neck, make it more comfortable in players‘ hands. pretty much everything is the same, except how it feels, how it sounds and how it actually plays. when jimi played his stratocaster, he played it through distortion pedals. he got unbelievable feedback. it was a very noisy set—up on stage. a lot of contemporary musicians don't want that. their demands, i think, are even more discerning than the musicians of old and they don't want buzz on stage. you have got to be perpetually listening to consumer feedback, and it's the same with fender. we have to listen intently to the feedback that we get from working musicians. every single product should be

not only did you get george harrison, you got eric clapton. >> it got dylan out of hiding.ck on the stage again. it was unparalleled at the time and may still be unparalleled. ♪ >> a great deal of music of the '70s was people who had succeeded in the '60s finding new ways to express themselves in the '70s. >> have you got any idea why your group particularly has lasted as long as it has? >> because we stayed together, i suppose. >> for a few years, the rolling stones had taken a lot of casualties. >> even brian felt that he wasn't going to be around that long. not everybody makes it. >> they were fighting for like where do we secure our foothold now? ♪ >> in 1971, the rolling stones leave their home for tax purposes to go live in france and record this record, "exile on main street" in a very hot, uncomfortable, muddy-sounding studio. ♪ >> that record is the embodiment of a band making masterpieces on a daily basis. and i remember reading the review saying this was a debauched album. i didn't know what debauched means, but i've got to get some of this debauchery stuff. ♪ >>

not only did you get george harrison, you got eric clapton. >> it got dylan out of hiding. stage again. it was unparalleled at the time and may still be unparalleled. ♪ >> a great deal of music of the '70s was people who had succeeded in the '60s, finding new ways to express themselves in the '70s. >> have you any idea why your group particularly has lasted as long as it had? >> because we stay together i suppose. >> for a few years, the rolling stones had taken a lot of casualties. >> even brian felt he wasn't going to be around that long. not everybody makes it. >> they were fighting for like where do we secure our foothold now? ♪ >> 1971, the rolling stones leave their home for tax purposes to go live in france. and record this record, "exile on main street." in a very hot, uncomfortable, muddy sounding studio. ♪ baby, i can't stay yu got to roll me ♪ ♪ and call me the tumbling dice ♪ >> that record is the embodiment of a band making masterpieces on a daily basis. and i remember reading the review saying this is like a debauched album. i didn't know what debauched means