i think eric monte and mike evans proved that. - dy-no-mite!beat funky music) (audience laughs) dy-no-mite. i know might i did a little tiny dynamite just in rehearsal. john rich, our director, says, "i love that dy-no-mite thing. here's how you do it. dy-no-mite!" i said, "john, please, people will never go for this." - then jimmy walker's character takes over, and instead of "good times," you end up with the dy-no-mite hour. - "good times" was a microcosm of what it is to produce black television. - eric monte and mike evans were forced to partner with a white show runner. that reflected a dynamic that we see throughout the history of black tv, which is having black creatives needing the co-sign of a white person in order to make their thing, even though it's based in the stories they know. - by season two of "good times," john amos was complaining about how his character was not being written in a very authentic way. - so they said, "tell you what. why don't we kill him off, and we'll all get on with our lives." - killed in an auto... - my g

i think eric monte and mike evans proved that. - dy-no-mite!beat funky music) (audience laughs) dy-no-mite. i know might i did a little tiny dynamite just in rehearsal. john rich, our director, says, "i love that dy-no-mite thing. here's how you do it. dy-no-mite!" i said, "john, please, people will never go for this." - then jimmy walker's character takes over, and instead of "good times," you end up with the dy-no-mite hour. - "good times" was a microcosm of what it is to produce black television. - eric monte and mike evans were forced to partner with a white show runner. that reflected a dynamic that we see throughout the history of black tv, which is having black creatives needing the co-sign of a white person in order to make their thing, even though it's based in the stories they know. - by season two of "good times," john amos was complaining about how his character was not being written in a very authentic way. - so they said, "tell you what. why don't we kill him off, and we'll all get on with our lives." - killed in an auto... - my g

i think eric monte and mike evans proved that. - dy-no-mite!beat funky music) (audience laughs) dy-no-mite. i know might i did a little tiny dynamite just in rehearsal. john rich, our director, says, "i love that dy-no-mite thing. here's how you do it. dy-no-mite!" i said, "john, please, people will never go for this." - then jimmy walker's character takes over, and instead of "good times," you end up with the dy-no-mite hour. - "good times" was a microcosm of what it is to produce black television. - eric monte and mike evans were forced to partner with a white show runner. that reflected a dynamic that we see throughout the history of black tv, which is having black creatives needing the co-sign of a white person in order to make their thing, even though it's based in the stories they know. - by season two of "good times," john amos was complaining about how his character was not being written in a very authentic way. - so they said, "tell you what. why don't we kill him off, and we'll all get on with our lives." - killed in an auto... - my g

davis, montes ganÓ por arriba, el balÓn lo va tener ismael, entre los mexicanos, vamos a ver quÉ hace como jugo con davis, y ericamÁ. >> asÍ es, sale el nÚmero 19, quinteros, para darle paso al nÚmero 18, waterman. y ya te digo el siguiente. el sacrificado es davis, nÚmero 15, ingresa anderson con el 25. >> quÉ busca el tÉcnico? >> el cambio de cecilio, pienso yo, para ir en punta, y se cambiarÍa para el lado de bÁrcenas, y bÁrcenas se irÍa a la izquierda. y aparte, los de davis puede ser ya un tema fÍsico, porque tiene —— viene con un poco de molestias de los partidos anteriores. >> cecilio es muy habilidoso. la tiene orbelÍn, cummings, que te vaya bien, se va a ir expulsado, segunda amarilla. lo acabamos de decir. >> tienes que mantener la calma, termina desconcentrÁndose, un tipo de mucha experiencia. >> pero mira que no lo toca. >> para mÍ si hay un contacto. >> si, pero no es revisable. >> no, porque es amarilla. >> que no te gane el amor. [risas] >> dice que no lo tocÓ. no lo toco. >> cuÁndo viste un defensor que haga una falta que diga " si lo hice". >> hay tarjeta roja y podrÍa ser revisable. >> es amari